REVIEWS Archives - Page 34 of 456

8Dec

By Mark DavorenNo Comments

London

The Mousetrap – St Martin’s Theatre

Director Philip Franks wonderfully maintains the suspense of what is the longest running play in the world, which now in its 73rd year, having first opened in London’s West End in 1952, continues to play to packed houses which is a testament to Agatha Christie’s suspenseful writing and the accompanying performances from the cast with the support of an accomplished creative team. Set in early 1950’s England, Mollie Ralston (Lara Lemon) and Giles Ralston (Harry Bradley) have been married for one year and having decided to repurpose her inherited stately home, Monkswell Manor, as a guest house, they nervously await their first guests amidst a snowy blizzard that has just descended. First to arrive is the excitable Christoper Wren (Richard Leeming), an architect no less who loves to coo...

7Dec

By Jackie FoottitNo Comments

Yorkshire & Humber

A Corpse For Christmas – Bilton Theatre

As Storm Darragh raged outside on Friday night, the cosy little Bilton Theatre, in Bilton, near Hull, began to fill up with theatregoers eager to find out who’d “dunnit” in Bilton Amateur Dramatic Society’s production of A Corpse For Christmas. Billed as a “thriller with a touch of comedy”, all the action takes place in the front room of Philip and Alison Winter, and their daughter Naomi. There’s nothing posh about the Winter’s home - a comfy, but worn, beige three-piece suite, a fireplace, coffee table and some pictures on the wall. A Christmas tree stands in the corner waiting to be decorated by Alison, who usually doesn’t like anyone else interfering with what she considers her territory. Other decorations hang over the back of the sofa, waiting for Naomi to drape them over...

Jack and the Beanstalk – Altrincham Garrick Playhouse

7Dec

By Peter RuddickNo Comments

North West

Jack and the Beanstalk – Altrincham Garrick Playhouse

Panto is about tradition. Where the big producing houses, and their star-led shows, can never succeed is in developing a joyful familiarity that is nurtured and continued from year to year. That is the superpower of smaller venues, like the Altrincham Garrick Playhouse. But not all theatres are aware of that. Some stray from the path of success. It is a pleasure to report that, yet again, the Garrick gets it and has delivered. There was a slight first night hitch, however. Cast illness meant there was a panto dame-shaped hole to fill. Step up show director, and artistic director, Joseph Meighan. After a long rehearsal process, it is the kind of problem that must feel insurmountable backstage. On stage, however, the audience experience was no less at all. In fact, theatregoers ...

An Evening of Talking Heads – Hope Street Theatre

7Dec

By Lou SteggalsNo Comments

North West

An Evening of Talking Heads – Hope Street Theatre

When Alan Bennett wrote the play Enjoy, in which an elderly couple find themselves being packed up to become a living museum exhibit, there’s a chance he might have been seeing the future for many of his other characters. Tonight, we have three monologues from Bennett’s first series of Talking Heads, first broadcast in 1988. The series, which has become a staple of English literature syllabus’, provides a variety of perspectives on themes such as isolation, guilt, and loneliness. Pieces like these will always present a bit of a challenge to some audiences – those who remember the time-period will find warmth in evocative references to times gone by, but younger audience members may find the idea of regularly writing letters, waiting for a call on a landline, or the 1980s buying power...

Butterflies & Benefits / Cheapo – Traverse Theatre

7Dec

By Greg HolsteadNo Comments

Scotland

Butterflies & Benefits / Cheapo – Traverse Theatre

As Part 2 of 4Play at The Traverse Theatre’s support of new writing, four brand new plays by four Edinburgh Playwrights are given their first airings over two nights. Tonight it is the turn of plays 3 and 4 in the roster to have their premier outings to an almost full Traverse 2. Butterflies & Benefits follows the lives of four twenty-something friends, starting at Hogmanay in 1998, the year before the dreaded Y2K, and is set to a soundtrack of dance tunes from that time. Whilst I like a ‘banger’ as much as the next guy, it is fair to say that there is an over reliance on music to both set the scenes and to fill dead air. Character development is left behind in favour of pounding music, dancing madly around, drinking and taking drugs, Coke seemingly the flavour of choice. Maybe ...

Fuckers & Colours Run (Part of 4Play) – Traverse Theatre

7Dec

By Greg HolsteadNo Comments

Scotland

Fuckers & Colours Run (Part of 4Play) – Traverse Theatre

As part of Traverse Theatre’s support of new writing, four brand new plays by four Edinburgh Playwrights are given their first airings over two nights, and it is truly heartwarming to see that they are playing to an almost full Traverse 2 tonight. The thrust format of the subterranean Trav 2 seems highly appropriate to the first play Fuckers, pardon my French, which, with full frontal nudity, and sexual content from the start packs quite a punch. Ruaraidh Murray’s script follows the on/off relationship between an American actress Lois, played by Olivia Caw, and Scottish comedian, Andrew, played by Liam Ballantyne. The play is unashamedly sexual in content, but in a playful and joyful way which remarkably manages to overcome any sordid undertones, which is surely the biggest challenge he...

Dick Whittington and His Cat – Hackney Empire

7Dec

By Alan Stuart MalinNo Comments

London

Dick Whittington and His Cat – Hackney Empire

Hackney Empire’s 25th pantomime, ‘Dick Whittington and His Cat’, directed by and starring Clive Rowe, promised festive cheer and nostalgic charm. However, despite flashes of brilliance, this production falls short of being the “must-see” panto in London this year. The script, penned by Will Brenton, lacked substance, relying heavily on recycled gags and predictable puns. The pacing was uneven, with a bloated first act dragging on before a slightly more engaging second act. Even the customary audience participation felt half-hearted, a surprising miss for a genre known for its infectious energy and considering Hackney Empire’s successful track record for pantomimes! Photo: Mark Senior Performances were a mixed bag. Kandaka Moore, as Dick Whittington, showcased a stunning vocal rang...

7Dec

By Alice RoseNo Comments

London

Hansel and Gretel – Shakespeare’s Globe

A new version of the classic tale ‘Hansel and Gretel’ directed by Nick Bagnall takes us through a journey of abandonment, survival by all means and some slightly odd creatures luring the kids astray along the way. Ned Costello as Hansel has a fiery spirit who uses his intelligence and determination to keep the pair hopeful. Yasemin Özdemir as Gretel is just as powerful in spirit and never shy to show how angry she may feel, staying smiling all through the hardships of finding their way back home. Supported by an incredible cast, narrator Jenni Maitland is cheerful and engaging keeping everyone on their toes for what could possibly happen next. Photo: Ellie Kurttz As to where it goes, it is slightly confusing on what message we can take from this new adaptation by Simon Armitage. A...

7Dec

By Klervi GavetNo Comments

London

Bette and Joan – Park Theatre

Bette and Joan is a lively exploration of the rivalry between two Hollywood legends, Bette Davis and Joan Crawford, set against the backdrop of the making of What Ever Happened to Baby Jane?. Directed by Sue Jenkins, this production offers a humorous and sharp dissection of their frenemy dynamic, blending biting wit with illuminating glimpses into their shared struggles. Photo: Simon Annand The play thrives on the fiery chemistry between the leads - "two queen bees in one hive” battling for the same crown. Neil Gordon’s masterful set design, paired with gorgeous costumes, features opposing dressing rooms without actual mirrors. The actresses’ reflections are thus projected onto one another, cleverly underscoring how deeply intertwined their lives are. The initial exchange of barbs an...

7Dec

By Olivia CoxNo Comments

London

Bill – Omnibus Theatre

In the age of disinformation, Red Fox Theatre has put together a musical comedy to tell the story of the man who started it all: Milton William ‘Bill’ Cooper. I must admit, I wasn’t actually familiar with Cooper myself before watching Bill, so I was looking forward to learning something new — and about such an incredibly timely subject. Bill isn’t a straightforward autobiographical show. Describing themselves as practitioners of ‘Chaos Theatre’, Red Fox Theatre bring us a suitably bonkers retelling of one of America’s most notorious conspiracy theorists. There’s music, puppetry, physical comedy, parodies and more — it’s a ‘kitchen sink’ style approach to storytelling that I am pretty much always a fan of. Sometimes the chaos can make it tricky to follow the thread of the stor...