REVIEWS Archives - Page 381 of 429

25Jul

By Harriet AndrewsNo Comments

North West

We’re Queer For It – Unity Theatre

Young Homotopia are here to ask the questions that the LGBTQ+ community have been asking themselves for the longest time. The show began with the question of ‘should I go to pride?’ which has been a question many of us have asked ourselves and I thought this was really thoughtfully developed. The idea of ‘am I too gay, am I not gay enough, am I the right kind of gay, would I fit in?’ Is still a very real train of thought for people of all ages wondering whether to go to pride. Many of the methods of addressing stereotypes and the irony of playing out straight stereotypes was a really interesting idea and really entertaining. The game show idea in particular landed very strongly, I just wish the people delivering it could have stood still. The topic of the piece is really...

25Jul

By Philip EdwardsNo Comments

REVIEWS

Naked Hope – Seabright Productions

These days, much is said about people being able to choose pronouns which apply to them. Quentin Crisp is one of the people who might debate his chosen pronoun, yet I get the feeling he would have poo pooed the whole idea. “Be who you are whenever you want” I think I can hear him say in that nasal drawl which was one of his trademarks. That nasal drawl was an attribute Mark Farrelly used sparingly In the first part of the play, but used to great effect in the second part. However, I’m ahead of myself. When we first meet Farrellys’ Quentin recounting his early life, I was distracted by the Phyllis Pearce wig and the dead centre of the forehead microphone. Fortunately, the actor drew me back very quickly with many of Quentin Crisp’s standard phrases “I’m not just a homosexual, bu...

The Play That Goes Wrong – Duchess Theatre

24Jul

By Gaurav SinghNo Comments

London

The Play That Goes Wrong – Duchess Theatre

The first time I’d heard about Mischief Theatre’s The Play That Goes Wrong was way back in 2015, when I was a part of my collegiate dramatics society and found the premise to be absolutely hilarious (and deeply relatable). It was only six months ago that I watched the show for the first time, managing to catch it just before the new year lockdown forced theatres to shut down once again in the UK. When I got the opportunity to watch the show again this week, this time as a press reviewer, I only had one question on my mind – I knew I was in for a hilarious evening, but would the creative team be able to replicate the same spontaneity and surprise that greeted me the first time around? These two elements are the cornerstone for physical comedy, and doing it night after night requires a delic...

23Jul

By Louise PennNo Comments

REVIEWS

Noir – Vertigo Theatre Company

Veronica Smart is as smart as her name. Ambitious, alluring, avaricious. Everything a femme fatale should be. In Vertigo Theatre Company’s 150-minute thriller, filmed largely in black and white with one colour – red – highlighting moments of action or arousal, Mrs Smart plots a dark and sordid revenge when she finds her husband Cliff in flagrante with his secretary. This tawdry tale is introduced by Detective Sal Pelletier, a gravel-voiced man with a permanent cigarette in his hand. As he recounts scene by scene, he watches as we do as the story unfolds. Writer/director Craig Hepworth and producer Karl Burge man the cameras (which are mobile phones) and brought their nine strong cast together in a versatile location – the Great Northern Warehouse in Manchester. Without any experie...

The Show Must Go On! Live – The Palace Theatre

22Jul

By Jenn McKeanNo Comments

London

The Show Must Go On! Live – The Palace Theatre

Who would have thought that a song released 30 years ago this year, would have been so relevant today, and even become the mantra/motto of theatres, shows and performers over the last 18 months?! The Theatre Support Fund was set up in March 2020 by Chris Marcus and Damien Stanton, as a direct response to the pandemic. They work alongside Acting For Others and The Fleabag Support Fund, to provide much needed funds and support to the Theatre community with their ‘The Show Must Go On campaign’. Following on from the success of the t-shirts, posters, notebooks sales (other items are also available); Marcus and Stanton put on a concert celebrating the West End’s fabulous talent and wonderful musical productions, when the restrictions were eased in June. If you missed out on tickets or forgot...

22Jul

By Jackie FoottitNo Comments

Yorkshire & Humber

Romeo & Juliet – Hull Truck Theatre

Sunglasses? Tick. Suncream? Tick. Raincoat? Tick. Cushion? Tick. Blanket? Tick. Was I packing for a staycation weekend? No, just for a trip to the theatre. Let me explain … Hull Truck Theatre’s production of Romeo & Juliet is being staged at the city’s open-air theatre, Stage@TheDock. Hull, on the east coast, can get every type of weather in one day, so the above were just some of the items we theatregoers were advised to carry with us for the performance on Wednesday afternoon. As the temperature hit the high 20s, this fascinating outdoor theatre began to fill up with people of all ages. We were all here for the most famous love story of all, William Shakespeare’s Romeo & Juliet. A jolly accordion player (Nicholas Goode) musically opened proceedings and he was quick...

12 – The Rainbow Monologues – Bombed Out Church

21Jul

By Paul DownhamNo Comments

North West

12 – The Rainbow Monologues – Bombed Out Church

Grin Theatre Company presented this unique and varied showcase of new LGBTQ writing at the closing night of the very successful little Liverpool Theatre Festival produced by Bill Elms. This was a beautiful evening of twelve new monologues that covered many areas of what it means to be LGBTQ and the superb cast (Holly Murphy, Alan Harbottle, Taylor Illingworth, Pam Ashton and Terence Conchie) invested lots of imagination, sensitivity and energy throughout. The show which was directed with great flair and detail by Dan Scott provided the audience with 12 characters in 70 minutes and there wasn’t a dull moment. I would love to see this come back to the stage because more people should definitely see this lovely piece of live theatre. I was particularly moved by the monologue St P...

21Jul

By Gemma PrinceNo Comments

London

Hairspray – London Coliseum

Re-opening at one of London’s biggest theatres, the Coliseum, the West End revival of multi-award-winning musical Hairspray, set in the 1960s, tells the story of young girl Tracy Turnblad who strives to challenge racial discrimination on her favourite TV show. Following theatre’s highly anticipated return to full capacity after over a year of struggles, from the opening number “Good Morning Baltimore” this talented cast truly delivered an exceptional fun-filled evening as if nothing had changed. Jerry Mitchell’s high-energy choreography, David Rockwell’s eye-catching set and William Ivey Long’s colourful costumes offered a warm welcome back to live performance that the industry truly deserved. By the end of the final number “You Can’t Stop The Beat” everyone was dancing and singing i...

20Jul

By Brian MaddenNo Comments

REVIEWS

Friend by Brendan Murphy

Even though it ended in 2004, Friends is one of those sitcoms that has captured the heart of a generation. Fun fact - Gunther (the owner of Central Perk) is the character that appeared in most episodes, outside the six main cast members. Performed by Brendan Murphy, Friend is a whistle stop tour of all 10 seasons of Friends through the eyes of Gunther. Murphy puts a whole new spin on the iconic character, and what could have been if Rachel chose Gunther instead of Ross. Impressively Murphy manages to take the audience from episode 1 where Rachel Green enters Central Perk after jilting her groom at the altar, right through to the final episode where Rachel gets off the plane. Murphy adds in a bit of audience participation and a couple of songs to mix up the delivery. My persona...

20Jul

By Lou SteggalsNo Comments

North West

Chatroom – Altrincham Garrick Playhouse

What would you imagine to be on the agenda for teenagers chatting online? Rating current romantic crushes? How mean mum and dad are for not letting them out past 10? Whether the fat German kid would be more likely to win Willy Wonka’s chocolate factory over Charlie Bucket might not feature on your list, but it is the first vignette of conversation we’re presented with as we join our six teen stars of Enda Walsh’s one-act play Chatroom. Described as a chilling, blackly comic tale, Chatroom looks at themes of online manipulation, cyberbullying and teenage depression, as relatively innocent conversations dissecting children’s literature and pop music are punctured by the arrival of Jim, a young man struggling with suicidal thoughts. This show marks the first production by the Garric...