REVIEWS Archives - Page 335 of 548

7Apr

By Gonzalo SentanaNo Comments

London

Electra Untitled – The Cockpit

Bloody your hands if your story is being told without you having a say in it. "Dance, dance, furies, lock your arms!". This rendition of Electra's part of Greek mythology, produced and presented by Vertebra Theatre, explores the story of this controversial character, with the legacy it has had in theatre, through the eyes of four actors and a director, who devised and interpreted it: Alexa Komari, Emilie Largier, Masumi Saito, Elena Stamoulakatou, Mayra Sergiou. Sergiou oversaw the concept, the adaptation and the direction as well. On stage, we also see Gregory Emfietzis, who composed the music and plays the violin, the drum and the electronics. The play introduces us to the pathos of Elektra's story immediately, through the image of four faceless, red-tinted actors, covered in drape...

6Apr

By Tracey BellNo Comments

Yorkshire & Humber

Sister Act – Sheffield Lyceum

'Sister Act – A Divine Musical Comedy' based on the 1992 smash hit movie starring Whoopi Goldberg and Maggie Smith featuring original music by Alan Menken. Produced by Jamie Wilson, with the book by Cheri and Bill Steinkellner and Lyrics by Glenn Slater the dazzling dance routines and music inspired by Motown, soul and disco is finally brought to the stage at the Sheffield Lyceum Theatre after two years delay due to the pandemic. For those of you who haven’t seen the film - 'Sister Act' is the story of a nightclub singer Deloris Van Cartier who witnesses a murder at the hands of her married lover and is taken under protective custody to hide in a convent. Here she learns life lessons and helps her 'Sister's' to find their voice and save their convent whilst Deloris herself finds friends...

6Apr

By Paul WilcoxNo Comments

North West

Mother Goose – The Lowry

Most people are introduced to the world of live theatre through the medium of pantomime, my own 1970's childhood is littered with memories of Anita Harris and Cilla Black slapping their thighs as Dandini, or John Inman in high camp mode as The Dame, household names at the time that are now consigned to occasional appearances on UK Gold. Maybe these somewhat confusing memories slightly put me off, as in the interests of full disclosure I should confess that despite spending large amounts of my time in the theatre, I don't really like pantomime! However, the opportunity to see Sir Ian McKellen live on stage is a chance any self respecting theatre buff is never going to turn down, so I duly took my seat in a packed Lyric Theatre, prepared for a couple of hours of indulgent, farcical nonsen...

6Apr

By Lou SteggalsNo Comments

North West

Shrek The Musical – Blackpool Grand

On a wet and windy night in Blackpool the quest for a fairytale happy ending has taken on extra meaning. Forced to postpone from 2020 (a cruel two weeks before opening night), Blackpool Operatic Players have clearly put everything into finally bringing Shrek The Musical to the stage. And, with an outstanding professional set and wardrobe, tonight is a vibrant, visual delight, faithfully translating the hit animation into live action success. Under the assured direction of Neil Townsend, cast and audience alike have a hugely enjoyable show loaded with slapstick, sarcasm and fart jokes to thrill kids and parents alike. And, at the heart of it, a riotous send-up of the classic ‘damsel in distress’ fairytale narrative. For those who have spent any of the past 22 years living under ...

Wish You Were Dead – Festival Theatre, Edinburgh

6Apr

By H.S. BakerNo Comments

Scotland

Wish You Were Dead – Festival Theatre, Edinburgh

Coming less than a week after the final episode of I.T.V.’s “Grace”, this is a timely outing for a play adapted by Shaun McKenna from the Peter James novel featuring Detective Superintendent Roy Grace. The inspiration for the novel stems from a less than comfortable stay James and his wife experienced at a French chambre d’hote while on holiday in the south of France. However, anyone expecting a gritty thriller with D.S. Grace driving the investigations will be sorely disappointed by this play, which is performed mostly for laughs and is more of a comedy horror than serious murder mystery. As with any detective story, it would be unforgivable to give away the entire plot, (not that there are any real surprises), but the crux of it is that the holidaying Grace, played by G...

6Apr

By Maani WayNo Comments

London

Home, I’m Darling – Richmond Theatre

Being a domestic goddess is not as easy as it seems… This new and innovative thought-provoking comedy tells the story of Julia (Jessica Ransom) and her husband Johnny (Neil McDermott) in their quest to becoming the perfect 1950s couple. Set in modern day, Julia and Johnny decide to lean strongly into the idea of being a traditional 50s couple, even refurbishing their home and lifestyle in order to fit into the mould. A voluntary redundancy takes Julia from a modern working professional into a traditional housewife’s role, and what started out as a six-month trial period turned into a three-year ‘experiment’. The intricate, bright and colourful set is a major character of this show, the detail bringing the action on stage to life and allowing the cast to use the entirety of the spa...

6Apr

By Peter KinnockNo Comments

East Midlands

Annie – Alexandra Theatre

No One Cares For You a Smidge When You’re In An Orphanage Well, that’s the first production of “Annie” I’ve seen that ended with the theme tune to “Blankety Blank” - and for very good and poignant reasons. Read to the end to find out why… Like the Allied Carpets sale which never ended “Annie” is out on tour as if it were ever not on tour. Endless generations of kids have been weened on the show and the demand never seems to wane. It’s a staunch Broadway warhorse which has been inflicting its schmaltz on unsuspecting and, indeed, suspecting audiences since 1977 when it was wrenched kicking and screaming from a newspaper comic strip and thrust upon the Broadway to wild, unstinting and, it seems, endless acclaim. We gave them “Oliver!” they reupholstered him, changed his sex and gave hi...

6Apr

By Alice RoseNo Comments

London

Sap – Soho Theatre

Originally performed at Edinburgh Fringe, I was eager to know why this show was a consistent sell out during the festival. Writer, Rafaella Marcus has brought us a retelling of the Greek myth ‘Daphne’ sought after by Apollo and to escape him turns herself into a tree. Often used as a device exploring sexual assault and violence however in this story, Daphne is Bisexual who is desperately ashamed and would much rather lie than confront the people she loves. With one lie, a seed is planted and from that a dark and tragic path is laid out. Only a 70 minute piece and every second completely enchanting to watch, two actors (Jessica Clark and Rebecca Banatvala) swerve through the space like seasoned pros with every click, move and nod perfectly synchronised with the lights and sound. Moving a...

National Theatre Live: Life of Pi – Altrincham Garrick Playhouse

5Apr

By Paul WilcoxNo Comments

North West

National Theatre Live: Life of Pi – Altrincham Garrick Playhouse

In the week that 'Standing at the Sky's Edge' deservedly won the Olivier award for Best New Musical, another show that started life at Sheffield's Crucible Theatre, then went on to win Olivier's galore and wow the West End and Broadway. premiered on the National Theatre's streaming service. If 'Edge' has half the success that this beautiful metaphorical production has so far achieved, the producers will be well rewarded for their risk. Based on the best selling novel by Yann Martel and adapted for the stage by Lolita Chakrabati, 'Life Of Pi' tells the extraordinary story of 17 year old Piscine Molitor (Hiran Abeysekera) and his survival for 227 days in the Pacific Ocean, after a shipwreck which killed his entire family and everyone on board. Following his rescue, he is questioned as to ...

5Apr

By Codie WrightNo Comments

North West

Mog the Forgetful Cat – The Lowry

Bother that cat!" Finally, after 50 years of delighting readers on the page, Mog leaps off onto the stage, in a show that feels like catnip to the soul and engaged my 4 year old and 1.5 year old throughout the entire thing. Some children's book adaptations have a tendency to be a little self-indulgent. To take themselves a little too seriously and to drag a bit too much for the young ones in the audience. Thankfully, The Wardrobe Ensemble adaptation of Mog doesn't fall under that curse and is a warm celebration of children's theatre, that stays true to the Mog we know and love, but with colourful chaos and a pacy plot. We start with the classic, Mog the Forgetful cat, where Mog foils a burglar (although if I'm being picky, she gets a lot of credit for simply miaowing at the window an...