REVIEWS Archives - Page 321 of 549

Your Body is a Wasteland – Brighton Fringe Online

22May

By Donna M DayNo Comments

REVIEWS

Your Body is a Wasteland – Brighton Fringe Online

Your Body is a Wasteland, is a multi-media online experience being released daily-ish. Written by Emma Maguire, this is a unique and thought-provoking journey into life with chronic illness and its life changing impact on everything that you do. Featuring a combination of video, text extracts, images and audio recordings, the piece takes full advantage of the online theatre medium to create something truly original and remarkable. There are two options to experience this piece. The Long Road allows you to explore the material in your own way. The Short Road relates the story in a linear way. Posts are still being added to the piece and this review is of the Short Road as it stands today, 20 May 2023. Maguire plays “the Wanderer”, who has chronic illness and is wandering through the w...

22May

By Gemma PrinceNo Comments

London

Brokeback Mountain – Soho Place

Set in the wild Wyoming mountains during the 60s, Brokeback Mountain is based on Annie Proulx’s 1997 short story of the same name about two cowboys, Jack Twist and Ennis Del Mar working on a ranch who struggle with their feelings for each other in a hostile and unforgiving world. Most will be more familiar with the hit film adaptation starring Jake Gyllenhaal and Heath Ledger. Directed by Jonathan Butterell, the story is told through the perspective of an older Ennis (brilliantly played by Paul Hickey), depressed and drinking alone in a bedroom, looking back on his past life with the solemn ‘Don’t Let the Years Get Your Down’ playing on the radio. Hickey appears throughout the story, sorrowfully looking back at his younger self, softly reacting to painful moments and decisions that shap...

A Brief List of Everyone Who Died – Finborough Theatre

20May

By Riana HowarthNo Comments

London

A Brief List of Everyone Who Died – Finborough Theatre

“There is no me in me without the way I love you”. A light, convivial family atmosphere transitions into a dark comedy as Graciela’s (Vivia Font) parents figure out how to tell her that their dog has died. Denial and questioning turns into blame and Graciela develops some sort of fear of her loved ones dying. Members of the cast take it in turns delineating the time passing as Gracie ages. Jacob Marx Rice’s script is mischievously witty and exuberant one moment before revealing undercurrents of disquiet and grief. Throughout the play, people in Gracie’s life die, and she struggles to deal with each one, until it eventually becomes her turn. What I loved about this play was its earnestness and the acute portrayal of grappling with something beyond your control. Font was emotiona...

Jesus, Jane, Mother & Me – Waterside Arts, Sale

20May

By Peter RuddickNo Comments

North West

Jesus, Jane, Mother & Me – Waterside Arts, Sale

There is a rich theatrical tradition of showcasing stories of people who have been left behind, left out. They tend to veer towards empowering and uplifting. So, it is safe to say theatregoers may make certain assumptions as they head into a one-person show about a young man growing up in a challenging background only to discover the power of cruise ship singer Jane McDonald. In reality, however, Jesus, Jane, Mother & Me is something altogether darker. Daniel Valentine (Jack Stokes) is restlessly roaming his mothers’ front room as the audience members take their seats. Bin bags full of clothes litter the floor, the windows are boarded up, no cleaner has troubled the space for many years and the faded shape of a cross on the wall tells us religion was here but is present no longer...

20May

By Adam WilliamsNo Comments

North West

It is what it is – 53two

When does a one-woman play become a stand-up set and vice versa? This show seemed to be unsure which side of that fine line it wanted to be and whilst it was a highly entertaining show it was not entirely clear what was intended. The space itself mirrored this problem as at the front were a number of tables and chairs set out as they would be in a comedy club. Yet behind them was the traditional tiered seating you would find in a theatre. Before the play started there was a warm-up act in the form of Maisie McFarlane who played a few sweet songs. This had nothing to do with the play and only added to the cabaret feel for the whole project. There was an overwhelmingly young, exuberant, animated audience who were extremely lively and definitely keen to enjoy themselves. Given their ...

20May

By Carole GordonNo Comments

London

Bleak Expectations – Criterion Theatre

Based on the award-winning BBC comedy of the same name, Mark Evans' Bleak Expectations takes everything you think you know about Charles Dickens work, chucks it in the air and sees where it lands. There are some recognisable features of Dickens - foggy London, mistaken identities, legal intricacies, cruel headmasters. There the similarities deliberately end. Evans' hilarious comedy is narrated by Sir Philip Bin, who takes the audience through his life, introducing the characters who have shaped him. Known as Pip, Sir Philip's overwhelming motivations are to protect his family and find true love. This does not always prove straightforward; he survives the cruelty of a public school with its regular beatings and lack of edible food, his mother goes mad after Pip's father dies abr...

Greatest Days – Palace Theatre, Manchester

20May

By Max EdenNo Comments

North West

Greatest Days – Palace Theatre, Manchester

What a time to be a Take That fan! Just weeks after Take That’s incredible performance at the Coronation Concert; the bands own musical; Greatest Days arrives in Manchester, delivering a heart-warming story alongside those all important Take That hits. Greatest Days is so cleverly written by Tim Firth, it’s a story which is not only relatable, it’s emotional and moving without being far fetched or fantasy - it’s winning formula is that it’s about ordinary people, the fans and not about the stars themselves - and by doing this - you find yourself rooting for the cast throughout. Greatest Days is a refreshed version of the 2017 Musical; The Band which featured a TV contest; Let it Shine in the lead up to find the 5 boys to be in the band. This time around, it’s a different cast feat...

20May

By Dave SmithNo Comments

London

Mustard – Arcola Theatre

Mustard, both written and performed by Eva O'Connor, is a one-woman show about Eva, a young Irish woman escaping the religious trappings of rural Ireland to London to study art. On a night out clubbing she meets a ‘smoking area man’, and after going back to his and discovering he is a professional cyclist, he is then known only as The Cyclist. O'Connor’s script is smart and zings, mustard being the only English ‘colonial’ item allowed in Eva’s home, lines about dipping Tayto and other moments leading to extra laughs from the knowing Irish in the audience. There are some lovely turns of phrase throughout including describing the caller id of her ex as ‘the letters and numbers that make him up’. O’Connor keeps the audience's attention throughout, a focused and measured delivery with lyric...

20May

By Anisha AnantpurkarNo Comments

London

At Birth – Baron’s Court Theatre

The stage is set with 3 stage-blocks, a couple of wine glasses, a bottle of white wine, and an assortment of stuffed animals neatly arranged in a corner. Sitting in an intimate setting watching Isaac (Ty Autry) and Anna (Thalia Gonzales Kane) work through an unplanned pregnancy was like dropping in on crucial moments of their life. The premise of the show is hilarious and intriguing– two best friends Anna, a lesbian, and Ty, a gold-star gay man, have sex. What starts off as a funny, light-hearted, and awkward piece, then explores the difficulties Anna faces after finding out that she is pregnant. Isaac and Anna, drinking wine, talking about past relationships, and feeling sexually frustrated but also too lazy to find other partners, express their desire to have sex. The first scene is l...

Murder in Play – Rainhill Garrick Society

19May

By Mark DavorenNo Comments

North West

Murder in Play – Rainhill Garrick Society

If it’s farce you want it’s farce you’ll get and with Rainhill Garrick firmly established as the go to place, director Rick Young reinforces this reputation with his enjoyable romp of a production of Simon Brett’s wonderfully awful Murder In Play. Boris Smolensky’s (George Lowe) budget repertory production of ‘Murder at Priorswell Manor’ is looking decidedly shaky with the cast more interested in their egos than the play as his wife Renee (Jo Webster) spars with long-time rival Christa (Rosetta Parker) as well as her husband’s latest interest, Ginette (Alison Mawdsley) who herself remains admired from afar by Tim (Tom Nevitt). With Sophie (Sophie Brogan) waiting for her break and thespian Harrison (Michael Brennan) seeking out Dutch courage to stop himself from breaking, stage manager P...