REVIEWS Archives - Page 35 of 563

13Oct

By Brian MaddenNo Comments

North West

Snake in the Grass – Octagon Theatre

Would Snake in the Grass go with a bump, a bang, or a flop? Definitely not the latter. The Octagon Theatre Bolton’s gripping production of Alan Ayckbourn’s darkly comic thriller delivers a night of theatre that is equal parts chilling, suspenseful, and wickedly funny. Performed in the Octagon’s intimate space, the audience is drawn straight into the heart of a decaying family garden where secrets fester and ghosts real or imagined seem to lurk in every shadow. The story centres on Annabel Chester (Sue Cleaver), who returns home after her abusive father’s death. She’s physically and emotionally fragile, her father’s cruelty still haunting her. But her uneasy homecoming takes a sinister turn when her father’s former nurse, Alice (Lisa Zahra), arrives with a blackmail scheme, claiming ...

Radio Live: Next Generation – Battersea Arts Centre

13Oct

By Ralph JeffreysNo Comments

London

Radio Live: Next Generation – Battersea Arts Centre

Radio Live: Next Generation is not really a play, nor does it claim to be. It is something else altogether. Over two hours, Aurélie Charon speaks to two interviewees: Oksana Leuta, from Ukraine, and Amir Hassan, from Gaza. They recount stories of their childhood, their families and their communities. Then they tell us about the wars that have disrupted all of these things. It is an even-paced few hours in the theatre, never really seeking to grab you, but never lagging either. Whether the memory being discussed is extreme or more every day, it is approached in a similar fashion, with Charon asking her questions simply. Crucially, the focus of the interview is entirely on the experiences of Hassan and Leuta. The politics of the play are thus firmly grounded in the personal. This is th...

13Oct

By Holly SewellNo Comments

London

Da Vinci’s Laundry – Riverside Studios

What gives a piece of art its value? Is it purely aesthetic? Is it arbitrary, decided in reverse once a piece’s price is set? Why did Jeff Koons’ Balloon Dog sell for nearly $60 million? These are the questions grappled with by auctioneers Christopher and Milly in Da Vinci’s Laundry when they are forced to go through with a $450 million sale of a recently uncovered Da Vinci that they know is a fake. Keelan Kember's’ choice of high-end art as a subject is full of potential. He paints a picture of a world run by the dirty rich, where art experts’ opinions are reduced to box-ticking exercises that can in any case be overruled by those with enough power. Christopher, the timid auction house representative, is threatened with a 100-foot plummet from a gangster's balcony if he refuses to sell...

Arcade at Darkfield – Queen Elizabeth Olympic Park

13Oct

By Alan Stuart MalinNo Comments

London

Arcade at Darkfield – Queen Elizabeth Olympic Park

Stepping into ‘Arcade’ at Darkfield’s shipping container village feels like entering another realm entirely. You are walked into a brightly lit container, handed a headset, plugged into an arcade style game unit and then plunged into complete darkness. Suddenly you are surrounded by the hum of machines, the click of coins, and a disembodied voice that seems to know way too much about you. It is immersive theatre stripped to its essence, with no visuals and no visible actors, yet it feels completely cinematic and totally immersive. The sound design is remarkable, creating a 360-degree world of nostalgia, menace, fear and intrigue that makes your pulse quicken even though nothing traditional is taking place. ‘Arcade’ plays with ideas of memory and control, turning a simple arcade game...

10Oct

By Katie LeicesterNo Comments

North West

Finding Nemo Jr – Z-Arts

It’s time for the Apprentices to shine! Manchester Musical Youth’s (MMY) latest production, Finding Nemo Jr, swam onto the Z-arts stage this week and what a splash it made. With a 34-strong cast of young performers, this vibrant musical adaptation of Disney and Pixar’s beloved underwater adventure truly showcased the depth of talent within MMY’s apprentices. Directed by Shannon Holland with Sarah Barron as Assistant Director and produced by the ever-fabulous Kimberly and Dave Holden, the production captured the heart and humour of the original film while allowing every performer to sparkle. Finding Nemo Jr features music and lyrics by Kristen Anderson-Lopez and Robert Lopez, and a book adapted by Lindsay Anderson. The story follows Marlin, an anxious clownfish father who embarks ...

10Oct

By Paul WilcoxNo Comments

North West

Orphans – King’s Arms Theatre

Over the last few years, Lisa and Colin Connor have quietly built something special in the small pub theatre above the King’s Arms on Bloom Street. As the area rapidly succumbs to gentrification all around it, this beacon of Salfordian working-class culture continues to produce exciting and interesting work, giving voice and opportunity for local creative stage talent to shine. This superb run of form continues with a blistering new production of ‘Orphans’, the 2009 piece by Dennis Kelly exploring urban violence and the moral quandaries that family obligations place us under. Helen (Hollie-Jay Bowes) and Danny (Ryan Clayton) have managed to unload their five-year-old son Shane onto Danny’s mum for the evening and are relaxing into a well-deserved date night together, Helen has discovere...

10Oct

By Savitha VenugopalNo Comments

London

Death on the Nile – Richmond Theatre

This is quintessential Agatha Christie. There’s murder, intrigue, a roomful of suspects, and that Belgian detective whose keen eyes miss nothing. Throw in some brilliant set design and beautiful period costume, and you have a charming little murder mystery unfolding on stage. In this version of Death on the Nile – adapted by Ken Ludwig and directed by Lucy Bailey – an ancient sarcophagus that has been on display at the British Museum is being transported back to Egypt. On this cruise is an ensemble of travellers including benefactors of the museum, an Egyptologist, an MI5 agent, and Hercule Poirot. Also present are the glamorous (and rich) Linnet Ridgeway, her new husband Simon Doyle, and to add drama, his ex-lover Jacqueline de Bellefort. Soon enough there is a smoking gun and a dea...

10Oct

By Paul ClarkeNo Comments

North West

Black Sabbath The Ballet – The Lowry

When you think about a rock band to soundtrack a ballet it's probable rock gods Black Sabbath wouldn’t be the first name that comes to mind. But when Birmingham Royal Ballet’s Director Carlos Acosta was looking for inspiration to commission locally based work, he was drawn to the doomy riffs created by four working class lads from the Black Country who basically invented Heavy Metal as a genre. Acsota clearly felt their huge riffs not only captured the long gone industrial might of Brum, where Sabbath members spent their teens, but also offered the dancers a broad palate to work with. Backed by the Birmingham Sinfonia this three-act show tries to encapsulate the band’s tempestuous five decade long career, and is a million miles away from the lighter music ballets are often performed ...

10Oct

By Jessie MartinNo Comments

Scotland

Cheapo – Traverse Theatre

Cheapo, brought to the Traverse Theatre by Play, Pie and a Pint, follows schoolboy Jamie (known as “Sheldon” to his bullies, played by Testimony Adegbite) as he sets up his travel chess board in KFC, ready for his usual match. Expecting to meet the same friend he plays with every week, Jamie is instead greeted by Kyla (Yolanda Mitchell), one of his bullies. Kyla has a proposition: she wants Jamie to retract his witness statement to the police. In return, her boyfriend and his friends will spare him a beating. As their chess game unfolds, it becomes clear that Kyla is not as cruel as she initially seems—she is frightened, afraid of the consequences of going to court. Likewise, Jamie fears the repercussions of withdrawing his statement, particularly in light of how the police treat young ...

10Oct

By NewsdeskNo Comments

Yorkshire & Humber

Emma – Sheffield Lyceum

Ryan Craig’s adaptation is aptly contemporary in places and unapologetically Georgian in others. The best affectations of Austen’s linguistic prowess are set upon with great effect, creating a poetic environment for the audience to exist in. This shape is shared with characters that feel real, embellished only in earnest moderation. Ceci Calf’s set design is deliberately sparse, leaving director Stephen Unwin with a very minimal arena for the characters to wrestle in. It is adorned only by a backdrop of blue/grey British sky and a couple of trees planted in the recesses of the stage to evoke the abodes of well-off English country families. Despite not being a physically transformative piece either, this feels right for Theatre Royal Bath’s production. So verbose and linguistically remarkab...