REVIEWS Archives - Page 349 of 417

A Midsummer Night’s Dream – Hope Mill Theatre

9Oct

By Peter RuddickNo Comments

North West

A Midsummer Night’s Dream – Hope Mill Theatre

What is Shakespeare’s best comedy? Although plenty of people would vote for A Midsummer Night’s Dream it is, in truth, an impossible question to answer. Why? Because the Bard’s plays exist to be performed and any humour in the script is only conveyed to the audience with great direction. With a good director at the helm, Dream is hilarious, fast-paced and emotional. With a poor director in charge, it can feel turgid, long and devoid of comedy. This production has an excellent director in charge. It’s hard to walk out of the theatre thinking anything other than Dream is the best Shakespeare comedy and this must be one of the very, very best telling’s of this timeless tale. All Female Shakespeare does exactly what it says on the tin. Created by Unseemly Women, HER Productions and Girl Gan...

9Oct

By Tracy RyanNo Comments

North West

Good Grief – Unity Theatre

A leg protrudes from a jagged gravestone adorned with neon pink ‘RIP’ lettering; a sort of Tracey Emin meets Anthony Gormley start to a frenetic, pumped-up and kinetic sixty minutes of clowning, slapstick, techno & recorded interview excerpts from Liverpool-based company Ugly Bucket, Using minimal props and costume accoutrements, the best gift this youthful and award winning physical theatre company possess is a seeming electric current running through them; five bodies juddering, jumping, gyrating & jerking into life, but each with their own style and skill set – as they perform their terminally ill friend & mentor’s wish, a play about death for his memorial. The show could have been macabre, intrusive and even offensive, but in Ugly Bucket’s hands, the show is energised...

8Oct

By Ezzy LaBelleNo Comments

North West

Sirens, Men & Crabs – Unity Theatre

With a title like ‘Sirens, Men and Crabs’ it was hard to know what to expect from the award-winning Teatro Pomodoro and their unique take on Greek tragedy. Would it be funny? How true to ancient myth is it? And how on earth do crabs feature? Prepare to go on a journey like never before. Describing itself as “creating thought provoking, playful theatre for audiences internationally” Sirens did not disappoint Directed by Mark Bell (The Play That Goes Wrong) and produced by the notable RJ Lloyd, this reimagining of a renowned classic story is exceptionally creative and accessible to all. Based in Liverpool but brought together in Paris at Ecole Philippe Gaulier, the company create an environment that makes audience participation feel both edgy and safe. It’s not funny, it’s hilarious. ...

Lady Chatterley’s Lover – stream.theatre

8Oct

By Louise PennNo Comments

REVIEWS

Lady Chatterley’s Lover – stream.theatre

A musical based on DH Lawrence's controversial last novel, Lady Chatterley’s Lover, sounds an interesting prospect. John Robinson – a former engineer and academic who turned composer late in life – has taken the romantic thread of the story, but jettisoned the sex, earthy language, and nudity to make a PG friendly show. Filmed during its two-night run at the Shaftesbury Theatre in June, Sasha Regan's production benefits from a clever two-tier set by Andrew Exeter highlighting the deeply rooted difference in class between Constance, Lady Chatterley (Georgia Lennon), and the rough gamekeeper (Michael Pickering) who had been an officer in the Great War. There is wood panelling and trappings of wealth above, and the rough bark of trees in the wood below. An early number underlines the pa...

Behind Closed Doors – Christ Church Spitalfields

8Oct

By Gaurav SinghNo Comments

London

Behind Closed Doors – Christ Church Spitalfields

If there’s one thing that transcends linguistic, cultural and socio-political boundaries for humans, it’s our curiosity about other human beings. More specifically, the people who live in our neighbourhoods and their lives. Multicultural collective 27 Degrees seeks to bring forth this innate curiosity about people who live next door to us through their show Behind Closed Doors, a site-specific theatrical experience that unfolds on the streets of East London. The journey begins at the steps of Christ Church in Spitalfields where you are invited to put on your headphones and access the audio instructions. Step by step, you are introduced to the rules of the world and you begin your journey on foot. Guided by audio, you cross different streets in and around Spitalfields. As you progress, y...

8Oct

By Zoё MeeresNo Comments

London

Eulogy – National Theatre Courtyard

Before I even arrived at the courtyard outside the National Theatre, I could see the large white container with EULOGY written in black letters along the side. In the ten minutes I was waiting for the performance to begin, two people came up to me and asked me what it was. It’s unusual for something to stick out on the Southbank – there are street performers and installations most weeks – but there’s something mysterious about the Eulogy set up that immediately captures your interest. Performance isn’t quite the right word; Eulogy is billed as an in-person, immersive experience and I can’t think of another way to sum it up. We take our seats in our “suite” don a pair of headphones and are plunged into such extreme darkness that at times I wasn’t sure if my eyes were open or closed. I’ve...

7Oct

By Tracey BellNo Comments

Yorkshire & Humber

Grease – Sheffield Lyceum

Directed by the renowned Nickolai Foster and Choreography by the legendary Arlene Phillips, Grease hits the Sheffield stage with all the frenzy the original 1978 film created. With an audience full of Pink Ladies and T Birds, I anticipated a night of raucous sing-a-long, but on the whole the audience were too riveted by the performances they were witnessing to join in, until invited to on the Grease Mega Mix. Only then was the whole audience on its feet raising the roof and loving every moment. As the band struck up, conducted by Rickey Long the oh so familiar songs soared and so did my expectation as I realised we weren’t in for the sweet version of the film, the energy from the cast was electric from the very start, edgy, with a hint of modernity, a lifetime away from the sickly image...

7Oct

By Kiefer WilliamsNo Comments

North West

Leaving – Hope Street Theatre

This was the second night of a quartet of new plays written by Liverpool Scriptshop playwrights. Selected from many scripts submitted, Scriptshop wanted to present four of these new pieces as part of the exciting Liverpool Fringe Theatre Festival 2021. The theme, like the previous pair of plays, was all about leaving in one form or another. The third play in this quartet is Left Behind written and directed by Tom McLennan and centred around a couple Margie (Sarah Wood and Mick (Tommy Tyler Morgan) trying to come to some sort of agreement during a family crisis. The couple’s discussions alluding to both Brexit and the UK political landscape was quite sparky and their differing opinions and thoughts made for some good solid drama. We see their marriage unravel as the days lead up to...

7Oct

By Gaurav SinghNo Comments

London

Fritz & Matlock – The Pleasance Theatre

Fritz & Matlock is a new two-hander play by James Wallwork and Salvatore D'Aquilla that makes its way to the Pleasance Theatre’s autumn programming, after being written over Zoom during the pandemic. The show, produced by Part of the Main and directed by Jessica Millward, has been described as a contemporary 'Waiting for Godot’, an almost tongue-in-cheek reference to how its two titular characters find themselves trapped in a dingy basement, grappling with the consequences of an unfortunate incident, and are waiting to make their next move. These are childhood friends Carl Fritz (D'Aquilla) and Barry Matlock (Wallwork) whose vastly different outlooks on life are, perhaps, only exceeded by their considerably different approaches to the situation at hand. The story begins sometime mid...

7Oct

By Anne PritchardNo Comments

North West

Rock of Ages – Manchester Opera House

We were asked for proof of COVID vaccinations as we entered the theatre; those who couldn’t produce them were asked to take a temperature check at the side entrance. All theatre staff were wearing masks. The theatre was two thirds full: mostly with a 23-35 year old age group with a sprinkling of older theatre-goers. There was an air of anticipation as we waited for the curtain to go up. Once it did, two lone guitarists appeared beneath projected images of USA; the set was a nightclub, The Bourbon Room, with a small stage and a bar with tables and chairs. Rock of Ages doesn’t have much of a story, but for what there is, it is a typical love story, well three love stories really but the main story concerns a small town girl, Sherrie (Rhiannon Chesterman), who relocate...