REVIEWS Archives - Page 314 of 417

The Ghost Train – The Little Theatre, Birkenhead

23Mar

By Mark DavorenNo Comments

North West

The Ghost Train – The Little Theatre, Birkenhead

To many people Arnold Ridley will always be the impeccably polite Private Godfrey in Dad’s Army, but before he made the catchphrase, ‘May I be excused sir?’ famous, he wrote more than 30 plays of which only The Ghost Train, penned in 1923, achieved notable success, running for 665 performances at St Martin’s Theatre and being adapted for cinema three times. Almost a hundred years on, The Carlton Players under the direction of Jen Henry resurrect this delightful comedy thriller, importantly set in 1925, where a group of passengers are stranded in a Cornish railway station waiting room on a dark and stormy night. They have missed their connection because the ‘daft as a brush’ Teddie Deakin (Mark Prescott) pulled the communication cord on their train after losing his hat out of the window....

22Mar

By Chloe StallibrassNo Comments

London

School of Rock – New Wimbledon Theatre

School is in session at New Wimbledon Theatre as The School of Rock invites you to be 'in the band' until 26th of March. The story follows Dewey Finn (Jake Sharp) struggling to stay a member of a rock band whilst living with his old high school band mate Ned Schneebly (Matthew Rowland). He poses as Ned to undertake a position as a teacher in a prestigious school to pay his rent and to help boost his chances of winning The Battle of the Bands, leading to him creating his own band made up of the talented and gifted children of Horace Green. As always, I'm keen eyed towards the sets on the shows I see. This set was gorgeous for its transitions and used clever tricks to set the scene and create the key locations within the storyline. I particularly loved the giant sliding and rotating do...

Dreamboats and Petticoats – The Alexandra, Birmingham

22Mar

By Peter KinnockNo Comments

West Midlands

Dreamboats and Petticoats – The Alexandra, Birmingham

“Petticoats and Dreamcoats’” first incarnation arrived in theatres over eleven years ago and happily and squarely hit their target demographic straight in the bulls’ eye. It was preppy and fun and joyous and brought back many memories for those who lived through the years portrayed. This latest re-incarnation is ten years on as is its target audience and perhaps a little less eager to jump to its feet. This is a show holding great memories for those who were there - particularly Butlins’ and a youth club - but holding little else for the rest of us. The plot is scant and characters merely cyphers - but what holds it together is the music and, though the choices are not the most memorable of the period, there are a few great tunes to bop to. If you can still bop. “Lipstick on Your Collar...

18Mar

By Donna M DayNo Comments

North West

Rice – Unity Theatre

Rice, written by Michele Lee and directed by Matthew Xia, is a fun two woman show which explores the roles of gender, race and class in today’s world, against a background of the migrant experience and how different generations are impacted by it. Nisha (Anya Jaya-Murphy) is a young executive officer at Golden Fields, Australia’s largest producer of rice. The fashion of alternatives such as cauliflower rice and quinoa are impacting business in a big way, but Nisha has her eye on a deal which would make the company the national distributor of rice in India. Long hours and long phone calls with the Indian Agricultural Minister’s irritating PA, Gretel are taking their toll and Nisha soon finds herself conflicting with office cleaner, Yvette (Angela Yeoh). Yvette is part of a new cleanin...

18Mar

By Zoё MeeresNo Comments

REVIEWS

The Red – Original Theatre

I’ve been a fan of comedian Marcus Brigstocke for a while, so I was very excited at the chance to review his hour long two hander, The Red. The concept of the play is beautifully simple - Benedict’s dad has passed away and amongst his last will and testament is a letter for Benedict, inviting him to visit the family’s well stocked wine cellar and enjoy an extra special bottle of red wine with which he shares a birthday. The problem is, Benedict is an alcoholic and has been in recovery and sober for 25 years. The drama was originally commissioned for BBC Radio 4 and the intention for this to be an aural experience stands out in the writing. The dialogue feels genuine, familiar and comfortable as Benedict and his father paint a picture of a life lived together, of other family members and...

17Mar

By Khushboo ShahNo Comments

London

Gulliver’s Travels – Unicorn Theatre

Gulliver’s adventures come to life with the bizarre and delightful production of Gulliver’s Travels playing at the Unicorn Theatre for age 7+. Directed by Jay Woodcock-Stewart, Lulu Raczka’s rendition of Jonathan’s Swift classic brilliantly uses form to share Gulliver’s narrative to a vivacious audience of young people accompanied by adults. Leah Brotherhood, Mae Munuo (Gulliver), Sam Swann, and Jacoba Williams make an energetic entrance to hip-hop music with a camera and a portable spotlight on a whitewashed stage with multiple tables set at a corner. They set the tone of the play, dancing and celebrating, interacting with the audience, and playing with the camera as their movements are projected on the white backdrop. Photo: Marc Brenner The narrative seamlessly begins as the da...

17Mar

By Damian RiverolNo Comments

Wales

Cats – Theatr Clwyd

Tip Top productions have taken on the Andrew Lloyd Webber classic, Cats, at Theatr Clwyd and delivered a show that would give any West End tour version of this show a run for its money. Tip Top Productions produce high-quality musicals, plays, children’s shows, and pantomimes and this musical is at the top end of high quality. Cats was rehearsed over a three-month period, with Direction and Choreography by Rob Stevens and Musical Direction by Tim Jones, and the two together have created an absolute masterpiece. Choreography is key to Cats and the precision and energy in these routines left me in awe. From individual routines to full cast numbers, there was something for everyone and the cast gave everything to delivering the high standard of dance given to them. A live 15-piece ba...

17Mar

By Luke StephensonNo Comments

North West

The Royal – Liverpool’s Royal Court

Last night I was invited to review The Royal, and before you say, no I don’t mean the NHS hospital. It’s a show that is currently playing at The Royal Court Theatre. The show is a comedy starring Lindzi Germain a Royal Court regular and a true comedy Liverpool icon. Lindzi is also one of the show’s writers. Before the show opened, she came out with her dressing gown on and rollers in the hair to say hello and why she wrote the show. It all started after a trip to the Royal Hospital. She wasn’t the patient, but she was with her mum and dad, and it was her dad that did you should write a show about The Royal and so she did. From the get-go the laughter erupted within the theatre. There were times for people myself included had to gasp for breath before the next joke which all came thic...

17Mar

By Paul WilcoxNo Comments

North West

Bedknobs & Broomsticks – The Lowry

Musical theatre in Britain is currently heavily influenced by Disney, with three shows (The Lion King, Mary Poppins and Frozen) playing in the West End at present, and 'Beauty and the Beast' arriving in Manchester next month as part of a national tour. Whether you think this is a good or bad thing, it shows no sign of dissipating with the next one off the production line, an adaptation of the much beloved 1971 film musical 'Bedknobs and Broomsticks'. It is fair to say that with a few minor tweaks, the House of Mouse could have another big hit on its hands. The original stories by Mary Norton, author of The Borrowers, were written in the immediate period after the Second World War and the story of the Rawlins children, Charlie (Conor O'Hara), Carrie (Isabella Bucknall) and Paul (Aidan Ot...

17Mar

By Paul AckroydNo Comments

London

Tempest – Pleasance Theatre

The production of the Tempest by Wildcard Theatre, currently running at the Pleasance Theatre is rather like the two-headed beast that Caliban and Trinculo create in act 2 scene 2 of Shakespeare's play, having two heads. One head is a serious attempt to present Shakespeare's famous play, the other the desire for a light-hearted music inspired evening. Instead of working together towards a common purpose the tension between them detracted from what could have been an extremely fine and inventive production. Pleasance Theatre’s main auditorium was a set out with tables rather than banks of auditorium seats, and the production took place on revolving stage, bare except for a metal construction of steps and stairs which was used inventively by the director, James Meteyard, for t...