REVIEWS

Bellini’s bel canto masterpiece Norma had its premiere at La Scala, Milan, on Boxing Day 1831. After a muted initial response, the opera quickly became popular, and is now a mainstay of the repertory, being particularly acclaimed as a vehicle for the lead soprano. The priestess Norma (Sonya Yoncheva) loves Pollione (Joseph Calleja), leader of the occupying force suppressing her people, and has secretly borne two children by him. But Pollione’s love for Norma has withered, and he now loves her fellow priestess Adalgisa (Sonia Ganassi). Meanwhile, the people urgently look to Norma to lead their rebellion. Norma discovers the love between Pollione and Adalgisa. Furiously she gives the signal for war. Pollione is captured, attempting to steal away with Adalgisa. Norma, called upon to announ...

Inspired by his father Mick Goldstein’s friendship with ‘The Hackney Gang’ (six childhood friends - Harold Pinter, Henry Woolf, Mick Goldstein, Jimmy Law, Ron Percival and Moishe Wernick), Jeremy Goldstein has collaborated with the gang’s only living member Henry Woolf to continue his journey of discovery.  In the 1940’s and 50’s the gang would meet up and throw around ideas about literature and poetry amongst other things, trying to escape from the problems going on in the big wide world and inhabit their own creative world. Previously, Goldstein Jr had worked on adapting his father’s work ‘Spider Love’ with Henry Woolf.  After his father’s death in 2014, Goldstein found a play his father had written and decided to develop it.  I had been written in answer to a book writ...

Adding Machine: The Musical was first developed and performed in 2007 in Illinois, before moving to New York in 2008. In 2016 it was revived at the Finborough Theatre in London for a short run. Based upon American playwright Elmer Rice's 1923 play The Adding Machine, the musical adaptation retains the expressionistic and non-realistic approach of the original. Mr Zero is a faceless accountant in a big company, unrewarded at work and nagged at home by his wife, he loses himself in the numbers his job involves. Things go wrong when instead of the company celebrating him working there for twenty-five years, they lay him off, replacing him with an adding machine. Mr Zero loses his temper and kills his boss, to be arrested, tried and then sentenced to death by hanging. After he dies he finds...

Describing what has happened to the performing arts as a result of the Covid-19 pandemic is difficult and upsetting. In a time when the arts were needed more than ever, stages were emptied and orchestras were silenced for the sake of safety. Royal Opera Houses’ ‘Royal Ballet: Back on Stage’, is more than just a selection of ballet excerpts, but a battle cry on behalf of artists up and down the nation who work on and off stage. It urges us to dream of a future when the arts will be safe and possible again. As the Orchestra of the Royal Opera House begins the Overture from Tchaikovsky’s Swan Lake under the baton of Jonathan Lo, one could be forgiven for thinking the mess was all over-that we were once again back to normal.  At this moment, the orchestra, the dancers, and the theatre ...