REVIEWS Archives - Page 330 of 548

The Secret Life of Bees – Almeida Theatre

22Apr

By Akshay RahejaNo Comments

London

The Secret Life of Bees – Almeida Theatre

Set in South Carolina in 1964 and tells the story of Rosaleen, who is fighting for her right to vote, and Lily, who is trying to escape her abusive father. Together, they seek refuge at a remote honeybee farm run by the Boatwright sisters. Abiona Omonua, who played Rosaleen, was the standout performer. The ensemble cast also did an excellent job, including Eleanor Worthington-Cox as Lily, Ava Brennan as June, Tarinn Callender as Neil, Madeline Charlemagne and Shekinah Mcfarlane as the daughters of Mary, Danielle Fiamanya as May, Richard James-Neale as multiple characters, Rachel John as August, Mark Meadow as T-Ray, and Noah Thomas as Zachary. While there were a few moments where the dramatic moment could be anticipated in the performer’s body, overall, the performances were strong and ...

Showstopper! The Improvised Musical – Hull Truck Theatre

22Apr

By Jackie FoottitNo Comments

Yorkshire & Humber

Showstopper! The Improvised Musical – Hull Truck Theatre

I set off for Hull Truck Theatre, on Friday evening, knowing my worst nightmare - audience participation - is probably about to come true. Showstopper! The Improvised Musical invites audience members to create a musical comedy by shouting out their suggestions - suggestions the cast will endeavour to act out. My seat on the front row meant there was no hiding place. So, I determined not to make eye contact with anyone on the stage; keep my head down, be invisible and leave the suggestion-making to anybody - just not me. Billed as a “must-see”, this improvised comedy came to Hull Truck for one night only, as part of a nationwide tour (visit www.showstopperthemusical.com for future venues). Well, dear reader, my “keeping schtum” resolution lasted approximately 30 seconds - that’s...

22Apr

By Stewart Who?No Comments

London

Splintered – Soho Theatre

‘How do you deal with coming out joyfully in a homophobic culture?’ This is the awkward question asked by Emily Aboud in her prize-winning show Splintered. In truth, same sex love isn’t overly celebrated anywhere on this melting, agitated planet. It’s geographical lottery that decides the level of homophobia one might experience should you start waving a rainbow flag. In Brunei, Iran, Mauritania, Saudi Arabia, Yemen and in some northern states of Nigeria, coming out might end in state enforced death sentence. Coming out in Cheam may be easier than in Chechnya, but unicorns and glitter aren’t guaranteed. Attitudes to queerness in the Caribbean stem from a very complex tangle of elements. It’s only quite recently that there’s been an understanding that laws criminalising homosexual relati...

22Apr

By Alice RoseNo Comments

London

Dancing at Luhgnasa – National Theatre

Michael casts his memory back to Bellybag, Ireland in 1936 when living in an isolated cottage with his 4 aunts and mother on the summer his uncle returns from Africa. Michael, (Tom Vaughan-Lawlor) now mid 40s narrates what he remembers from that summer as his uncle slowly dying from malaria drifts in and out of a soft psychosis and the 5 sisters struggling to adapt to the introduction of the industrial revolution. The Mundy sisters, all unmarried and combined supporters of their family home are challenged by their individual unfulfilled dreams. Kate, the breadwinner and teacher is under pressure to keep the sisters afloat, but the school threatens her place on the teaching board. Maggie, a beautiful calming presence keeps everyone happy, but a deep depression overwhelms her at times when s...

The Good Person of Szechwan – Lyric Hammersmith

22Apr

By Khushboo ShahNo Comments

London

The Good Person of Szechwan – Lyric Hammersmith

To celebrate the 80th anniversary of the first performance of Bertolt Brecht’s The Good Person of Szechwan, Lyric Hammersmith is an ideal home with its aim of reinventing classics. Boldly translated by Nina Segal, and directed by Anthony Lau, this rendition is surreal, emotionally unsettling, and powerful! True to Brecht’s convention of theatre, but ripped off its extreme didacticism, the creative team should take a bow for cohesively repositioning the production with oomph and wonder. The play begins with Wang, the water seller (Leo Wan) prancing in a swim-suit and flippers, mocking the city-dwellers and their stupidity in paying money for a free resource like water as he waits for the Gods (Nick Blakeley, Callum Coates, Tim Samuels) who appear in pristine white toga outfits whic...

Abigail’s Party – Churchill Theatre, Bromley

20Apr

By Carole GordonNo Comments

London

Abigail’s Party – Churchill Theatre, Bromley

It's the 1970s, the decade of social aspiration, middle class pretensions, horrible wallpaper, Estee Lauder's "Youth Dew", cocktail cabinets, gin and tonic and cigarettes. Beverly is awaiting her guests and anticipating the pleasure of showing off her new kitchen. Newcomers Angela and Tony have been invited for drinks to welcome them to the area and Susan, the next-door neighbour, has been asked to join them while her daughter, the titular but unseen Abigail, is having a party and wants mother out of the way. Alcohol flows, cigarettes are smoked, cheese and pineapple on sticks and crisps are handed around. Beverly lords it over her guests as she forces more and more alcohol and cigarettes on them and browbeats her stressed-out estate agent husband, Laurence. Eventually, t...

Village Idiot – Theatre Royal Stratford East

20Apr

By Riana HowarthNo Comments

London

Village Idiot – Theatre Royal Stratford East

Village Idiot is a sincere, hearty, and refreshing story about two families and the different needs for freedom, independence and community. Riddled with stereotypes and generalisations, we watch the prejudice crumble under the light of community spirit. Presented by Ramps On The Moon, the portrayal of people with disabilities is acute and uncompromising, with strong characters, showing the liberties and infringements that they deal with. We see the characters at cross roads in their lives as a high-speed railway line being built forces them to up and leave. All of this is administered by Peter who has no qualms about evicting his grandma and brother. With lots of different goings on, the grandma, Barbara somehow finds out, peering through binoculars and causes chaos as she spills the s...

20Apr

By Akshay RahejaNo Comments

London

Little Scratch – New Diorama

A Thought-Provoking and Emotionally Charged Exploration of Trauma Little Scratch, adapted from Rebecca Watson's novel by Miriam Battye and directed by Katie Mitchell, is a powerful and unconventional portrayal of a day in the life of a rape victim. The performance is narrated by four voices in her head, played with great coordination and nuance by Eleanor Henderson, Rebekah Murrell, Eve Ponsonby, and Ragevan Vasan. Their narrations are accompanied by foley sounds that enhance the play's visceral effect with occasional moments of poetic rhythm that feel like music to the ear. The sound and score by Melanie Wilson are also remarkable, as they accurately compose the protagonist's life experiences and trigger the audience's memories of daily sounds we usually ignore. Through this rapid i...

20Apr

By Paul DownhamNo Comments

Yorkshire & Humber

Home, I’m Darling! – Sheffield Lyceum

Clever, humorous, warm – Laura Wade’s Olivier-award winning comedy Home, I’m Darling! appropriately leans into the mythologised tonal tropes of the 1950’s. Jessica Ransom, Neil McDermott, Matthew Douglas, Cassie Bradley and Shanez Pattni all excel in this fun and fresh text.Despite its comedic sensibilities, oftentimes Wade’s piece translates better as a drama than a comedy. Of course, the two are not mutually exclusive, but Wade’s commentary is at its best and most biting when it’s polemical and astute. Feminism is often framed expertly against the backdrops of 1950’s nostalgic delusion, #MeToo, gender roles and even against itself when the validity of feminism is questioned (if feminism is about making choices, is the choice to play a role that supports patriarchy still feminism as it is...

Pass Out: Utter Filth – Traverse Theatre

19Apr

By Wendy McEwanNo Comments

Scotland

Pass Out: Utter Filth – Traverse Theatre

For their HND showcase, the emerging performers from PASS at Edinburgh College devised and performed two pieces of theatre, both inspired by the provocative theme of “Utter Filth”. In the first performance, “Utter Filth” is a nightclub. The kind of place young people go to when they want to test their boundaries, with illicit substances aplenty. There are some nice group scenes, with collective movement and chit chat between the clubbers. We are introduced to “Josh” (Joshua Thomson), a likeably awkward young man. He is introduced to a group of friends by a mutual pal (Dan Webb) and there is some amusing dialogue between the two as Dan asks Josh to tone down his geekiness with these, clearly judgemental, new friends. The group discuss what to do on their big night out.&...