Monday, December 22

REVIEWS

<strong>The Pantomime Adventures of Peter Pan – Opera House, Manchester</strong>
North West

The Pantomime Adventures of Peter Pan – Opera House, Manchester

As one would expect from such a prestigious venue, the Opera House’s annual Christmas pantomime was on a truly epic scale.  As soon as the curtain lifted to a magical, fluttering Tink (Samara Casteallo), floating high above the enormous stage, the audience sensed it was in for an exceptional evening of festive entertainment with breath-taking special effects and screen graphics. A brief, child-friendly synopsis of the storyline was given by Tink to familiarise the audience with the upcoming plot before a colourful array of high-energy ensemble dancers dressed in jungle costumes stepped up the gears to mark the beginning of a vibrant, action-packed visual extravaganza. The vivid, gaudy artwork of the multi-dimensional stage set was a sight to behold and matched the ostentatiousness ...
<strong>Goldilocks and the Three Bears – Epstein Theatre</strong>
North West

Goldilocks and the Three Bears – Epstein Theatre

I think I’m in love with a pantomime villain. We’ll come to the snake-hipped Von Vippemall in a moment. Firstly, an acknowledgement that in an absolute ocean of Pantos, it can be very difficult to stand out from the crowd. But Regal Entertainment’s offering, directed by Chantelle Nolan, has not so much raised the bar as smashed it into orbit with the perfect blend of music, slapstick and a few fantastic circus acts to literally put a new spin on a well-known fairytale. The familiar plot of Goldilocks gets dispensed with in about two minutes flat so that we can focus on a far more interesting tale – Goldilocks (played by the charmingly bubbly Olivia Sloyan) is now a circus entrepreneur with her mother, Dame Gertie (Britain’s Got Talent favourite, Mama G, from Dame Nation) with the thr...
<strong>Paradise Now! – Bush Theatre</strong>
London

Paradise Now! – Bush Theatre

Paradise Now! reflects the growing empowerment of women in our society, showing both unity and darker, more toxic aspects. The play begins in Gabriel and her sister’s living room, showing a stark contrast between Gabriel’s depression induced exhaustion and Baby’s post work fatigue. When Gabriel meets Alex who sells essential oils for a company called Paradise, her life is given a new sense of purpose. The two go on to recruit more members of the team, we meet Rose and Laurie. All driven by money and success, they repeat the same spiel about connecting to your inner goddess to drive sales. Some climb up the ladder and others struggle, as they eventually reveal hidden truths about themselves in an intense team building workshop. Shazia Nicholl plays Alex, the forcefully ambitious leade...
<strong>Dolly Parton’s Smoky Mountain Christmas Carol – Southbank Centre</strong>
London

Dolly Parton’s Smoky Mountain Christmas Carol – Southbank Centre

Dickens' tale of poverty, inequality and transformation has been a staple of the holiday season since it was first published in 1843. While Dickens was highlighting the terrible deprivation of the London slums, Dolly Parton's new musical takes the audience to the Appalachian Mountains in 1936, at the height of the Depression. As in the original tale, Ebenezer Scrooge owns everything in the town, having taken over ownership of the mine, shop and bank from his partner, Jacob Marley. The inhabitants of the town work all hours for a pittance for Scrooge, struggling, scrimping and saving, but finding joy in their families, and in their hopes and dreams. There's no such joy in Scrooge's life, and he focuses all his time and energy on making and saving money. He has no-one and regards Christmas a...
<strong>Jazz Emu: You Shouldn’t Have – Soho Theatre</strong>
London

Jazz Emu: You Shouldn’t Have – Soho Theatre

A screen cycles through a mixed bag of tweets sent to the mysterious Jazz Emu (Archie Henderson) as we wait for the show to begin. The elaborate, bright red set designed by Bonson Bonsonson JR matches his grandiosity and has a talk show feel. He parades out in a metallic emu helmet and begins a song about his proficiency and brilliance while his equipment malfunctions. Jazz emu’s eclectic character is like the result of putting a scientist, evil mastermind, superhero and a presenter in a blender. Henderson is a natural performer with his expressive darting eyes, an array of physicality and sharp comic timing directed by Adam Flynn. We are welcomed into his existential, disco-like, jazz-emu-centred world where if he’s not thinking about himself, he’s wondering about how microwaves wo...
<strong>Sons of the Prophet – Hampstead Theatre</strong>
London

Sons of the Prophet – Hampstead Theatre

I begin watching any show by giving it my full attention, like any respectful audience member. But how long can one keep the focus if the production doesn’t meet you halfway? Sons of the Prophet, unfortunately, doesn’t do much to keep the audience engaged through story or performance. The production design by Samal Blak is elaborate, with the stage accommodating multiple settings spanning across two levels. Such expanse is more typical to larger shows and musicals that have larger-than-life storytelling. For this story exploring the intimacies of a family in rural Pennsylvania, constantly moving across different spaces in 105 minutes took away from the inner conflict and intricate complexities of the themes being explored. Each scene is titled like a book chapter and takes place in a di...
<strong>Jack And The Beanstalk – Hull New Theatre</strong>
Yorkshire & Humber

Jack And The Beanstalk – Hull New Theatre

I hate audience participation of any kind but found myself “booing” at the top of my lungs within two minutes of Hull New Theatre’s pantomime, Jack And The Beanstalk, starting. The object of my, and the rest of the fullish theatre’s vocal disapproval on Sunday evening, was Mrs Blunderbore (well done to local girl Chelsea Hall on a memorable panto debut), wife of the fearsome giant who lives at the top of the beanstalk. This age-old fairytale tells the story of simple farmers Jack Trot (Gareth Gates), his brother Silly Simon (Neil Hurst), their mum Dame Trot (Jack Land Noble), and Jack’s love interest Princess Jill (Allana Taylor). Under severe financial pressure and threats from the evil giant and Mrs Blunderbore, the Trots sadly decide to sell their cow Daisy - hopefully to a kin...
<strong>Once Upon a Snowstorm – Traverse Theatre</strong>
Scotland

Once Upon a Snowstorm – Traverse Theatre

This gentle rendition of Richard Johnson’s wordless picture book, adapted and directed by Jo Timmins, produced by Lyra and with support from Catherine Wheels, is a surprisingly effective Christmas gift, very nicely wrapped and presented on the modified stage, turned grotto of the subterranean Traverse 2. A delicate piece of theatre from talented duo, Adam Tompa and Fay Guiffo, who work closely together to recreate the touching relationship between father and son, and their desperation when they become separated during a snowstorm in the deep woods. Guiffo’s particular gift for electric violin is very nicely integrated into the piece to recreate through sound the snowy textures and dulled stillness of their crystalised world and the animals which inhabit it. The set design by Sophie G...
<strong>Hex – National Theatre</strong>
London

Hex – National Theatre

Merry Christmas from the National Theatre in their extraordinary retelling of Sleeping Beauty’s story in the obscure and utterly brilliantly unusual ‘Hex’ directed by Rufus Norris and based on the book by Tanya Ronder. This piece threw what I know about the story at the wall and dissected everything. What it means to love, who to love and why we make the choices that we do. Paired with stunning composition by Jim Fortune, we are left leaving with the biggest smile mixed with awe asking “How. Did. They. Do. That.” To begin, a mega shoutout to Neïma Naouri who plays the understudy of ‘Fairy’. I am so glad I got to watch their performance as they brought such sweet naivety and passion to this role, truly a stunning performer to keep us engaged, at the end of our seats thinking ‘There’s no ...
<strong>The Hours – Metropolitan Opera Live in HD</strong>
REVIEWS

The Hours – Metropolitan Opera Live in HD

The world-premiere staging of Kevin Puts’ The Hours, adapted from Michael Cunningham’s acclaimed novel, which also served as the inspiration for the Oscar-winning film, arrives in cinemas worldwide this December. In her highly anticipated return to the Met, soprano Renée Fleming joins soprano Kelli O’Hara and mezzo-soprano Joyce DiDonato to portray three women from different eras who grapple with their inner demons and their roles in society. As Virginia Woolf (DiDonato) tinkers with the opening line of her new novel – Mrs Dalloway – in 1923 England, 1999 New York sees Clarissa Vaughan (Fleming) throwing a party for her friend Richard (Kyle Ketelsen), who is dying of AIDS, whilst in 1949 Los Angeles, Laura Brown (O’Hara) reads Mrs Dalloway in bed whilst dreading her duties as wife and m...