REVIEWS Archives - Page 357 of 559

6Mar

By Riana HowarthNo Comments

London

My Dead – Barons Court Theatre

From growing up in Washington state, to her flat in South Ealing, Carolyn Hartvigsen has traversed the continents but the story she tells is of her ancestors, and the distance between her and them. Walking onto the stage in wonder, Hartvigsen reels us in, with heightened intimacy in the old pub basement space of the theatre. She whips out a small tree, with photos of her family members attached to the leaves with herself as the tree trunk. She shares a carefully and truthfully woven patchwork of her personal life, her ancestors’ stories, and her reactions to them and how they help her reflect on her circumstances. With an unerring fear of death, she seeks understanding from her dead family, and how they lived. As she discovers that one of her great grandfathers was polygamous and...

6Mar

By Marita MatarNo Comments

London

Rat King – Vault Festival

For about an hour or so, I was shaken by a journey of strong feelings being part of an immersed setting depicting an encounter one could relate to from different perspectives. Rat Kingwritten by Bram Davidovich, directed by Mark Hilton and played by Georgina Tack (Kelly) and Jacob Wayne-O’Neill (Jacko) presents the story of a girl, Kelly, clearly from better-off family who meet Jacko -which sounds as ghetto- a man ingrained in his condition of homelessness as she was running away from home. They soon start developing a bond that goes into an uncommon story notably in uncomforting ways; the girl’s persistence to ‘fix’ Jacko and drag him into arts as well as Jacko’s obsession with her. I was amazed by the actor’s performance and the staging of the piece. Choosing to set the audience...

3Mar

By Marita MatarNo Comments

London

Barely Visible – Jacksons Lane

"How can you know you're a lesbian if you've never been with a woman?" was one of the interesting thoughts made by an audience member concerning the subjects addressed by Rowena Gander, who had us spellbound with her outstanding performance. Barely Visible is a solo performance choreographed and performed by Rowena Gander, directed by Elinor Randle, and backed by a creative team that worked with digital tills and lighting to generate the ambiance. The performance addressed lesbian identity; one that is questioned, banalized, sexualized, objectified, and fetishized. “I always wanted references to relate to” was Rowena’s answer to Elinor’s question “Why did you put on this show?”. Barely Visible problematizes people’s perception of lesbianism that stems from misogynistic and patriar...

An Absolute Farce of a Murder Mystery – Drayton Arms Theatre

3Mar

By Gonzalo SentanaNo Comments

London

An Absolute Farce of a Murder Mystery – Drayton Arms Theatre

Seeing a play taking on a very well-known genre and trying to reference it, turning it into something different, is an entertaining and educational experience, though things can turn out less interesting than expected, if the intentions are better than the implementation. This show, written by Peter Rae, and directed by Helen Bang, both doubling as actors, is an attempt at making fun of the genre of the Murder Mystery trope. While the intentions are clear from the beginning, the actual running of the show is a hot mess of overly saturated references and misplaced punchlines. The show starts with "Manning – The Butler", portrayed by Christian Ballantyne, who is cleaning some props on stage, and makes the first attempt at getting the audience to laugh, when spitting a candleholder whil...

Rachmaninov’s Piano Concerto No.3 – Royal Liverpool Philharmonic

3Mar

By Ezzy LaBelleNo Comments

North West

Rachmaninov’s Piano Concerto No.3 – Royal Liverpool Philharmonic

Stunningly absorbing, this performance of Rachmaninov's Piano Concerto No.3 conducted by Domingo Hindoyan is unmissable. Considered as an archetype showpiece, the concerto is renowned for being a challenge and demands technical prowess - pianist Sergio Tiempo rises to this and more, demonstrating what a maestro he is. Composed in the summer of 1909, the concerto is composed for a solo piano and an orchestra. It is split into three sections and this performance takes all three of those on with barely sixty seconds between each. This is a performance of endurance as well as technical mastery. Sergio Tiempo was not originally billed to perform tonight, making his playing all the more impressive. Throughout most of his playing, he subtly smiles and loses himself in the intensity of pl...

How To Break Out of a Detention Centre – Riverside Studios

2Mar

By Marita MatarNo Comments

London

How To Break Out of a Detention Centre – Riverside Studios

“I was born in a strange century where people are taken to jail because they were born with a heart that beats for honesty and justice” – Nawal el Saadawi (Memoirs from the Women’s Prisons, 1984). It is with deep solidarity that the production paid tribute to women in detention centres in the UK, and it is with tremendous honesty that art consolidated with social causes brings justice to women in detention, choosing to sensibilise the public’s eye rather than choosing to stay silent. Allowing visibility for women suffering because of multiple systems of oppressions for a staged production is an empathetic choice by nature. How To Break Out of a Detention Center? A compelling world premiere of a female migrant led international co-production from BÉZNĂ Theatre and Romanian theatre compan...

The Beekeeper of Aleppo – Liverpool Playhouse

2Mar

By Jenn McKeanNo Comments

North West

The Beekeeper of Aleppo – Liverpool Playhouse

Of all the jobs in the world, one of the ones you’d probably least associate with Syria, is beekeeping. Based on the book by Christy Lefteri, who was a volunteer at a women and children’s refugee camp in Athens, the play tackles the topic of the Syrian war and a refugee and his wife, who leave Syria and are trying to seek asylum in the UK. With adaptations from a book and especially one that deals with such a serious issue as this one, it can be hard to get it right. Getting the message across in just the right way can be difficult, but this production from Nottingham Playhouse, Liverpool Everyman and Playhouse and UK Productions Ltd hits the spot. Getting the mix of serious and funny across was done extremely well and despite the subject matter, you left the theatre having had a thorou...

2Mar

By Louise KershawNo Comments

North West

Better Days – The Carlton Club

You don’t have to go far in Manchester to find a now grey haired 50 something who will become positively wistful should you mention words like Hacienda, doves and rave. They will enthusiastically monologue about the greatest years of their lives and the camaraderie they experienced amongst their peers. I have been guilty of this myself on occasion. Ben Tagoe’s poetic story tells of 19-year-old Danny’s journey from the violent football terraces of the late 1980’s to the euphoric dancefloors of the early 90’s. The piece makes a seamless transference from the pleasure felt from the ‘threat of beautiful violence’ within the subculture of football hooliganism to the absolute joy experienced within the subculture of an emerging ecstasy fuelled rave scene. Leaving his terraced home, clad in...

2Mar

By Maani WayNo Comments

London

Oklahoma! – Wyndham’s Theatre

A hit for over 75 years, the Tony Award-winning musical ‘Oklahoma!’ returns to London, bringing its charm, humour and heart with it. The classic tale of who will win the girl is transformed into a contemporary and deep portrayal of modern lust, with exotic artistic choices and set design utilised to revive this show. As the audience take their seats, they are met with bright blinding lights which remain almost constant, focusing the audience’s attention and indicating what’s to come. In addition to the sunlit stage, the set is panelled with a pine wood aesthetic, creating a modern barn feel, with shotguns displayed proudly on the walls. The set is kept minimal, with one long wooden dining table and several wooden chairs. The show begins abruptly, as no curtain is used. The audi...

Around the World in 80 Days – Blackpool Grand

2Mar

By Lou SteggalsNo Comments

North West

Around the World in 80 Days – Blackpool Grand

Shakespeare once famously compared the world to a theatre stage in As You Like It – tonight, theatre company Tilted Wig have turned things on their heads to make the stage a world. This energetic take on Jules Verne beloved tale of Phileas Fogg, the London gentleman who wagers his fortune and reputation on a bet that he can circumnavigate the globe in 80days or less, has been adapted and directed by Juliet Forster. Forster has added a new depth to the journey by weaving it around the real-life memoirs of Nelly Bly, a pioneering American journalist who took on Fogg’s fictional journey and bested his time by a week. And she cleverly takes time to address the more uncomfortable moments of oppressive patriarchy and colonialism within Verne’s novel, without glossing over or censoring them...