REVIEWS Archives - Page 353 of 548

Pride and Prejudice (*Sort Of) – Richmond Theatre

14Feb

By Zara OdetundeNo Comments

London

Pride and Prejudice (*Sort Of) – Richmond Theatre

After an extremely successful run in the West End, this retelling of Jane Austen’s most famous love story is on tour, and I had the pleasure of viewing their Richmond theatre stop. This is the classic story we all know told through a very different lens. Pride and prejudice (*sort of) is a masterclass in comedic storytelling and audience engagement. The story starts with the servants of Austen’s iconic characters detailing their involvement in making sure these love stories end the way we all know and love. This is one of the funniest plays that I have seen in a while with so many laugh out loud moments, that I think I was laughing for 2 and half hours straight. There were multiple points in the show where the audience burst into spontaneous applause born from the sheer hilarity of t...

14Feb

By Anne PritchardNo Comments

North West

Rita Sue and Bob Too! – Epstein Theatre

This comedy-drama production is based on the British film, ‘Rita, Sue and Bob Too’ which burst onto screens in 1987, adapted by Andrea Dunbar based on two of her stage plays, ‘Rita, Sue and Bob Too’ (1982) and ‘The Arbour’ (1980); the play was first performed with the strapline, ‘Thatcher’s Britain with her knickers down’. Set in Bradford, it tells the story of two teenage schoolgirls, Rita and Sue, who embark on a sexual threesome with a married man; the girls, both from working-class backgrounds, live on a deprived council estate and are finishing their final year at school. To earn money, they babysit for married couple Bob and his wife, Michelle who live in a modern house on an executive development on the wealthy side of town. Without his wife knowing, Bob enjoys sex wi...

Scottish Opera: The Verdi Collection – Usher Hall, Edinburgh

13Feb

By Greg HolsteadNo Comments

Scotland

Scottish Opera: The Verdi Collection – Usher Hall, Edinburgh

Two 30ft tall gilded iconic Columns and Pilasters support the muscular un-curtained proscenium arch framing the gargantuan stage of the Usher Hall, internationally acclaimed music venue. It is angular, strong unfettered and on the tiered stage the orchestra of Scottish opera are arranged, and ready. The orchestra immediately launch into a frenzied overture, La Forza del destino, under the baton of Stuart Stratford, which puts a wide smile on the faces of the nearly full audience. Stuart then, rather breathlessly, addresses the packed audience and introduces a collection of some highlights from the middle years of Giuseppe Verdi, one of opera’s most beloved and recognisable figures. The format of the show is somewhat problematic, without a set, costume changes, lighting effects or pro...

13Feb

By Greg HolsteadNo Comments

Scotland

Madama Butterfly – Edinburgh Playhouse

Three weeks into a five-month tour of the UK, Director Ellen Kent brings the Ukrainian Opera and Ballet Theatre, Keiv, to Edinburgh Playhouse with a triple bill of La Bohème, Madama Butterfly and Aida, playing on consecutive nights. This is quite an undertaking for any company, but Ellen Kent who is celebrating thirty years of bringing opera and ballet to the UK was never likely to take the easy option. And if this powerful rendition of Puccini’s masterpiece, Madama Butterfly, does not move you, the finale featuring a passionately sung Ukrainian National Anthem, together with ubiquitous blue and yellow flag, surely will. Madama Butterfly is perhaps the best known of Italian composer, Giacomo Puccini’s 12 Opera output. The story is set in 1904, when the Russo Japanese war is taking place...

13Feb

By Gonzalo SentanaNo Comments

London

Cirque Berserk! – Riverside Studios

Imagine you could fly. Imagine that the air is your house, and that floating above the ground is where you thrive and show your true self, shining and gliding without any efforts. And then, you will understand what it feels to see Cirque Berserk! Celebrating its tenth anniversary with a series of performances in Riverside Studios, this amazing theatre-circus spectacular combines contemporary circus-style artistry with a very traditional circus feeling in some of its acts. Inside of the stage, from the very beginning of the performance there is a huge cage in the shape of a ball, creating anticipation for what is presented as the main event, although every single moment of this show is charged with as much adrenaline and astonishing acrobatics. Starting with a group of acrobats jumpin...

13Feb

By Gonzalo SentanaNo Comments

London

She – Tara Theatre

Come into the life of two or 14 characters, from birth to death, and live, laugh, sing and cry with them. We challenge you not to. That could be in the doorstep of Tara Theatre when "SHE" is on. "SHE", written by Anthony Clark, is a play comprised by seven short plays. Though largely unconnected, the stories remain attached one to the other through the work of the two young actors on an almost unchanging space, that becomes resignified through the words and actions of the characters in each piece. The interestingly simple design of the space, in charge of Jessica Curtis, domestic but ambiguous, makes us believe that all those spaces could actually look like that, precarious and almost decadent, yet endearing and warm. Loosely inspired by the Seven Ages speech in Shakespeare's As You ...

12Feb

By Khushboo ShahNo Comments

London

This is the Land – Vault Festival

Five ghost-like, unidentifiable, unreal performers, all in black, inhabit the stage from start to end and present a visceral and powerful series of images, movement and sound sequences occasionally breathing life into props around- chairs, threads of cotton, grocery and coats! Directed by Mary Steadman and created in collaboration with performers Leeza Jessie, Alice Barton, Xavier De Santos, Samuel De La Torre, and Sofia Velez, This is the Land indeed creates an atmosphere of dream-like liminality using themes associated with the cycle of seasons. It does so by channelling some narratives or images that might emerge using the archetype of Trickster- the one who defies conventional behaviour and is not afraid to experiment. While it was not always possible to comprehend a singular na...

Love Beyond (Act of Remembrance) – Traverse Theatre

12Feb

By Louise BalaguerNo Comments

Scotland

Love Beyond (Act of Remembrance) – Traverse Theatre

Love Beyond is a moving and deeply poetic piece of theatre. Part of MANIPULATE Festival 2023, and presented by Raw Material and Vanishing Point, the two performances at the Traverse Theatre on Friday 10th February and Saturday 11th February mark its UK Premiere. And what a successful premiere it was. With a sold-out performance and bustling bar filled with excitement both before and after the show, the awe felt by the audience was palpable. Written by Glasgow-based Singaporean theatre maker Ramesh Meyyappan and directed by Matthew Lenton, the story follows Harry (played by Meyyappan himself), an elderly man with dementia and sign language user, as he moves into a new home, and is subsequently flooded with memories of past times spent with his wife. His first interaction with his carer, ...

Who’s Afraid of Mikey Garland? – Hope Street Theatre

12Feb

By Mark DavorenNo Comments

North West

Who’s Afraid of Mikey Garland? – Hope Street Theatre

Drawing upon his own experiences of homelessness from the age of five, Liverpool-based rapper Mikey Garland narrates the course of his life around his debut album of the same title in this production from ArtsGroupie CIC. The show carries a content warning relating to themes which may be triggering to some people, so audience discretion is advised. Garland employs a simple set with minimal props to support the stages of his journey over the course of the last twenty-eight years and this works well given he is a visually engaging performer with numerous costume changes supporting the performance of each of the twelve songs. The stage descends to darkness between songs with a voice over detailing the background experiences in Garland’s life at each point in time. Whilst this effectivel...

Live to Tell (a Proposal for) The Madonna Jukebox Musical – Omnibus Theatre

12Feb

By Stewart Who?No Comments

London

Live to Tell (a Proposal for) The Madonna Jukebox Musical – Omnibus Theatre

You may have noticed that Madonna is having a moment. Again. She’s announced a tour that’s seen a demented scramble for tickets. Her appearance, following surgical face-tuning is hotly debated on TV, TikTok and the 77 bus to Tooting. The 64-year-old appears to be getting high and hanging out with hip-hop dons and trans stars, while sharing her exploits on Insta like a gobby teen. This showbizzy noise almost drowns out her musical back catalogue and it’s all a stark contrast to her revolutionary HIV/AIDS activism in the ‘80s and ‘90s. Madonna bigged up safe sex, challenged HIV stigma and supported the American Foundation for AIDS Research (amfAR) on her 1987 tour. She delivered this advocacy loudly, when it was controversial and potentially damaging to her career. Madonna released ...