REVIEWS Archives - Page 28 of 548

18Sep

By Holly SewellNo Comments

London

Romans: A Novel – Almeida Theatre

Three brothers are born to daughterless parents sometime in the eighteenth century. Each is uniquely traumatised by his upbringing: the beatings of boarding school, the horrors of war, the witnessing of his father’s suicide by a gunshot to the roof of the mouth. And yet each must go on with life. Romans: A Novel is a story of three men, spanning 150 years, trying to answer the question of what it means to be a man - in other words, what it means to live. Alice Birch’s study of masculinity is focused, among other things, on the importance of the written word in deciding who gets to have a voice. Its structure is informed by the development of the novel: we begin with Jack Roman narrating his own life alone onstage, wandering into the fog and meeting his long-lost uncle, presumed dead fro...

Calendar Girls – Blackburn Empire Theatre

18Sep

By Emma WildNo Comments

North West

Calendar Girls – Blackburn Empire Theatre

What an absolute privilege and pleasure to return to beautiful, Blackburn Empire Theatre, for Blackburn Drama Club’s first play of the 2025/2026 season, and what a cracker of a show to kick off with! Calendar Girls, based on the true story of eleven members of the Rylstone and District Women’s Institute, who, back in 1998 came up with the somewhat shocking idea of posing nude for a charity calendar. W.I. member, Tricia Stewart, was inspired by her friend’s husband, John Baker, who was diagnosed with non-Hodgkin Lymphoma, and who sadly passed away aged just 54, to create an unconventional calendar to raise funds to buy a new sofa for visitors, at the local hospital where John was receiving treatment. John’s wife, Angela Baker, said they discussed the idea of the nude calendar with John b...

18Sep

By NewsdeskNo Comments

Yorkshire & Humber

Far Gone – The Crucible Playhouse

Roots Mbili Theatre brought their epic, devastating show ‘Far Gone’ to the Crucible Playhouse this week, and demonstrated the excellence that has awarded them multiple 5* reviews and a world tour which they are currently embarked on. The tale is an acute dissection of a young boy’s corrupted innocence, documenting their traumatic and violent journey from young village boy into child soldier as he is kidnapped and groomed by the Lord’s Resistance Army. A harrowing narrative that meditates on morality, war and masculinity, John Rwothomach’s solo play is visceral and potent. His script is unflinching and bold. Equally is his performance. Rwothomach writhes and contorts faces and figures of the human experience, specifically those occupying Uganda during the late 20th century. The co...

18Sep

By Kira DanielsNo Comments

London

Reunion – Kiln Theatre

This is a tough one. A storm-weathered family convenes on “an island off the west coast of Ireland,” and all hell—less so breaks than steadily chips loose. En route from the Galway International Arts Festival, this production of Mark O’Rowe’s Reunion much like its island setting, holds a captive audience. Its dialogue is natural and intriguing, and O’Rowe resists the kitchen sink dramatist’s persistent impulse to make his characters as mean as possible. A perfectly gender-split cast of five and five places surprising emphasis on its female characters’ internality, relegating its men to timorous punchlines at best (in the case of Stephen Brennan’s adorably addlepated Felix) and tremendous encumbrances at worst (in the case of Ian-Lloyd Anderson’s incredibly effectively irritating Aonghus...

The Lightning Thief: The Percy Jackson Musical – Liverpool Empire

18Sep

By Sam JamesNo Comments

North West

The Lightning Thief: The Percy Jackson Musical – Liverpool Empire

The worldwide phenomena Percy Jackson (Joe Tracz) has hit the stage with a loud and rapturous bang. Enter monsters, a heroic adventure, catchy songs and a ferocious cast and you can easily see why this adaptation of the books, films and TV series shouldn't be anything but following in the success of its predecessors of Percy Jackson. Produced and directed by Bill Kenwright, Paul Taylor-Mills and Lizzie Gee) Packed with catchy, upbeat songs which will have you toe tapping along and singing as you leave, the musical score (Rob Rokicki, Will Joy and Jeremy Wootton) and vocals for this production are beautifully orchestrated. The set design (Ryan Dawson Laight) is simple, but a very detailed, effective and dynamic staging. Minimal pieces of movable platforms are utilised to adapt the sta...

The Talented Mr Ripley – Festival Theatre

18Sep

By Nazaret RaneaNo Comments

Scotland

The Talented Mr Ripley – Festival Theatre

I remember first reading Patricia Highsmith’s The Talented Mr Ripley as a teenager and being completely hooked by Tom Ripley’s mix of cunning, insecurity and longing. There was something about him that felt both thrilling and a little unsettling, and I couldn’t stop thinking about the Riviera he inhabited, sun-drenched, glamorous and just a little decadent. Then I watched the 1999 film, and my fascination only grew. So, when I got the chance to see the story brought to life on stage at the Edinburgh Festival Theatre on the opening night, I was really intrigued about what I was about to experience. From the very first moment, the play draws you into Ripley’s world. Ed McVey is rarely off stage and he inhabits Tom with such precision that it is impossible not to be captivated. He moves ef...

Rambert x (LA) Horde: Bring Your Own – The Lowry

17Sep

By Lou SteggalsNo Comments

North West

Rambert x (LA) Horde: Bring Your Own – The Lowry

(LA) Horde’s collaboration with Rambert, Bring Your Own, is an ambitious attempt to bottle the unruly energy of nightlife and stage it as contemporary performance. Over the course of several distinct pieces, the production draws on social dance, rave culture, and acrobatic spectacle, pushing the 14-strong Rambert ensemble into a space where technique meets abandon. The result is fast, furious, and undeniably compelling, though not always as coherent as it aspires to be. The opening section, Hopestorm, is a striking fusion of Lindyhop and rave. Dancers charge through fifteen minutes of relentless partnering and synchronised group work, with echoes of Broadway chorus lines interlaced with rock ’n’ roll. Snatches of Elvis Presley’s “Hound Dog” surface beneath a pounding rave soundscape, wh...

17Sep

By Paul ClarkeNo Comments

Yorkshire & Humber

The Last Laugh – Alhambra Bradford

Sad clown paradox is actually a syndrome where comedians with early life feelings of deprivation and isolation use an audience as a release so they can remove feelings of suppressed physical rage through getting laughs. Paul Hendy’s ingenious idea to explore this paradox by imagining a meeting of seventies comedy titans Bob Monkhouse, Eric Morecombe and Tommy Cooper in a rundown dressing room as the lights flicker spookily. Trapped together, these troubled and driven funny men engage in a game of comedy one-upmanship as they slowly reveal the demons eating away at all three of them. Along the way Hendy subtly analyses the eternal question of what is funny, and who better to do than three men who dominated primetime TV in very different ways. Cooper was a physical comic who just had t...

Matthew Bourne’s The Midnight Bell – Liverpool Playhouse

17Sep

By Miranda GreenNo Comments

North West

Matthew Bourne’s The Midnight Bell – Liverpool Playhouse

T.S. Eliot said that poetry can communicate before it is understood. The Midnight Bell is poetry in motion – not so much a linear tale as an evocation of a time and place, where love stories from the back streets of inter-war London swirl, intersecting and cross-referencing, before resolving into a tableau. Born in Covid and taking inspiration from the Twenty Thousand Streets Under the Sky novels of Patrick Hamilton, The Midnight Bell takes its name from a downtown pub, the narrative hub, where the small-time romances of chancers and spinsters alike play out. Certainly, there is something very Prufrockian about Lez Brotherston’s set, reminiscent of the “muttering retreats of restless nights in one-night cheap hotels” of Eliot’s antihero. The inside of a Soho boozer is wonderfully sum...

17Sep

By Roger JacobsNo Comments

Scotland

Our Brother – Traverse Theatre

The horrific events that took place in Democratic Kampuchea (Cambodia) under the Khmer Rouge between 1975 – 79 are well documented, but writer Jack MacGregor has - to good effect -dramatised a true, less well-known incident from 1978. An idealistic Scots professor, simply referred to as ‘Stranger’ (played by Bobby Bradley) managed to grab 15 minutes with Pol Pot, or ‘Brother No 1’ (David Lee-Jones). With him was ‘American’ (Nicole Cooper), armed with enough knowledge of the atrocities to remain somewhat less effusive. This piece explored the (chiefly Marxist) motivation and ambition shared, initially, by Stranger and Brother, the notion that there was a way to create an egalitarian, agrarian utopia. Upon a simple platform covered in white sheets the three actors performed this inten...