REVIEWS Archives - Page 291 of 580

18Oct

By Emma LambeNo Comments

North West

Peter Pan Goes Wrong – Liverpool Empire

If you haven’t already heard of Mischief Productions and their work, then look them up, they’re brilliant. You can find some of their TV work on BBC also. Writers Henry Lewis, Jonathan Sayer and Henry Sheilds do a fantastic job at making a beloved classic work as a slapstick comedy production. Think lights flickering, props being misplaced, set falling apart and performers being injured. This is the kind of show that you could watch with friends and family old and young and they’re sure to love it. The concept for Peter Pan Goes Wrong is just like the title says, Cornley Polytechnic Drama Society presents J M Barrie’s timeless classic Peter Pan and things don’t go quite to plan. The show officially begins as the audience are still taking their seats. With actors weaving in and out of...

18Oct

By Ella CatherallNo Comments

Scotland

Pickled Republic – Assembly Roxy

Walking into the Assembly Roxy space to be greeted by a tomato with legs, I was a little suspicious of what I had gotten myself into with this show. However, ‘Pickled Republic’ a ‘surreal cabaret’/sketch show in which all the acts are vegetables played by Ruxy Cantir, is astoundingly good fun. As a solo show, the quality of the piece lives and dies on the strength of the performance and Cantir’s performance makes it such that this show is live and kicking. Her extraordinary physicality paired with the incredible costumes (Visual Design by Fergus Dunnet) that she swaps out between sketches makes this an unbelievably fun show to watch. Also impressive is the speed at which she’s able to get the audience on side while dressed as a tomato with legs. I can’t have been the only audi...

18Oct

By Alison BainesNo Comments

North West

Musicals That Made Us – 53two

There is no denying that musicals are a guilty pleasure for many people. Whether you’re openly a musical theatre lover or there’s the odd one you can’t help but sing along to, musicals make us feel something deeply; joy, sadness, confusion, sorrow, and there’s something so thrilling about watching a talented cast sing, dance and act their way into an audience’s hearts. 53Two’s latest show, ‘Musicals That Made Us’ is a celebration of all of that. Current Manchester School of Theatre student, Nejc Lisjak, and recent graduates Megan Keaveny and Lara Rose Hancox take the audience on an exploration of musicals old and new in a cabaret style performance. Described as a production that “takes you through the mistakes they’ve made and the lessons they’ve learnt through the medium of musi...

18Oct

By Kiefer WilliamsNo Comments

North West

Metamorphosis – Liverpool Playhouse

Originally written in 1915 as a novella Franz Kafka’s claustrophobic and deeply unsettling classic is brought to the stage by one of this country’s finest physical theatre companies, Frantic Assembly. Poet Lemn Sissay OBE has successfully adapted Kafka’s dark story of devilish transformation and its presented here in all its surreal and muscular glory. Kafka’s dark fairy tale is simple in its construct , telling the story of Gregor Samsa a travelling salesman who slowly turns into a gigantic insect much to the horror and distaste of his dysfunctional family. Given that the subject matter would be quite difficult to translate to either film or stage Frantic Assembly and Lemn Sissay have achieved some success in delivering an uncompromising and totally addictive piece of theatre. ...

18Oct

By Paul WilcoxNo Comments

North West

Sweeney Todd – Waterside Arts

I always jump at any chance to see a show written by Stephen Sondheim, and as we approach the second anniversary of his death next month opportunities on both the professional and amateur stage approach thick and fast. Tonight, Sale & Altrincham Musical Theatre present 'Sweeney Todd' written by Sondheim and his long time collaborator Hugh Wheeler, a production that despite some excellent individual performances never fulfils its potential as the 'sensational horror show' that Sondheim conceived. Written at the zenith of his productivity in 1979, 'Sweeney Todd' is the tale of a tortured barber (played this evening by Richard Ross), escaping from transportation to Australia for a crime he did not commit, returning to Victorian London to exact his revenge on evil Judge Turpin (Jon Gard...

17Oct

By Scot CunninghamNo Comments

North West

42nd Street – Opera House, Manchester

Timeless, famed, genre-defining: all befitting words to describe this classic backstage musical considering its screen debut ninety years ago, later followed by an 80s stage adaptation. Arriving in New York City, wide-eyed, budding performer Peggy (Nicole-Lily Baisden) has her heart set on stage stardom- and the right set of circumstances soon land her a spot in a new musical’s chorus line. As opening night approaches, an accident involving the leading lady then gives Peggy the unexpected chance to make it big. A paper-thin storyline matters little when outstanding tap numbers are in such plentiful supply. Exuberant and unremitting, the ensemble commands attention with their well-honed coordination. Dance sequences in We’re in the Money as well as the titular song make them unforgett...

14Oct

By Stewart Who?No Comments

London

Jock Night – Seven Dials Playhouse

A decade ahead of its arrival to these shores, I was the first journalist in the UK to write about crystal meth in the gay press. In 1997, after spending a deranged summer in San Francisco, I returned to London and in the pages of QX warned readers of a highly addictive new drug that was decimating the community on the West Coast. That same year, I wrote and performed ‘Twisted’ with Wayne G, arguably, the first ‘chemsex’ dance tune. That portmanteau had yet to be coined by the late, great David Stuart, but excessive drug use and epic sex sessions were the central themes of that record. They are also the driving forces in Jock Night, a new play by Adam Zane. Methamphetamine hydrochloride (aka ‘ice’ ’Tina’ ‘crank’ ‘meth’ ‘tweak’) took almost 20 years to get a foothold in the UK, unlike in...

Plays in the Key of Life – Hope Street Theatre

14Oct

By Donna M DayNo Comments

North West

Plays in the Key of Life – Hope Street Theatre

Plays in the Key of Life is an anthology of four short plays, presented by Writers Inc. Productions, a Liverpool based company founded by the four playwrights whose work is being presented. Each play has a different theme, but they are all united by explorations of loss, particularly loss caused by abandonment. The first piece is The Tramp and The Lady, written by Bob Towers and directed by Brian McCann. The play is presented with a simple set of two fold up chairs, representing the outside of a train station, and Mike Sanders, playing a homeless man, does a good job of creating a sense of a cold wet day. The atmosphere becomes even more unpleasant with the entrance of Abi Tyrer, the ironically named “lady” of the title, who is judgmental, rude and very nasty to both her partner, whom s...

The Rainbow Monologues, LIVE! – Arts Bar Studio 3, Liverpool

14Oct

By Gill LewisNo Comments

North West

The Rainbow Monologues, LIVE! – Arts Bar Studio 3, Liverpool

A colourful collection of eight monologues which delve into the lives of people from all walks of life with a LGBTQ+ perspective. Liverpool’s longest running LGBTQ+ fringe company, Grin Theatre, return for one night only with their award-winning LGBTQ+ monologues as part of the Liverpool Fringe Festival. The Arts Bar Studio is the perfect setting for these new offerings from writer Wes Williams. Produced by Francis Brack, we’re treated to a nice range of performances, and under Nathan Dunn’s direction, the variance in pace between the styles of presentation and themes within the monologues, or rather snapshots, avoids the potential monotony that can sometimes be found from a series of monologues. The actors are sat positioned across the back of the stage, focused througho...

14Oct

By Riana HowarthNo Comments

London

Delinquent Dad – Tabard Theatre

This kookily animated production took me back to watching My Parents Are Aliens on the TV. Yet, this play is set six months into the future, envisioning increasing rent bills, crypto cases, and an elevated housing crisis. Its incidentally interweaving connections tie into the small-world-feel of the sitcom trope, and the gloriously indifferent, haphazard Dad (John Gorick) makes for a likeable and oddly believable protagonist. A young couple, a pair of millennials as they call themselves, are baffled when what is meant to be a meal for the rents turns out to be a savage split, as Matt’s Dad is dumped on his doorstep with a holdall catapulted into the room by a furious wife. The timing couldn’t be worse – Matt (Bradley Crees) and Cara (Elizabeth Back) are in the midst of a rent strike, to...