REVIEWS Archives - Page 240 of 549

The Full Monty – Liverpool Empire Theatre

17Jan

By Jan MellorNo Comments

North West

The Full Monty – Liverpool Empire Theatre

Well, we have all probably seen the film – a bunch of middle -aged men – ex steel workers – who when the steel mills and factories close, are left broke, desperate and powerless. A story with its iconic scenes, music and humour that everyone – especially females – remembered - The Full Monty - when a bunch of men, for one night only, become cabaret strippers. So, how was this going to translate from screen to stage? I was intrigued to find out. The Liverpool Empire theatre was packed to the rafters – mostly women I have to say, and there was a deep breath of anticipation across the auditorium as the show started. A large steel construction, a scaffold frame that was a formidable centre piece, drew us into Sheffield’s former glory of theses skyline -consuming steel factories ...

17Jan

By Oliver GigginsNo Comments

Scotland

Jekyll and Hyde – Royal Lyceum Theatre

This adaptation by Gary McNair of Robert Louis Stevenson's novel, is keen to point to its source's Edinburgh roots, though mostly through the programme and the lead (and only) actor's Scottish accent. Unlike some recent productions of Great Expectations or Dracula however, it stops short of relocating the story to Scotland. But even the medium of a play represents a coming home of sorts: this story began with the true tale of furniture-maker and lock-breaker Deacon Brodie, about whom Louis Stevenson first co-wrote a play entitled Deacon Brodie, or The Double Life, though it was his later retooling of the idea of duality into the novella Strange Case of Dr. Jekyll and Mr. Hyde which would find lasting success. The story is well-known (spoilers) for its crucial dual role, which lead at...

Peter Pan Goes Wrong – Leeds Grand Theatre

17Jan

By Paul ClarkeNo Comments

Yorkshire & Humber

Peter Pan Goes Wrong – Leeds Grand Theatre

The Mischief comedy juggernaut just keeps on rolling with another version of Cornley Polytechnic Drama Society’s chaotic take on Peter Pan where everything that can go wrong does. It is at heart a knowing tribute to all those am dram groups who gamely put on productions every week across the country, and the gag is that none are as likely to be so badly written or performed as Cornley’s unique take on JM Barrie’s tale of a boy who never grows up. Mischief founders Henry Lewis, Jonathan Sayers and Henry Shields know what works for their brand, so have cunningly crafting dialogue so wooden you could make a table out of it, and ironically most critics have sat though productions almost as risible, but also as blissfully unself-aware as this bunch of talentless chumps. Noises Off will...

17Jan

By Tracey BellNo Comments

Yorkshire & Humber

I Should Be So Lucky – Sheffield Lyceum

The Hit Factory of the 1980/1990’s punches into the Sheffield Lyceum this week with Stock, Aitken & Waterman’s - I Should Be So Lucky. With over 25 of their top 40 hits packed into this farcical frolic of romance and crazy characters, I was left in a confused state - torn between irresistibility and irritation. The music has the potential to be a great addition to the tradition of jukebox musicals but unfortunately the storyline is just too manic to invest in its characters. With flashes of brilliance and moments that overstep the camp cheesiness into complete cringe – this show is definitely the marmite of musical theatre but just maybe it is meant to be so? With an audience demographic donned with rose coloured spectacles of a bygone era of dancing in their bedrooms to Rick Astle...

17Jan

By Max EdenNo Comments

North West

Calendar Girls The Musical – The Lowry

Sunflowers aplenty, Calendar Girls: The Musical has arrived at The Lowry in Salford Quays with an updated production that beautifully blends humour, heart, and a touch of poignant storytelling. Crafted by the talented duo Gary Barlow and Tim Firth, the musical resonates with a perfect harmony of Yorkshire wit and emotion, transferring the show from the big screen to the stage by being different. Under the skilful direction of Jonathan O'Boyle, the cast's chemistry shines through, drawing the audience into the world of the WI in Yorkshire. Laurie Brett as Annie delivers a stellar performance, capturing the essence of her character's journey with sincerity and grace. Each member of the cast, including Liz Carney as Marie, Maureen Nolan as Ruth, Lyn Paul as Jessie, Helen Pearson as Celia, ...

The Girl on the Train – Altrincham Garrick Playhouse

16Jan

By Emma WildNo Comments

North West

The Girl on the Train – Altrincham Garrick Playhouse

It is with much anticipation that I attended the opening night of The Girl on the Train at Altrincham Garrick Playhouse, after all, Paula Hawkins’ novel is one of my favourite books. An addictive page turner, unputdownable, gripping until the end. Did the play deliver this level of intensity? In places, yes. Firstly, this small cast of seven actors were all first-rate. Ruth Moore as Rachel Watson was incredible. Moore convincingly portrayed the character of Rachel, divorcee, alcoholic on the brink of eviction and certainly at the lowest point in her life. Moore brought much needed light and shade to the role, with a few key funny lines making the audience laugh yet maintaining a level of desperation - a need to be heard, seen and believed. Moore was engaging to watch, keeping the audien...

15Jan

By Mark DavorenNo Comments

North West

Carmen – Liverpool Empire

Director and Producer Ellen Kent’s Carmen is carnal, captivating, and carefree in equal measure and with the close camaraderie of the company clear to see on stage, it is a joy to behold. Set in early 19th Century Seville, Carmen tells the story of the downfall of Don José (Davit Sumbadze) a naïve corporal who falls head over heels in love with Carmen (Natalia Matveeva), a seductive, free-spirited gypsy girl. The infatuated Don José abandons his childhood sweetheart, Micaela (Elena Dee), and neglects his military duties much to the annoyance of his senior officer Zuniga (Valeriu Cojocaru), only to lose the fickle Carmen to the glamorous toreador Escamillio (Iurie Gisca). Sung in its original French, with English surtitles provided by Victoria Bazalinchuk, the unfolding action on stag...

Dick Whittington and the Pirates – Waterside Arts

14Jan

By Emma WildNo Comments

North West

Dick Whittington and the Pirates – Waterside Arts

On arrival, a buzz of excitement filled the air as the welcoming volunteers enthusiastically encouraged the young pirates in the audience to wear hats and eye patches. I was slightly concerned at this point that this panto was going to be aimed solely at the younger audience members, however, myself and my slightly cool teenage son, laughed, shouted “behind you” and found ourselves joining in with the actions to the pirate song! With a cleverly written script by Terry Hollinshead (updated by Ross Douglas), there were cheeky innuendos and political jokes for the adults whilst plenty of slapstick kept the younger audience members chuckling. Truly something for everyone to enjoy. This joyous, colourful, rags to riches tale filled with pirates, mermaids, a hairy fairy, talking animals an...

Madama Butterfly – Opera House, Manchester

13Jan

By Mark DavorenNo Comments

North West

Madama Butterfly – Opera House, Manchester

The heartbreaking beauty of this opera is perfectly presented by Director and Producer Ellen Kent in this sensitive and moving portrayal which captures passing moments of innocence and naïve humour but whose final scene touched me deeply. Marriage broker Goro (Yevhenii Vaskiv) shows US naval lieutenant Pinkerton (Giorgi Meladze) around the home he will share with his bride-to-be in Nagasaki, although American Consul Sharpless (Iurie Gisca) warns him of the tragic consequences that may follow. The Butterfly duly lands in the form of young Japanese girl Cio-Cio-San (Elena Dee) supported by maid Suzuki (Natalia Matveeva), and they are married by the Commissioner (Vitalii Cebotari). Her love makes her willing to sacrifice everything which sees her disowned by her uncle, a Bonze (Valeriu Coj...

12Jan

By Stewart Who?No Comments

London

Exhibitionists – King’s Head Theatre

The King’s Head Theatre holds a special place in my heart, as it was the scene of my first ever written review. In 1986, as coursework for my Drama ‘O’ Level, I travelled from the depths of sleepy Surrey to lively Islington for an experimental interpretation of Jean-Paul Sartre’s No Exit. The production was less memorable than the concept of being squidged in a room at the back of a pub with an audience brought together by existential angst. I’d not only found my people, but learned that theatre could be uncomfortably intimate, messy and weird. In 2015, I played a sexual health and drugs counsellor, in a production of The Clinic at The King’s Head. My character was based on renowned ‘chemsex’ expert David Stuart (RIP) who was also one of the show’s producers. It was a thrill to perform ...