REVIEWS Archives - Page 29 of 623

Matthew Bourne’s The Car Man – Sheffield Lyceum

22Jul

By Natalia PrucnalNo Comments

Yorkshire & Humber

Matthew Bourne’s The Car Man – Sheffield Lyceum

Matthew Bourne’s ‘The Car Man’ at the Sheffield Lyceum is utterly stupendous. Despite the show not having been on tour in the UK for over 10 years, it has certainly returned with fervour. The performance had already begun before the audience had even filled the seats, before the lights even went down - with the dancers playfully flirting with one another, hanging signs up and fixing cars. With a show so full of action, passion, deception and desire, the immersive prelude was just a glimpse into what was to come. The creative direction and choreography of Matthew Bourne was deeply moving. It elegantly wove classical ballet with contemporary and modern dance. I particularly enjoyed the Act 1 finale, which featured line dancing and a hoedown during a party, contrasting deliciously with the...

22Jul

By Carole GordonNo Comments

London

Alice in Wonderland – Riverside Studios

Neon-bright, fast-paced and generally faithful to Lewis Carroll's original, Penny Farrow's version of Alice in Wonderland is a joy. It's somehow simultaneously fresh and modern while remaining a classic. There are very convincing puppets for some of the characters (think Avenue Q meets the Muppets) but director Nate Bertone has not been tempted to shoehorn in any of the current theatrical gimmicks like digital screens and steadicams to distract from the action. All the favourite characters of this beloved tale show up, portrayed by a terrifically talented ensemble who give it their all and then some, with on-point comic timing. Bored Alice is feisty, curious and played with the perfect degree of sweetness by Ailsa Erskine. When she chases Clare Brice's energetic ...

The Cherry Orchard – Royal Shakespeare Company, Stratford-upon-Avon

22Jul

By Paul WilcoxNo Comments

West Midlands

The Cherry Orchard – Royal Shakespeare Company, Stratford-upon-Avon

There is a temptation with The Cherry Orchard to treat it as a museum piece: a wistful farewell to a vanished aristocratic world wrapped in reverential melancholy. Laura Wade’s ambitious new version, directed by Tamara Harvey for the Royal Shakespeare Company, refuses to preserve Chekhov in aspic. It brings freshness and immediacy to one of theatre’s greatest farewell plays, though its determination to find contemporary clarity occasionally comes at the expense of some of the original’s quieter poetry and ambiguity. Written specifically for Harvey, the Swan Theatre and this ensemble, Wade’s adaptation is less concerned with reproducing Chekhov’s exact cadences than capturing the emotional and political forces beneath them. Purists may notice the freer language and sharper rhythms, but t...

The Hidden Dangers of Camping – Theatre Royal, Windsor

22Jul

By Alan Stuart MalinNo Comments

London

The Hidden Dangers of Camping – Theatre Royal, Windsor

Liesl Wilke’s ‘The Hidden Dangers of Camping’ arrives at Theatre Royal Windsor for its world premiere with an intriguing premise and an impressively large production. The story begins with a family crisis in the present that pulls Casey (Jess Nesling) back into memories of a childhood camping trip, gradually revealing that this apparently idyllic weekend was anything but. The result is an absorbing, visually accomplished drama which examines the damage carried through families and the lasting effects of being exposed to adult behaviour at an impressionable age. Director Bronagh Lagan handles the movement between past and present particularly well. Casey’s therapist (Sandra James-Young) becomes an effective portal into her memories, allowing the play to slip between timelines with clarit...

21Jul

By Dan GrimesNo Comments

North West

paywall – The King’s Arms

This was my first trip to The King’s Arms, and this 54-seat black-box venue, nestled in the historic heart of Salford, felt like the perfect setting for this one-woman show, performed as part of the Greater Manchester Fringe. Written and performed by Neysa Killeen, a self-styled Irish storyteller, the play begins in medias res with Lizzie, a 27-year-old woman, making the difficult decision to leave her Dublin flat and return home to the unwelcoming arms of her father. Defeated in her quest to become a hard-hitting investigative journalist by a combination of the stitched-up patriarchy and the cost-of-living crisis, Lizzie’s story charts her personal journey from a small child dubbed ‘cold’ by her aunt on the day of her mother’s funeral to a wrung-out postgraduate struggling to pay h...

20Jul

By Paul WilcoxNo Comments

North West

The Boys We Were – The King’s Arms

Nostalgia has become a lucrative commodity. From Take That to Steps, the reunion tour has evolved into a reliable cultural ritual, inviting audiences to relive happier times while asking whether former stars can ever truly recapture the magic. Tom Peters’ The Boys We Were explores that familiar territory, using the reunion of fictional boyband The Boiz to examine friendship, regret and the uneasy transition from fleeting fame to ordinary life. Former manager Max (John Joyce-O’Keeffe) attempts to reunite his fractured protégés for a television special and tour, only to discover that old resentments have never really disappeared. Successful solo artist Jay (Rob Peters) remains estranged from Lee (Tom Peters), whose bitterness over the band’s collapse continues to simmer, while Ry (Bil...

20Jul

By Olivia CoxNo Comments

London

The Gruffalo – Lyric Theatre

As a child of the early noughties, I remember Julia Donaldson’s The Gruffalo as a distinctive cultural touchstone of my formative years. A couple of decades later, it’s been a while since I engaged with the classic British tale, so I was very happy to pop along to the Lyric Theatre on a sunny Sunday morning to watch Tall Stories’ musical adaptation in celebration of its 25th anniversary. Our storytellers are Rianna Kellman, Niall Hemingway, and Jordan Cottle, who introduce us to the deep, dark wood – in a beautiful set by Isla Shaw that feels like the perfect homage to Axel Scheffler’s iconic illustrations – where Mouse (Kellman) now resides. On the hunt for the perfect tasty nut, Mouse has to outwit the sneaky Fox, Owl, and Snake (all played by Cottle) before meeting the frightening Gr...

Pup Play: A Queer Pseudo-Lecture (of Sorts) – Barons Court Theatre

20Jul

By Alan Stuart MalinNo Comments

London

Pup Play: A Queer Pseudo-Lecture (of Sorts) – Barons Court Theatre

Part academic presentation, part confessional and part chaotic and confusing cabaret, ‘Pup Play: A Queer Pseudo-Lecture (of Sorts)’ is certainly unlike anything else currently appearing on London’s fringe theatre circuit. Written and performed by Dr. Noah Alfred Pantano, the production explores pup play, BDSM and queer identity through the highly eccentric persona of Professor Handler David. What begins as an enthusiastically delivered lecture soon expands into a deliberately unruly mixture of personal testimony, audience interaction (be prepared to bark like a dog), puppetry, multimedia and punk-infused musical interludes. Pantano’s research forms part of his doctoral work, and the production is most successful when it draws upon that academic foundation. It offers an interestin...

18Jul

By Stewart Who?No Comments

London

Firebird – Southwark Playhouse

My friend Eric, an Egyptian Muslim pulled me aside last week. He dragged me out of earshot from his mother, who eyed us both suspiciously while adjusting her hijab. ‘Can I ask you something?’ Eric whispered, fizzing with anxiety. ‘Is it true what they say about Muslim grooming gangs?’ I sighed, weary at a right-wing narrative that’s now fuelling doubt in the community it seeks to demonise. It’s a live situation, unfolding in real time. ‘Yes, Eric,’ I replied, cautiously. ‘But it’s complex and toxic. Sex offenders of Muslim heritage DO exist, but they get outsize media attention. Waaaaaay more than white British groomers. AND it’s a social media shitstorm for clicks and clout.’ Eric could barely look at me. My careworn brain reeled with grisly memories of drunken, ugly fights wi...

And Then There Were None – Hope Street Theatre

18Jul

By Ben PearsonNo Comments

North West

And Then There Were None – Hope Street Theatre

Ten Little Soldier Boys are whittled down to none in The Woolton Drama Group’s production of Agatha Christie’s thriller, And Then There Were None. Ten strangers are invited to the mysterious and isolated Soldier Island. Each is accused of a crime, and each has no guarantee of surviving the stay. As ever with Christie, it’s a tense and exciting premise. And this production begins promisingly with an ominous reading of the poem which frames the play: ‘Ten Little Soldier Boys’. John Ovington’s delivery dripped with suspense; setting the ground for the twists and turns to come. Sadly, however, this proved to be one of the performance’s high points. As, while the production was entertaining and the script of course strong, there was a noticeable lack of urgency throughout. A thriller ...