REVIEWS Archives - Page 26 of 548

Measure for Measure – Royal Shakespeare Company

24Sep

By Kira DanielsNo Comments

London

Measure for Measure – Royal Shakespeare Company

Much like its persecuted and prosecuted heroine, this production of Measure for Measure has a lot to prove. Director Emily Burns draws some tight parallels between the scenarios of Shakespeare’s Vienna and the present-day political scene but keeps the play well within the lines of conventional adaptation. That this script lends itself so well to the current moment is more depressing than exciting, and this production does not shy away from, but rather leans into, this discomfort. Distressingly relevant and enduringly painful, this problem play doesn’t offer much in the way of solutions. Photo: Helen Murray Standout performances from Emily Benjamin as Mariana, Douggie McMeekin as Lucio, and Oli Higginson as Claudio only heighten the sense of unease that pervades the play space. Benjam...

24Sep

By Lou SteggalsNo Comments

North West

The Last Laugh – Liverpool Playhouse

Paul Hendy’s The Last Laugh arrives at the Liverpool Playhouse as both tribute and portrait of three of Britain’s most iconic comedians – Tommy Cooper (Damian Williams), Eric Morecambe (Bob Golding) and Bob Monkhouse (Simon Cartwright) with an imagined meeting of the three in a slightly dilapidated dressing room of an unknown theatre. It’s a warm-hearted evening and our trio of actors are clearly accomplished mimics. However, with a sense that the show is a bit of an excuse to show off these talents, the show occasionally struggles as it slips uneasily between original theatre, greatest-hits homage and meandering biographical lecture. Each actor has an expert ear for the vocal cadence and physical timing of our comedians, honed through their own solo tribute shows, making the imper...

24Sep

By Jan MellorNo Comments

North West

Fiddler on the Roof – Liverpool Empire

Fiddler on the Roofis a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein and is based on the story of Tevye a poor dairy man in imperial Russia around 1905. Entering the packed Empire theatre, the stage was set in a dark haze with the orchestra pit set at the back of the stage – it looked intriguing and inviting. As a lover of this wonderful story of a man’s fight for tradition in a Jew-hating world, the set was very fitting. I saw this play on stage many years ago when the lead was played by Topol who also played the lead in the film – it was great then and I was hoping that this would compete. The opening scene of the iconic fiddler sat precariously on a roof playing the melodic tune sets the scene wonderfully and below the straw roof canopy, th...

Di and Viv and Rose – Theatre by the Lake

24Sep

By Karen Morley-ChesworthNo Comments

North West

Di and Viv and Rose – Theatre by the Lake

I was transported back to the 1980s and student life in a northern town at Theatre by the Lake in Keswick through Amelia Bullmore’s play Di and Viv and Rose. A story of three girls who meet for the first time in their student halls of residence, this play captures their lives and friendship over the following three decades. The minimal set brought back to life the decade of the gettoblaster, bright sportswear, and a time when students had grants and no free tuition. The three very different characters - Di, a working-class, northern lesbian, Rose, a middle-class, innocent and yet promiscuous southerner, and the more mysterious Viv, a feminist whose wardrobe came from the 1940s, and who was determined to work her way to the top of academia. This funny and moving play takes us...

24Sep

By Jackie FoottitNo Comments

Yorkshire & Humber

Pride & Prejudice – Hull Truck Theatre

On Tuesday evening, make-up intact, I took my front row seat at the Hull Truck Theatre to watch a performance of Pride & Prejudice. Nearly three hours later, at the show’s end, I had acquired panda eyes and could have kicked myself for not wearing waterproof mascara. The person responsible for my facial demise? Ben Fensome. In this Jane Austin classic, made extra famous by the TV series starring Colin Firth (who could forget that wet shirt scene), Fensome has a dual role - that of dashing soldier Mr Wickham and ingratiating clergyman, Mr Collins. It’s his portrayal of the latter that caused my tears of mirth. Tall and slim, every move he made in his all-black apparel had the audience in stitches. But it was his rubbery facial expressions that did the damage to my face. Y...

A Taste of Honey – Altrincham Garrick Playhouse

24Sep

By Louise KershawNo Comments

North West

A Taste of Honey – Altrincham Garrick Playhouse

Opening the Garrick Studio’s new season of Manchester based plays is the iconic A Taste of Honey. It’s hard to believe that Shelagh Delanay was just 19 years old when she wrote this funny yet furious piece which still manages to hit hard and square 65 years on from its first production. Set in Salford, in a damp and draughty bedsit, we meet Helen and her teenage daughter Jo mid moonlight flit as they decamp from one squalid living quarter to another. Described in the text as a ‘semi-whore’ Helen is a single mother, trying to make ends meet by whatever means she can and grasping on to whatever opportunities may come her way. Jo is weary of their lifestyle and is searching for love and security, for guidance and comfort, where none is likely to emerge. When her mother leaves her for Pe...

23Sep

By Kira DanielsNo Comments

London

Emma – Rose Theatre

Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her. At least, Jane Austen’s Emma did. Ava Pickett’s Emma has got issues. Handsome and clever but decidedly not rich, her father is a crook, her sister is a crackpot, and her own disposition is anything but happy. This Essex-set adaptation of the literary classic opens at Oxford’s May Ball and is throughout infused with the vaguely sickeningly hedonistic energy of that messy melee. Blatantly dismissive of the traditional Regency aesthetic of horse-and-carriage romance, this production instead takes on the look and feel of a Piccadilly Circus rickshaw ca...

23Sep

By Katie LeicesterNo Comments

North West

The Buddy Holly Story – The Lowry

Written and produced by Alan Janes, The Buddy Holly Story has been delighting audiences worldwide since it first opened in 1989. Having toured across continents and played to more than 22 million people, the show has become a staple of jukebox theatre. Now, under the assured direction of Matt Salisbury, it arrives at The Lowry Theatre with a vibrant new cast who capture the energy, charm and tragedy of a legend of early rock ‘n’ roll. The production follows Buddy Holly’s short yet dazzling career between 1956 and 1959, classed as the golden years of rock ‘n’ roll. Starting out as a country musician in Lubbock, Texas, Buddy quickly realised his sound belonged to a new era. With The Crickets, he forged a distinctive style that blended country roots with rhythm and blues influences, produc...

20Sep

By Zain RussellNo Comments

London

Oscar at the Crown – The Crown

Oscar at the Crown follows the story of Oscar Wilde, reimagined in a dystopian futuristic world. This particular night marked the debut of Jan Sport stepping into the role of Wilde, and they delivered an electric performance. From the very start, the energy was high, with sharp, high-octane choreography lighting up the stage. The atmosphere is immersive from the moment you arrive. Walking down the stairs, you’re greeted with nostalgic clips from 90s TV classic The O.C., setting the tone before you even reach the venue. Entering feels more like stepping into a nightclub than a theatre, with a live DJ, dancers, and an audience swept into the action right away. The production lays out its “three rules,” encouraging the audience to move freely throughout the performance, following the ca...

20Sep

By Alice RoseNo Comments

London

LENNY. – Omnibus Theatre

Lenny, also known as ‘big man’ by his best friend Carly is soon to be turning 30. Living with flatmates he doesn’t like, a job that fulfills him with no purpose and a huge burning desire to be loved. Written and performed by Alfie Webster and directed by Sarah Stacey, this 80-minute piece travels through the usual spots Lenny exists like the cinema, a nightclub, the nightclub’s cubicle and back in his room where even there he struggles to take up space. But on this particular day he is haunted by a dream, in which he had sex with a banana. This unravels him completely as he realises his own loneliness. His mission becomes clear, to prove the banana wrong and make sense of who he is. Location to location, Webster invites us into his lens of life. He finds humour in almost anything mundan...