REVIEWS Archives - Page 357 of 548

<strong>Closure – HOME Manchester</strong>

30Jan

By Mark DavorenNo Comments

North West

Closure – HOME Manchester

Alex (Conor Burns) and Laura (Nina Holland-Smith) arrive at a dinner party hosted by Laura’s friend Mia (Faye Draper) where they soon discover that all is not as it seems, in fact they may not even leave alive… Written by Draper and directed by Maz Hedgehog, Closure takes black comedy into its darkest corner as it unravels women’s rights, wrongs, and feminine rage. Understandably there is a trigger warning as the piece contains scenes of violence and drowning, strong language, and distressing themes including reference to rape and sexual assault. First and foremost, this is a play dealing with subjects that are far too often glossed over or avoided so I wholeheartedly welcome it for that alone. It does however need longer than the scheduled hour because the set-up was somewhat hurrie...

<strong>Ellen Kent’s La Boheme – Opera House, Manchester</strong>

28Jan

By Paul WilcoxNo Comments

North West

Ellen Kent’s La Boheme – Opera House, Manchester

Producer Ellen Kent has created a niche in the theatrical world over the last three decades, importing the best of traditional ballet and opera from Eastern Europe to be staged here in the UK. Given the ongoing war in Ukraine and subsequent political upheaval, it is a testament to her tenacity that she has managed to bring 'The Ukrainian Opera & Ballet Theatre' from war torn Kyiv, on a Spring tour to the UK, beginning at Manchester's Opera House. The small company of approximately a dozen, supplemented by local young artists and supported by a full orchestra, will be showcasing classic works by Puccini and Verdi over the next four months; Madama Butterfly, Aida and La Boheme. Ah, 'La Boheme'! At this point I have to confess my history with Puccini's impossibly romantic story of doom...

<strong>Sound of the Underground – Royal Court</strong>

27Jan

By SJ RobertsNo Comments

London

Sound of the Underground – Royal Court

‘Sound of the Underground’ by Travis Alabanza [BURGERZ, Before I Step Outside [You Love Me] and co-created by Debbie Hannan [Constellations, The Panopticon] is an angry, ambivalent, and vibrant call to arms in a crisis of money, dignity, culture and community. This brilliant two act evening of radical art, comprised of some of the brightest stars in the current grass roots drag scene, presents us with these problems and the/a solution- radical art and the rejection of commodification. After a review style introduction to the show (heavily featuring the excellently crass Midgitte Bardot), we are presented with a one scene play. Informed by the traditional theatre setting and location (the salubrious Sloane Square) the curtain rises to a modern kitchen box set. The play begins: beige, ...

<strong>The Strange Case of Dr Jekyll and Mr Hyde – Jack Studio Theatre</strong>

27Jan

By Paul AckroydNo Comments

London

The Strange Case of Dr Jekyll and Mr Hyde – Jack Studio Theatre

The Strange Case of Dr Jekyll and Mr Hyde written by Robert Louis Stevenson in 1886 will be familiar to many. However, in order to avoid impairing the pleasure of those who do not know the story I will be circumspect in this review about the plot. This one-man stage adaptation has been written and performed by Mark Stratford. It closely follows the plot and characterisation in Stevenson's original. The play starts with the investigating officer Inspector Newcomen explaining to the audience of background to the case and introducing the testimony of Gabriel Utterson, the lawyer and friend of Dr Henry Jekyll. Concerned by the strange behaviour and disappearance of his friend plus a strange will left in his keep, Utterson starts to investigate and soon comes across the str...

27Jan

By Hannah EsnoufNo Comments

North West

Touch – Unity Theatre

Becky Downing has carefully crafted a beautiful script that brings four people’s stories together. As they were playing to a sold-out crowd, there was high expectation for the long-awaited verbatim piece, and it was received with great warmth. Verbatim, for those that are unaware, is a theatrical device where the real words of people are used in the script. In this instance, it was handled well, and the language of those people was owned and honoured by those on stage. Set over one day, this play tells a lot more about the connections between four neighbours, and for me the best moments were when everyone was still. At times it felt that the movement in and around the space was scripted and not spontaneous, which distracted from what was being said. Using a wonderfully diverse cas...

<strong>Noises Off – Phoenix Theatre</strong>

27Jan

By Alan Stuart MalinNo Comments

London

Noises Off – Phoenix Theatre

Michael Frayn’s ‘Noises Off’ is 41 years old this year, and yet it still manages to hold the audience in stiches from start to finish. Even after all this time, it remains a highly entertaining and truly hilarious comedy. In the very unlikely event that the reader is unfamiliar with the storyline, it is a farce within a farce, following the comedic and highly energetic mishaps of a small time theatre company as they perform a fictional play, "Nothing On". Frayn’s expertly crafted script, filled with puns, innuendo, snappy one-liners, and physical comedy, keeps the audience in fits of laughter throughout, and this latest version’s pacing is spot-on, with expertly choreographed action, and impeccable timing of jokes, which is a testament to Lindsay Posner’s skilful direction and the brill...

Madama Butterfly – Manchester Opera House

27Jan

By Jan MellorNo Comments

North West

Madama Butterfly – Manchester Opera House

What a privilege to be able to see one of Puccini’s most iconic operas, in one of auditoriums built for such a performance – at the Opera House in Manchester. I was so delighted to see this (even if it was on a school night!) and as it was a packed house so were a lot of people. The set was stunning, with the Japanese pagoda and trees across the stage and as the curtain rose we were taken to a mountain top village in Nagasaki, where life was simple, traditions obeyed and love was strong. Lieutenant Pinkerton of the American Navy, awaits his bride to be, the 15 year old naïve Cio-Cio-San, and is shown around his mountain top home by the marriage broker Goro. The American is joined by the American Consul Sharpless, who has adept knowledge of Japanese traditions and knowing that t...

<strong>Jersey Boys – Edinburgh Playhouse</strong>

27Jan

By Greg HolsteadNo Comments

Scotland

Jersey Boys – Edinburgh Playhouse

Twelve months into an epic 18-month tour of the UK and Ireland, Jersey Boys splashes down at Edinburgh Playhouse. The lines are smooth as silk, the choreography is on point, hair is perfect, music is tight and the vocals – well… they are simply fantastic, and from the look of the packed audience, dancing, singing and whooping by the finale there is no denying this slick production is a hit. Having previously seen this musical 3 years ago, my expectations of being slightly bored by what I recalled as a somewhat formulaic juke box musical were quickly blown away by the sheer energy of this new cast with superlative acting and by the imaginative and brilliant staging. The two-storey scaffold set looked simple but with imaginative modelling and brilliant choreography the actors moved around...

<strong>Notre Dame – Online Digital Theatre</strong>

27Jan

By Kiefer WilliamsNo Comments

REVIEWS

Notre Dame – Online Digital Theatre

Victor Hugo’s seminal gothic work is brought to life in a new adaptation from writer Stuart Crowther in this live online one-shot promenade performance from the exciting Threedumb Theatre. The story is basically one of obsession and retribution as the three main characters (Esmerelda, Frollo and Quasimodo) plummet into a vortex of passion, hatred and violence. Crowther’s exquisite script breathes new and vibrant life into a story that is perhaps over familiar to many, but the strength of the writing ensures that the characterisation is both fresh and dynamic. Stephen Smith’s adroit direction is thoughtful and painstakingly detailed throughout and he gets some fine performances from his small cast of four. Gary Duncan as the tortured Quasimodo gives a hugely sensitiv...

<strong>Tam O’Shanter, Tales and Whisky – Traverse Theatre</strong>

27Jan

By Wendy McEwanNo Comments

Scotland

Tam O’Shanter, Tales and Whisky – Traverse Theatre

One Burns Night, a group of friends gather around the soothing glow of a campfire in an Edinburgh forest, to tell stories and sing songs. On a chilly January afternoon, Traverse 2 is sold out as folks gather to celebrate the poetry and music of Scotland. The set, by Polly Morris, is cosy – a campfire, with logs for the performers to sit on, and the musicians at the back in amongst the spooky trees. The lighting, by George Cort, creates a dappled forest floor effect. When I came downstairs to go into the theatre, I briefly thought I had got lost, and that I was about to go outside. Happily, the room is nice and warm, and not at all Januaryish in temperature. Some tickets include a complementary nip of whisky, which would further enhance the atmosphere, but sadly I’m dri...