Friday, December 19

REVIEWS

An Inspector Calls – Alhambra Bradford
Yorkshire & Humber

An Inspector Calls – Alhambra Bradford

A few hundred feet from this theatre stands a statue of Bradford’s favourite son J B Priestley, so it was fitting this perfectly realised revival of his enduring drama was coming home after becoming a worldwide hit. On one level it is a clever thriller with a smart twist, but on a deeper level it remains a searing condemnation of the cult of the individual - which is the essence of capitalism - written by a lifelong socialist who survived the horrors of the trenches in the First World War. Some theatre goers might find the political undercurrent a turnoff, so can just enjoy a mysterious police inspector calling on the well to do Birling family in their mansion where he strips bare their Edwardian hypocrisy as he reveals their culpability in the suicide of a destitute young working-cl...
The Ocean at the End of the Lane – Sheffield Lyceum
Yorkshire & Humber

The Ocean at the End of the Lane – Sheffield Lyceum

This tour-de-force piece of theatre launches the entire theatrical arsenal at the audience. In fact, every trick in the book is used to keep the audience on the edge of their seats by the unexpected and stunning theatrical magic. Based on the novel by Neil Gaiman, adapted by Joel Horwood and directed by Katy Rudd, the National Theatre’s acclaimed The Ocean at the end of the Lane delivers a terrifying theatrical thump as we journey to a long forgotten childhood and the darkness that lurks at the very edge of it.  With the collaboration of Gaiman whose other novels include Coraline, Stardust and The Sandman and the National Theatre who are responsible for the Curious Incident of the Dog – this allegorical production was always going to be cutting edge storytelling that is unafraid to...
The King & I – Palace Theatre
North West

The King & I – Palace Theatre

In the aftermath of the coronation of King Charles III it seemed somehow appropriate to see this famous musical about an altogether different type of monarch. Rodgers and Hammerstein’s hit musical was written in 1951 and was based on Margaret Landon's novel, Anna and the King of Siam, which in turn is based on the memoirs of Anna Leonowens, governess to the children of King Mongkut of Siam in the early 1860s. Most people will know the 1956 film starring Deborah Kerr and Yul Brynner, but this production was better than the film. It was full of fun, at turns amusing, emotional, lively and at its very heart lavishly entertaining. Underneath its effervescent charm lie a number of issues that are bound to emerge in a cross-cultural musical, especially in this day and age. Anna’s attemp...
Maria – Unity Theatre
North West

Maria – Unity Theatre

Commissioned by Unity Theatre and Culture Liverpool as part of the Eurovision Cultural Festival 2023, and supported by The Lowry in Salford, Yurii Radionov and Shorena Shoniia’s world-premiere production of Ulas Samchuk’s 1934 novel, follows the life of a young woman through the history of Ukrainian upheaval from the 1861 emancipation of serfs in the Russian Empire under the Tsars through to Holodomor: the communist-regime’s induced mass starvation in Soviet Ukraine in the early 1930’s. As well as marking the 90th anniversary of this horrific and unimaginable event, it is a timely parallel to the events that continue in Ukraine following the attempted invasion by Russia in 2022, echoed by its performance from a cast of seven Ukrainian refugee actors currently living in the UK as a resul...
Warhol: Bullet Karma – Brighton Fringe Online
South East

Warhol: Bullet Karma – Brighton Fringe Online

Warhol: Bullet Karma, written and performed by Garry Roost and directed by Kenneth Hadley, is a one man show, exploring the life of Andy Warhol and Valerie Solanas’ attempt on his life. Covering his experience with art, obsession with fame and relationship with his mother, this is an original biographical drama, examining the life of an icon. Roost’s research into Warhol’s life and his passion for his subject is very clear. This is an enthusiastic piece of theatre by someone who appreciates the different aspects of the Warhol, celebrating the creativity and world-changing aspects of his life, while not shying away from his insecurities and the things he did which hurt the people around him. There are elements of the piece which are tragically relevant to today’s world, such as Warhol...
Audrey’s Art Club – Brighton Fringe Online
South East

Audrey’s Art Club – Brighton Fringe Online

Audrey’s Art Club, from Lita Doolan Productions, is a multi-media collection of snippets from the life of Audrey (Lita Doolan) and her relationship with Violet. Written and performed by Doolan, this original piece of theatre is a love story and also explores themes of isolation, loss and the often desperate need to be wanted. The piece opens with a close up of a black and white Tarot Moon card, followed by several images of urban decay. Poetry is recited by Doolan as a voiceover and the poignant verse with themes of longing alludes to the sadness at the core of Audrey’s romance with Violet. We see the city streets from Audrey’s point of view, as she walks about town. We then hear her side of a phone call about a job she is applying for. Doolan makes Audrey’s eagerness to get the job ...
Our Town – Altrincham Garrick Playhouse
North West

Our Town – Altrincham Garrick Playhouse

Directed by Joe Meighan, 'Our Town' is written by American playwright and Pulitzer Prize winner, Thornton Wilder and is performed at The Altrincham Garrick Playhouse this week.  The Garrick are a very exciting company to watch and with an impressive three acts to the play, ‘Our Town’ is no exception. The story is set in the fictional ‘Grover’s Corners’, New Hampshire and takes place between 1901 and 1913. Despite the era, the entire feel of this story is that it is entirely relatable, focussing essentially on life and death (and all the key moments in between) with reference to the people who live here. It follows the love story of neighbours George Gibbs (Luke Grewer) and Emily Webb (Lauren Robinson) but is actually about so much more. Opening up 10 minutes prior to the ma...
August in England – Bush Theatre
London

August in England – Bush Theatre

Lenny Henry captivates in this bittersweet tale about a man whose life is turned upside down by the Windrush scandal. It is surprising to find out that this is the first play he has written as the language and events flow sinuously and the script is imbued with a strong sense of August Henderson’s character with funny, quirky details. August’s journey is an eclectic one from Kingston Jamaica to Calypso Crescent in an emphatically ghastly Peckham and then to West Brom. This no doubt reflects aspects of Henry’s own life and those he knows, having parents who emigrated to Britain from Jamaica and brought him up in Dudley. The story begins with the family’s move and then cleverly branches into August’s life, starting a zealous band-cum-rebel group called Black Fist and later launching Iq...
The Motive and the Cue – National Theatre
London

The Motive and the Cue – National Theatre

Celebrating Broadway’s famous actor-director duo of the 60s, The Motive and the Cue depicts the journey of Sir Arthur John Gielgud (Mark Gatiss) and Richard Burton (John Flynn) arriving at a Hamlet that is meaningful to both. And in this exciting journey, layer after layer is revealed as reflected in the brilliant set and design of the play. It is the story of two Hamlets, generations, and experiences apart, and when they face each other, one as a “classicist [director] wanting to be modern, and a modern [actor] wanting to be a classicist”, one can hear clashes between theatre v/s film, old v/s new, craft v/s showbiz. Sam Mendes exceptionally directs a stellar cast and production involving Jack Thorne’s words intermingled with excerpts from Shakespeare’s Hamlet. What truly connects the duo...
Family Tree – Everyman Theatre, Liverpool
North West

Family Tree – Everyman Theatre, Liverpool

Matthew Xia has produced an outstanding serving of unremembered history. A fascinating celebration of black life, past and present, and the importance of what connects us all in the human condition. Mojisola Adebayo’ s powerful words were tackled by the cast with sensitivity and flare, and a quick mention to Aminita Francis for handling the difficult poetic language of Henrietta Lacks with nuance and verve. This is a story that spans ninety minutes but captures centuries. A performance that does not shy from cultural celebration but shares the infectious energy of Diane Alison-Mitchell’s traditional dance and Francesca Amewudah-Rivers cultural song. It will definitely make you smile. It was evident that a lot of research has been put into this production. It is a searing lesson of...