REVIEWS Archives - Page 346 of 548

The Bodyguard: The Musical – New Wimbledon Theatre

7Mar

By Gonzalo SentanaNo Comments

London

The Bodyguard: The Musical – New Wimbledon Theatre

If you have ever wondered what it would be to be one of those people in the crowd in a concert in a movie, wonder no more: this show's got you covered. On fire and starting with a bang. Under the incredible direction of Thea Sharrock, The Bodyguard the Musical invites us to enjoy more than two hours in this jukebox musical where the audience goes through many of Whitney Houston's music hits, intertwined with the story of the namesake movie in which it's inspired. With a rock-solid main cast, every single one of them performing to their strengths, Sharrock seizes every opportunity available to thrill us. The show has one blow of effect after another. Melody Thornton, in her role as Rachel Marron, pays a great homage to the memory of the late Houston, with impressive versions of the si...

Strictly Ballroom the Musical – Hull New Theatre

7Mar

By Jackie FoottitNo Comments

Yorkshire & Humber

Strictly Ballroom the Musical – Hull New Theatre

Kevin Clifton aka "Kevin from Grimsby" got a huge cheer from theatregoers in an almost capacity Hull New Theatre, on Monday night, as he stepped on to the stage when Strictly Ballroom the Musical came to town. Never having seen even one episode of Strictly Come Dancing, the TV show in which Kevin performed and excelled, I had no idea what to expect. But I was more than pleasantly surprised. For starters, the stage setting was so cleverly designed, changing before our brains (well, mine) registered the difference. All around were what seemed like upright, sprung willow floorboards, arching over at the top with lights, in a palm-tree fashion. Sections opened and closed throughout the night, creating totally different vistas. The screen backdrop also changed from indoor scenes to out...

6Mar

By Peter RuddickNo Comments

North West

Drowning – 53Two

After a successful tour in 2020, Dare To Know Theatre’s one-man, one-act show Drowning is back on the road. The debut play by writer and performer Jake Talbot garnered positive reviews on its first outing and this time around the show is taking in larger venues - like 53Two in Manchester. It’s even paying a visit to the nation’s capital. Any fears the team may have bitten off more than they can chew are soon assuaged. This is an accomplished piece of work, performed comfortably by an actor who knows the emotional and humorous beats of his tightly written script inside out. A black stage, empty aside from a square white box, is plunged into darkness. The haunting melodies of The Lathums’ Struggle fades away and a spotlight illuminates Josh. The 16-year-old is lying peacefully, sile...

6Mar

By Riana HowarthNo Comments

London

My Dead – Barons Court Theatre

From growing up in Washington state, to her flat in South Ealing, Carolyn Hartvigsen has traversed the continents but the story she tells is of her ancestors, and the distance between her and them. Walking onto the stage in wonder, Hartvigsen reels us in, with heightened intimacy in the old pub basement space of the theatre. She whips out a small tree, with photos of her family members attached to the leaves with herself as the tree trunk. She shares a carefully and truthfully woven patchwork of her personal life, her ancestors’ stories, and her reactions to them and how they help her reflect on her circumstances. With an unerring fear of death, she seeks understanding from her dead family, and how they lived. As she discovers that one of her great grandfathers was polygamous and...

6Mar

By Marita MatarNo Comments

London

Rat King – Vault Festival

For about an hour or so, I was shaken by a journey of strong feelings being part of an immersed setting depicting an encounter one could relate to from different perspectives. Rat Kingwritten by Bram Davidovich, directed by Mark Hilton and played by Georgina Tack (Kelly) and Jacob Wayne-O’Neill (Jacko) presents the story of a girl, Kelly, clearly from better-off family who meet Jacko -which sounds as ghetto- a man ingrained in his condition of homelessness as she was running away from home. They soon start developing a bond that goes into an uncommon story notably in uncomforting ways; the girl’s persistence to ‘fix’ Jacko and drag him into arts as well as Jacko’s obsession with her. I was amazed by the actor’s performance and the staging of the piece. Choosing to set the audience...

3Mar

By Marita MatarNo Comments

London

Barely Visible – Jacksons Lane

"How can you know you're a lesbian if you've never been with a woman?" was one of the interesting thoughts made by an audience member concerning the subjects addressed by Rowena Gander, who had us spellbound with her outstanding performance. Barely Visible is a solo performance choreographed and performed by Rowena Gander, directed by Elinor Randle, and backed by a creative team that worked with digital tills and lighting to generate the ambiance. The performance addressed lesbian identity; one that is questioned, banalized, sexualized, objectified, and fetishized. “I always wanted references to relate to” was Rowena’s answer to Elinor’s question “Why did you put on this show?”. Barely Visible problematizes people’s perception of lesbianism that stems from misogynistic and patriar...

An Absolute Farce of a Murder Mystery – Drayton Arms Theatre

3Mar

By Gonzalo SentanaNo Comments

London

An Absolute Farce of a Murder Mystery – Drayton Arms Theatre

Seeing a play taking on a very well-known genre and trying to reference it, turning it into something different, is an entertaining and educational experience, though things can turn out less interesting than expected, if the intentions are better than the implementation. This show, written by Peter Rae, and directed by Helen Bang, both doubling as actors, is an attempt at making fun of the genre of the Murder Mystery trope. While the intentions are clear from the beginning, the actual running of the show is a hot mess of overly saturated references and misplaced punchlines. The show starts with "Manning – The Butler", portrayed by Christian Ballantyne, who is cleaning some props on stage, and makes the first attempt at getting the audience to laugh, when spitting a candleholder whil...

Rachmaninov’s Piano Concerto No.3 – Royal Liverpool Philharmonic

3Mar

By Ezzy LaBelleNo Comments

North West

Rachmaninov’s Piano Concerto No.3 – Royal Liverpool Philharmonic

Stunningly absorbing, this performance of Rachmaninov's Piano Concerto No.3 conducted by Domingo Hindoyan is unmissable. Considered as an archetype showpiece, the concerto is renowned for being a challenge and demands technical prowess - pianist Sergio Tiempo rises to this and more, demonstrating what a maestro he is. Composed in the summer of 1909, the concerto is composed for a solo piano and an orchestra. It is split into three sections and this performance takes all three of those on with barely sixty seconds between each. This is a performance of endurance as well as technical mastery. Sergio Tiempo was not originally billed to perform tonight, making his playing all the more impressive. Throughout most of his playing, he subtly smiles and loses himself in the intensity of pl...

How To Break Out of a Detention Centre – Riverside Studios

2Mar

By Marita MatarNo Comments

London

How To Break Out of a Detention Centre – Riverside Studios

“I was born in a strange century where people are taken to jail because they were born with a heart that beats for honesty and justice” – Nawal el Saadawi (Memoirs from the Women’s Prisons, 1984). It is with deep solidarity that the production paid tribute to women in detention centres in the UK, and it is with tremendous honesty that art consolidated with social causes brings justice to women in detention, choosing to sensibilise the public’s eye rather than choosing to stay silent. Allowing visibility for women suffering because of multiple systems of oppressions for a staged production is an empathetic choice by nature. How To Break Out of a Detention Center? A compelling world premiere of a female migrant led international co-production from BÉZNĂ Theatre and Romanian theatre compan...

The Beekeeper of Aleppo – Liverpool Playhouse

2Mar

By Jenn McKeanNo Comments

North West

The Beekeeper of Aleppo – Liverpool Playhouse

Of all the jobs in the world, one of the ones you’d probably least associate with Syria, is beekeeping. Based on the book by Christy Lefteri, who was a volunteer at a women and children’s refugee camp in Athens, the play tackles the topic of the Syrian war and a refugee and his wife, who leave Syria and are trying to seek asylum in the UK. With adaptations from a book and especially one that deals with such a serious issue as this one, it can be hard to get it right. Getting the message across in just the right way can be difficult, but this production from Nottingham Playhouse, Liverpool Everyman and Playhouse and UK Productions Ltd hits the spot. Getting the mix of serious and funny across was done extremely well and despite the subject matter, you left the theatre having had a thorou...