Monday, December 22

REVIEWS

Berlusconi – Southwark Playhouse
London

Berlusconi – Southwark Playhouse

Silvio Berlusconi: renowned former Italian prime-minister, celebrated billionaire and the self-proclaimed ‘Jesus Christ of politics.’ But perhaps, that’s just one side to his story... Performed at the Southwark Playhouse, ‘Berlusconi’ is a pop-rock musical communicating to audiences the affects this political leader has had on those close to him in addition to the affects he has caused among the global masses. However, beyond the topic of the property mogul himself, this is a piece of theatre about power. How it’s gained, how it’s misused, how it’s taken advantage of and the devastating consequences of it. What enticed me about this production was how it was framed through the device of media. One of the female leads, Fama who was played Jenny Fitzpatrick, was a news reporter, report...
Gone Too Far! – Theatre Royal Stratford East
London

Gone Too Far! – Theatre Royal Stratford East

As a young immigrant, seeing one's own problems and conflicts being represented on stage is a strong message of resistance and support. When a text is straightforward and the acting is full of life, nothing can go wrong. Gone Too Far!, written by Bola Agbaje and Directed by Monique Touko, is a clear and dynamic play, being staged again in Theatre Royal Stratford East after premiering in 2007 as a commissioned work for the Royal Court Theatre. Here, problems are faced straight on, without any fears of provoking booing or indignation from the audience. I found myself sighing and sitting on the edge of my seat, uncomfortable with some of the situations that the main characters had to go through. As soon as the piece starts, we are introduced to the two main characters: Yemi, played by J...
Great Expectations – Frodsham Community Centre
North West

Great Expectations – Frodsham Community Centre

We’re transported to the roaring 20s in this fresh modern art deco twist of a Charles Dickens timeless classic. Directed and produced by Yvette Owen, this labour of love grasps the opportunity to be playful and creative in its presentation. Great Expectations, like most Dickensian stories, still resonate today with many adaptations through the ages. Themes include love, heartbreak, class politics and identity and this famous story doesn’t call for further expedition as there is already plenty to talk about in this multi-faceted offering from the Frodsham Players.   Featuring a cast of over 30 including a four-piece band and a chorus of singers, this self-assured ensemble gave solid performances, evidently relishing every moment. The shift between the younger versions of Pip...
Cat On A Hot Tin Roof – Royal Exchange Theatre
North West

Cat On A Hot Tin Roof – Royal Exchange Theatre

Director Roy Alexander Weise brings his bold and original vision of Tennessee Williams' 1955 Pulitzer Prize winning play to the demanding environment of the spaceship stage of the Royal Exchange, resulting in a production that sheds new light on the superb writing, packing race, misogyny and sexuality into the steamy Mississippi brew. Considering it is widely regarded as Williams' defining work, 'Cat' has had surprisingly few appearances over the last twenty years, with some of his other writings gaining more exposure and subsequent critical praise. The fact he penned the play in the repressive Conservative atmosphere of 1950's America meant exploring the latent homosexuality of the central character Brick (Bayo Gbadamosi) - and the effect it has on his relationship with his spirited wi...
West Side Story – Hyde Festival Theatre
North West

West Side Story – Hyde Festival Theatre

It’s always a brave company that takes on a production of West Side Story. The musical that re-imagined Shakespeare’s Romeo and Juliet for the 20th Century, has been subject to two Oscar-winning film adaptations and a myriad of critically acclaimed revivals on Broadway and the West End. Then there’s Leonard Bernstein’s earworm-inducing score, the iconic choreography learned and copied by theatre brats of every stage school known to man, and the need to find triple-threat actors to successfully land the show’s biggest moments. It’s a musical that sets certain expectations before there’s so much as a click of fingers. Those holding tickets to Hyde Musical Society’s sold-out production can breathe a big sigh of relief. The society, under director Daniel Oliver-Grant, have once again don...
Heathers the Musical – Theatr Clwyd
Wales

Heathers the Musical – Theatr Clwyd

More often than not, I find that film-into-musical adaptations do not quite hit the mark on a number of counts, often seeming to have been created by piggybacking off an established brand for revenue purposes alone. Yet last night's performance of Heathers: The Musical felt fresh, vibrant and pleasing even to die-hard fanatics of the original 80s cult film. To borrow a quote from the musical itself, this show really was ‘Big Fun’. I had the pleasure of watching this show during its most recent UK tour, in one of my favourite venues, Mold's Theatr Clwyd. I felt this a very apt setting for the production - a space where the show’s filling set can be appreciated to its fullest on a slightly larger-scale stage, but which also offers an intimate ambience, allowing the audience to be involved...
Kinky Boots – Sheffield Lyceum
Yorkshire & Humber

Kinky Boots – Sheffield Lyceum

Croft House Theatre Company hit the heights once again with this stunning production of Kinky Boots based on the 2005 British film of the same name. The production is coherently Directed/Choreographed by Claire Harriott, has expert Musical Direction from David Burgess, as he conducts an 11 piece orchestra, and effective lighting and sound by Gary Longfield and Nick Greenhill. Inspired by true events, Kinky Boots takes you from the anything but glamorous 'Price and Son' shoe factory in Northampton to the dazzling catwalks of Milan in this sassy, vivacious and heart-warming tale of true British grit with catchy songs by Tony and Grammy Award winning eighties pop princess, Cyndi Lauper and a Book by Harvey Fierstein. Charlie Price is struggling to live up to his father's expectations to st...
The Winston Machine – Unity Theatre
North West

The Winston Machine – Unity Theatre

Brought to us by the critically acclaimed Kandinsky, we see a fusion of worlds decades different, but with mirrored tensions of grief, purpose and place. An awesome use of effects and controlled dialogue led to a crisp performance that I would watch again. The teamwork on stage was apparent and which led to an impressive and at times funny mode of storytelling. Unfortunately, I am unable to identify who exactly played on stage, but each performance lent itself to the quality of the work, with detail and precision used in each moment. The conviction and presence of the players was palpable. Their use of singing, swift accent changes and physical movement were again impressive. Together with an emotive soundtrack with modern flavours meant the audience were fully immersed in the performan...
Thatcher – Rite – Streatham Space Project
London

Thatcher – Rite – Streatham Space Project

‘What sort of country do you want?’ – Margaret Thatcher Tea, cucumber, a table and Margaret Thatcher. This is how people’s fate is decided. The performance starts with Margaret Thatcher played by Jack Boal, sitting in the middle of a table, looking at a projection screened behind her. It talks about nuclear families and gendered roles; the tone is already set. The character looked at the audience, the performance started. Thatcher – Rite written and performed by Jack Boal, directed by Lila Robirosa, revisits the political and personal legacy left by Margaret Thatcher. Verbatim and lip-syncing techniques, coupled with visuals of Margaret Thatcher herself, extracts of news and political shows, as well as written messages on the screen projection are vigorously explored by the techni...
One Minute – King’s Head Theatre
London

One Minute – King’s Head Theatre

The Working Actors Studio have revived Simon Stephens 2003 play One Minute at the King's Head Theatre. 'One minute' refers to the time it takes 11-year-old Daisy Schults to vanish, and the play depicts five characters impacted by her disappearance. In part this is a police drama, with the two detectives, played by Frederick Lysegaard and Lee Lomas, leading the investigation into her disappearance, but later being left on their own as other resources are taken away due to their lack of success. But it is much more an emotional study of the interaction of the five characters. The story unfolds slowly through numerous short scenes, many of which are only tangentially linked to the actual events of the disappearance. For example, the two characters of Mary Louise and Catherine, played by Im...