REVIEWS Archives - Page 349 of 402

17Aug

By Paul ClarkeNo Comments

Yorkshire & Humber

Mamma Mia! – Harewood House

This was my daughter’s fourth time seeing this perennial blockbuster, but it was certainly the most unusual with the audience sitting in a windy field near Leeds. This was the very first time the team behind the Mamma Mia! juggernaut have opted for an open-air production and given how protective they are of the brand they threw everything at it – live band, massive lighting rig, pin sharp sound plus the full set and cast. And to make extra sure it would work for a near capacity crowd, including Olympic champion Jonny Brownlee, they packed the cast with Mamma Mia veterans who were clearly enjoying the challenge of this new format. It would be easy for performers who know this show backwards to coast through it, but they were really trying to project their performances to the people at...

17Aug

By Tracey BellNo Comments

Yorkshire & Humber

Hairspray – Sheffield Lyceum

Sheffield Lyceum’s opening night after 17 months of darkness - Hairspray is resoundingly resplendent, raucous and right on point. The show highlights many modern day issues that are particularly relevant today, that of Racism, Body Image and Sexism but never in a heavyweight way. It can be difficult to achieve this but, Hairspray packages these issues with a buoyant bouffant and plenty of toe tapping tunes. Set in Baltimore in the 1960’s we follow the trailblazer Tracy Turnblad as she stands up for equality and proves there is no place for the word ‘minorities' in the dawn of a new era. The staging on the UK tour remains traditional and is mainly made up of backdrops and two trucks which represent the Turnblad household on stage right and the Pingleton/ Motormouth Record Store on the l...

Eight Hundred Dollar Value – Etcetera Theatre

17Aug

By Caroline WorswickNo Comments

London

Eight Hundred Dollar Value – Etcetera Theatre

Al Carretta is the man behind Nightpiece Media, who specialize in delivering movies made on a shoe-string budget. The mafia crime series began in August 2009 with ‘The Tears of a Clown’ at the Edinburgh Fringe Festival and has since progressed. Eight Hundred Dollar Value is previewing at Camden Fringe Festival, moving to Edinburgh towards the end of the month, and will then be produced as a film in the Autumn. Michael Trudon (Al Carretta) had a good life with his foster parents, they gave him everything he could ever wish for, and everything was handed to him on a plate. ‘I didn’t have ambition; I didn’t need it!’. Following the death of his mother and then his father leaving home, he didn’t know much about his early years until his crazy grandmother from B...

17Aug

By Donna M DayNo Comments

Scotland

Candy – Edinburgh Fringe Festival

Reboot Theatre Company’s Candy is a tragic monologue about a man in love with his best friend’s drag alter ego. Written by Tim Fraser, and directed by Nico Pimparé, this unique piece of theatre gives a new slant to the star-crossed lovers story. The show opens with Will (Michael Waller) sneaking into the dressing room of an empty theatre. He gently caresses an abandoned blonde wig and microphone, before walking to the stage and attaching the mic. Beginning to speak, he is shocked by the high volume and wanders to one of the empty tables in the audience to tell his story. He says that he never believed in love at first sight before and when he first read Romeo and Juliet it struck him how impetuous they were to marry without having so much as a proper conversation about hobbies or any...

17Aug

By Gaurav SinghNo Comments

London

Fester – The Cockpit

Fester is a new devised physical theatre performance based on the story of Gretchen from Goethe's Faust. Produced by Halfpace Theatre, a new company dedicated to new work and devised theatre created by artists of underrepresented backgrounds, the show was performed at the Cockpit Theatre during the Camden Fringe. Devised by a majority migrant and marginalized gender team with Megan Brewer’s direction and Daria Vasko’s design, the show offers a playful and powerful reinterpretation of Goethe’s seminal work told through the lens of its titular female character, Gretchen. With strong performances by the ensemble and an intriguing design, this show leaves us with many reflections about the representation of marginalized individuals by drawing our attention towards the character of Gretchen and...

17Aug

By Nicky LambertNo Comments

Scotland

The Clones – Edinburgh Fringe Festival

“The Clones” are Lloydie James Lloyd and Liam Webber. They take an audience suggestion and weave a whole play around it, totally improvised and on the spot. With no set (except two chairs) and no idea of what the audience are going to suggest, this is the stuff of nightmares as far as I’m concerned, and I do think you must have to be some kind of masochist to want to perform improvised theatre. Tonight’s audience suggestion for the location was the International Space Station. I had assumed there would be other requested suggestions as to a vague storyline, characters etc but it was just the location. It took a little while to get going and there were a few long(ish) stretches of silence to start with, and I felt they struggled initially to get it off the ground. However, the pers...

17Aug

By Caroline WorswickNo Comments

London

Spectra – Etcetera Theatre

I was in for a double treat this morning when I saw the collaboration of RoL ‘N Productions and Imposters Collaboration at the Etcetera Theatre. Liane Grant and Olja Mladjenovic have brought their theatre companies together to showcase two short pieces, ‘Wines from Santorini’ and ‘Chance of Rain’ at the Etcetera Theatre as part of the Camden Fringe Festival. First up was ‘Wines from Santorini’, this two-hander follows the lives of Caz (Liane Grant) and Ali (Olja Mladjenovic) who were childhood friends who meet again when Caz is due to marry. As Caz is getting ready to move house, they are surrounded with packing boxes and Ali has thoughtfully brought a bottle of wine along with her. As they reminisce over old times and mutual friends from years ago, the unspoken hostil...

17Aug

By Donna M DayNo Comments

Scotland

Call Me Elizabeth – Edinburgh Fringe

Call Me Elizabeth, written and performed by Kayla Boye, is a sumptuous look at the life of Elizabeth Taylor shortly after she received her Oscar for Butterfield 8 and recovered from a bout the pneumonia which nearly killed her. A solo performance based around Taylor’s real-life conversations with biographer, Max Lerner, director Erin Kraft has created a piece of theatre which is both intimate and carefully guarded. Opening with a view of Taylor’s luxurious dressing table, the glamour and opulence which she exuded in public is made clearly a part of her persona even at this early point in her career. Stacks of gossip magazines with her face on the cover litter the coffee table and Boye elegantly stands, in a classic little black dress, with sparkling diamonds adorning her ears, before de...

17Aug

By Donna M DayNo Comments

London

Jam Tart / Lemon Kurd – Camden Fringe

Ragged Foils’ Jam Tart / Lemon Kurd are two monologues, directed by Natalie Winter, in which women explore their wants and desires in later life. Both Claire (Katy Maw) and Cathy (Mary Tillett), were wives, mothers and daughters, swept along in life’s journey realising one day that they had lived their lives for other people and finding a determination to break out of the mould and do something that is just for them. The first monologue, Jam Tart, written by Rhiannon Owens, tells Claire’s story after she flees her 54th birthday party in order to begin a new life. The piece opens with Maw staring nervously, too close to her wobbly webcam, before settling on an untidy bed, with a pretty landscape hanging above it, an idealistic image reminiscent of the stifling life Claire is trying to es...

Warhol: Bullet Karma – Edinburgh Fringe Festival

17Aug

By Kiefer WilliamsNo Comments

Scotland

Warhol: Bullet Karma – Edinburgh Fringe Festival

Garry Roost’s one-man performance of Andy Warhol starts at the point where he survived a murderous attempt on his life by Valerie Solanas, who was convinced that he wanted to steal her script. From there on Roost gives a breathless and sometimes overly hectic account of Warhol’s creative and emotional life. The screen is split into four smaller screens all in day glow primary colours to give the effect of Warhol’s iconic pop art structure and I must say it actually works very well indeed. The set is minimal and keeps to the pop art theme Warhol: Bullet Karma is so well written and researched throughout and Roost’s outstanding impersonations of that Warhol era are quite remarkable but on reflection I did feel it was a touch rambling in some parts and although it would definitely a...