REVIEWS Archives - Page 343 of 417

27Oct

By Alison BainesNo Comments

North West

The Good Life – The Lowry

Modern society is fascinated with the idea of sustainable, eco-friendly living - rightly so, when the threat of mother nature and climate change are knocking on your door. So, its oddly fitting that the 70’s British sitcom, The Good Life, should focus on ecological living. The TV show was enjoyed by millions when it premiered way back when, in 1975. The show was adapted by Jeremy Sams and it now hits stages for the first time, before heading to the West End. It features Tom and Barbara, as we join them on Tom’s 40th Birthday. In the midst of what Barbara describes as a midlife crisis, Tom quits his job as a designer of plastic toys for cereal boxes and the couple decide to commit to a new lifestyle, in a hope to make for a more interesting life. They set off on their quest to become eco...

27Oct

By Pooja SivaramanNo Comments

London

Vanara — Hackney Empire

Vanara has all the ingredients to make for an epic musical: an ancient legend, a talented cast, a live orchestra, beautiful costumes, and a community of eager eyes awaiting its release. The show had its world premiere this weekend at the Hackney Empire, a fitting venue for the grandeur the story promises. Vanara is the story of two tribes: the Kogallisk, servants of the moon, and the Pana, servants of the sun. The Kogallisk live on a mountain and hone the power of fire, a secret power which they must protect from the thieving Panas, who according to legend can steal a Kogallisk’s inner fire by looking them straight in the eyes. The Panas do not have access to this fire, and so must hunt and trade to remain alive. What then ensues is a battle between the two tribes, with two star-crossed lo...

26Oct

By Peter KinnockNo Comments

West Midlands

Chicago – Wolverhampton Grand

“Chicago” can hardly be described as bursting with colour with a limited design palette of black, white, grey and occasional splatters of bloody red light during the murders it aims to emulate, perhaps, the movies of the period. More accurately it emulates the still photographs of the newspapers of the period and chooses to present it all in a stilted and, oddly, uninvolving fashion. As the production adopts a distancing alienating technique (I’m guessing more a directorial decision than an authorial one) it deliberately stops us from engaging and empathising with the characters or plot - so all that is left to beguile us is technique and design. The band dominate the stage sitting like a jazz orchestra trapped in a roll-top desk leaving just a sliver of fore stage for the remainder of ...

26Oct

By Kiefer WilliamsNo Comments

North West

Sessions – Unity Theatre

Ifeyinwa Frederick’s eloquent and captivating meditation on masculinity and mental health is brought to vibrant life in this touring production from theatre company Paines Plough. Tunde (Joseph Black) is fast approaching his thirtieth birthday and somehow, he feels his life is unravelling. His relationships both with himself and other people seem fragile and fractured, so he seeks help from his unseen therapist in one-to-one sessions to alleviate his anxieties and try to look forward with renewed confidence. It’s not an easy journey for Tunde as the piece reveals. This one-man performance is a fairly simple construct and much depends on both Fredericks writing and Black’s performance but what could appear to be a simply framed set of monologues morphs into something a lot mo...

26Oct

By Paul WilcoxNo Comments

North West

The Cat and the Canary – Opera House

With Halloween upon us and the clocks going back at the weekend, our thoughts turn to entertainment of the scary variety, therefore an old-fashioned thriller set in a creepy house should be just what is required as the nights draw in. Unfortunately, the production of 'The Cat and the Canary' which began its week-long run at the Manchester Opera House this evening was a huge disappointment. As a thriller it wasn't scary, as a comedy it wasn't funny, and it wasn't camp enough to be interesting as a pastiche of the genre. Based on the 1921 play by John Willard and adapted by Carl Grose, the production wore its 100 years heavily, with the usual tropes that one would associate with a thriller of this vintage. Creepy old mansion - check; assortment of characters assembled and trapped against ...

The Little Mermaid – Altrincham Garrick Playhouse

26Oct

By Hannah WildeNo Comments

North West

The Little Mermaid – Altrincham Garrick Playhouse

Even if you’re not a Disney aficionado, everyone knows the story of The Little Mermaid: Girl meets boy, girl can’t be with boy, chaos ensues, true love prevails. It’s a true Disney classic. However, love story aside, I was very intrigued to see how a story that predominantly occurs underwater would be portrayed onstage, so when the chance arose to see The Little Mermaid at Altrincham Garrick Playhouse, I naturally had to see it for myself. And am I glad I did! With a dream-team of talent spearheading the dressing rooms – from renowned stage director Joseph Meighan, musical director Mark Goggins, and lesser-known at the Garrick (but still utterly fantastic) choreographer Koda Holland-Smith – it’s no wonder this show was a delight from start to finish. Photo: Martin Ogden Whilst ...

25Oct

By Donna M DayNo Comments

North West

How to Kill a Rose – Unity Theatre

Transcend Theatre’s How to Kill a Rose, written by Felix Mufti-Wright and directed by Ailis Lord, is an exploration of domestic abuse within the transgender community. Terrifying realistic and heartrendingly hopeful, this bittersweet drama raises awareness of a vital issue affecting far too many people, while making you laugh with some clever humour. The performance is presented with subtitles and BSL interpretation throughout. The set shows a simple home, with a sofa and tables, and hints towards the creativity of the characters with the presence of a keyboard and easel with paints. The characters are sixteen year old “Me” (Felix Mufti-Wright) and 23 year old “Him” (Tony Fox). At the outset of the piece their relationship seems to be sweet and tender as they mime domestic bliss, watchi...

25Oct

By Zoё MeeresNo Comments

London

Mum – Soho Theatre

“I’ve just read the synopsis of the play we’re seeing. Bloody hell mate.” “I told you it sounded harrowing. Do you want to give it a miss and we can catch up later?” “No, I’ve picked an outfit now. I’m committed.” Thus was the exchange I had with the friend who agreed to accompany me to Mum, 20 minutes before we were due to meet. We reflected afterwards how glad we were that we’d seen it together and Mum was made all the poignant for me having experienced it with another strong woman that I’m lucky enough to be able to share my secrets and fears with. Mum moves quickly – we meet Nina (Sophie Melville – who I will say up front is exquisite), a new mum who is preparing for her first night off in three months with her friend, Jackie, while her mother-in-law, Pearl, prepares to rel...

Jack and the Beanstalk – St Helens Theatre Royal

24Oct

By Anne PritchardNo Comments

North West

Jack and the Beanstalk – St Helens Theatre Royal

Christmas pantomimes at St Helens Theatre Royal are a traditional treat and now half-term pantos are a firm favourite as they coincide with local school holidays; children and families can attend a show and enjoy retro slapstick and sing along to musical chart hits whilst enjoying the dancing and singing on stage. As you walk into St Helens Theatre Royal, it’s rather like stepping back in time. The small, old- fashioned theatre entices theatregoers to buy sweets and ice cream from the kiosk and the corner counter is twinkling with fairy lights from the colourful swords and fairy wands it sells which all the children clamour to buy. The theatre was full, and all eyes were on the stage as youngsters with their parents and grandparents waited for the curtain to rise. When it did, ...

24Oct

By Zoё MeeresNo Comments

London

Birdwatching – London Horror Festival

I was pretty excited about the London Horror Festival, because I am a self-confessed horror fanatic. There are various fascinating psychological theories around why people like to feel fear which I’m not qualified to cite here or expand on, but for me it boils down to excitement. Books, plays, films, rollercoasters; it’s all about getting the adrenaline pumping around your body but also knowing that you are, at all times, perfectly safe. Perfectly safe is not how Amy (Karen Barredo), one of the three characters in Birdwatching, would describe her position. An actress of small notoriety having appeared in a few slasher B movies, Amy arrives at a shelter deep in the woods to take on the role of Kate, accompanied by Pete (Arno van Zelst) - cameraman by trade, actor to help a friend – and H...