Saturday, September 21

REVIEWS

Harm – Bush Theatre
London

Harm – Bush Theatre

Harm is a one-woman show, written by Phoebe Eclair-Powell and produced by the Bush Theatre, which explores the fickle nature of human relationships in the backdrop of social media obsession and the ends to which one would go to attain the #blessed life. Commissioned with the support of the UK Government’s Culture Recovery Fund, the show is a thrilling and sharp-witted commentary on the effects of social media and isolation. It was staged live at the Holloway Theatre which serves as the Bush's main space with all social distancing protocols being followed — reduced seating, separate entry points, mask on policy unless exempt – which was reassuring. At the centre of Harm is an unhappy estate agent, played by Kelly Gough, who finds herself stuck in a dead-end job with little to look forwar...
ABBA MANIA – Shaftesbury Theatre
London

ABBA MANIA – Shaftesbury Theatre

“You can dance, you can jive, having the time of your life…!” There really are no better lyrics to sum up Shaftesbury Theatre’s grand re-opening after what has been a challenging and lengthy journey out of lockdown. The night kicked off with an emotional welcome from the theatre's CEO, thanking the audience for returning to the West End, and showing honest appreciation to his team for sticking with him during the pandemic. You could sense from everyone a real gratitude that we were back, and the words “thank you for coming” repeated throughout the evening holding a true sincerity and purpose. It was impossible not to start the evening feeling emotional and it provided the perfect foundation for what proved to be a lively and exhilarating experience for all.  However, that sai...
Play Up from Lantern Writers – St Lukes Bombed Out Church
North West

Play Up from Lantern Writers – St Lukes Bombed Out Church

It was a subdued Light Night Festival in Liverpool this year due to several days of constant downpour and the slow and cumbersome emergence from lockdown restrictions. Lantern Writers (a Liverpool-based playwright collective) staged eight short plays early evening at a small outdoor area in front of a small but hardy audience accommodated under a tiny cover and out-numbered by near-by drinkers. Child's Play. Written and directed by Mark Davoren With Natasha Hale, Chris Hird and Jen Morrow This piece relates some of the writer’s own memories as a boy growing up with two older sisters who conspire to exclude him from their games. The girl's mantra is 'I don't like boys' and he is the fall guy for their tricks with only occasional mediation shouted from an off-stage father. Clearl...
Herding Cats – Soho Theatre
London

Herding Cats – Soho Theatre

As I was not able to make the live performance, this review was conducted virtually.  Even though I was not in attendance at Soho Theatre, it was thrilling to hear the buzz of the audience as they found their seats, with a feeling that live theatre is once again possible.  To enhance this experience, Soho Theatre have used new technology to deliver the first of its kind, a transatlantic theatre experience with two actors performing live on Soho Theatre’s stage, while a US based actor performs live in a studio in LA.   To prepare us for this modern age experience, the staging has a backdrop of a large screen which will be used to beam actor Greg Germann (Saddo), virtually onto the stage.  The play begins with Justine (Sophie Melville) unpacking her shopping, onto...
Decades: Stories From The City 1990s/2010s/2020s – Leeds Playhouse
Yorkshire & Humber

Decades: Stories From The City 1990s/2010s/2020s – Leeds Playhouse

There is always a hum in any theatre before the lights go down, but tonight as creatives and an audience make that unique communion after months apart it feels like the air of expectation is off the scale as we uncomfortably sit in our masks. Typically, the Playhouse have not made it easy for themselves by offering returning theatre lovers six monologues that attempt to meld events from the seventies right through to lockdown with a potted social history of Leeds For me monologues are biggest of all challenge for the writers, performers and this audience who are just relived to be sat in a dark space at last.  It is like stand up with a script as there is no place to go if goes wrong, no-one to bounce off and if the writing is even marginally off it can be torture for all concer...
Waiting for Lefty by Clifford Odets – Two Line Productions
REVIEWS

Waiting for Lefty by Clifford Odets – Two Line Productions

Written in 1935, during the depression, this play was inspired by a real life strike of cab drivers in New York in 1934. On its first performance one critic said it caused, “joyous fervour” amongst the audience. The drivers in the play are overworked and underpaid by their bosses. Their wives and kids are suffering and they are struggling to keep a roof over their heads. They are stuck in a metaphorical traffic jam unable to move forward with their lives. The characters are trapped and looking for a way out. One of the characters says, “The cards is stacked for all of us.” The game they feel is fixed against them and unless they try and change the rules of the game they will be stuck there forever. A ruthless capitalist emphasises the conflict by saying, “If big business went sentime...
Romeo and Juliet – Creation Theatre
REVIEWS

Romeo and Juliet – Creation Theatre

I’ve written previously about the way theatre is having to adapt to the new socially-distanced normal and the creative ways that we’re seeing this being explored across the arts. Romeo and Juliet, presented by Creation Theatre in partnership with Watford Palace Theatre is the third online production I’ve reviewed for North West End UK, and the second of the Bard’s offerings in this format. Here, the virtual audience is able to engage with a unique presentation of this classic tale – first selecting whether they want to be a Capulet or a Montague and then to some extent choosing their own experience. With a mixture of pre-filmed scenes you as an audience member have choices to make throughout the show to see if you can help the star crossed lovers escape their tragic fate. It’s a novel t...
The Secret Garden – Guilford School of Acting
REVIEWS

The Secret Garden – Guilford School of Acting

The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. This enchanting classic of children's literature is reimagined in brilliant musical style by composer Lucy Simon and Marsha Norman, the Pulitzer Prize-winning playwright. The story follows 11 year old Mary Lennox in the early years of the 20th Century, who, orphaned in India is returned to Yorkshire to live with her embittered, reclusive Uncle Archibald and his invalid son Colin. The estate, Misselthwaite Manor House’s many wonders include a magic garden which beckons the children with haunting melodies and the "Dreamers," spirits from Mary's past who guide her through her new life, dramatizing The Secret Garden's compelling tale of healing, rebirth and reawakening, forgiveness and renewal. ...
The Alternative Eurovision Song Contest – The Showstoppers
REVIEWS

The Alternative Eurovision Song Contest – The Showstoppers

I am a self-confessed Eurovision geek! The annual contest is almost like a religious ceremony to me. So, I jumped at the chance to watch the Alternative Eurovision Song Contest by The Showstoppers. Given that social distancing is still part of our daily lives, the entire production was filmed according to the guidelines. With some of the contests taking part from their bedrooms. Clearly it is a challenge to produce any kind of show when the cast are not all physically in the same location, but The Showstoppers did a wonderful job. The show had a mixture of live and pre-recorded segments, which slotted together brilliantly. A few things here and there would have made it even better - but nothing that would distract from the enjoyment of the show as a whole. I think it’s fair to say...
There Will Be Light – Online Fundraiser
REVIEWS

There Will Be Light – Online Fundraiser

An online concert in support of Acting for Others. Created, produced and hosted by Sarah Drake. During the last traumatic year or so when live theatre has been taken from us there have been many online musical concerts put together by various artists to show us what we have been missing. This one stands up there with the best of them. This show is an international fundraiser in aid of the charity “Acting for others” and gives us a veritable feast of excellent singing from a number of performers from Broadway and the West End. Sarah Drake has put together a great show which is in memory of her father who died in October 2020. She has gathered together a number of her musical theatre colleagues who have contributed towards making this a wonderful evening’s entertainment. Opening the sh...