REVIEWS Archives - Page 24 of 623

9Aug

By Greg HolsteadNo Comments

Scotland

Nesting – Summerhall

There are Fringe shows you admire, shows you enjoy, and occasionally shows that remind you why actors act and why people like me continue to write about theatre. Nesting is one of those. Peter McCormick’s new play, directed by Ben Standish, places Billy Mack’s Francis, a man living with motor neurone disease, alongside his pregnant daughter Emma, played with extraordinary emotional commitment by Francesca Hess. As the disease progresses, daughter increasingly becomes carer, until into this painfully recognisable world comes something altogether stranger. Michael Guest’s Gull offers Francis an extraordinary escape. Allow the bird to nest inside him, inhabit his body and somehow release father and daughter from what is coming. It sounds almost impossible on paper. Gues...

9Aug

By Caroline WorswickNo Comments

London

Muse – Hen & Chickens Theatre

Many great painters have a ‘muse,’ but how does it feel to have someone obsessing about you aesthetically? Artist and muse met at an art gallery on a Friday night, Lilith (Millie Small) is a photographer and interested in art, and Lucas (Xavier Atkins) is an artist desperate for his break, and they both admire a painting. They talk, and Lucas explains that he is looking for a model that he may paint. Lilith is intrigued, but will she go along…? Of course she will! Lucas is somewhat aloof, and Lilith is intrigued by this mysterious painter. The studio is at his place, and once he begins painting, we hear that Lucas has been lined up for a prize if he creates some suitable work, hence his need for a live model, as he wanted his painting to be a masterpiec...

Kanpur: 1857 – Above at Pleasance Courtyard

9Aug

By Ella BeckleyNo Comments

Scotland

Kanpur: 1857 – Above at Pleasance Courtyard

The Fringe First-winning production follows true events of Indian uprisings against British colonisers, told from the perspective of both the coloniser and the rebel. The siege of Kanpur, formally anglicised as Cawnpore, was a major event of the Indian rebellion of 1857 in which several hundred British were slaughtered by rebels on the banks of the River Ganges. British women and children were held captive in a house named Bibi Ghar where all 200 of them were brutally murdered. In retaliation, British troops captured and executed rebel soldiers by hanging, and on occasion would tie them to a live canon, with an audience of onlookers. &n...

The Risotto Is Burning – The Hope Theatre

9Aug

By Olivia CoxNo Comments

London

The Risotto Is Burning – The Hope Theatre

Debuting in London as part of The Hope Theatre’s North Sapph-Fest 2026, The Risotto Is Burning is a charming, bite-sized comedic drama by Sophie Underwood. We meet Annabelle (a wonderfully anxiety-riddled Georgia Brown) and Ben (a James Acaster-esque Jacob Lovick), a late-twenties couple who’ve moved into a properly grown up — if small — new flat. To prove their adultness, Annabelle has invited her two best friends from uni over for a classy dinner party. She might not be able to cook a decent risotto, but she’s determined to be a good host. Unfortunately, the night soon falls apart when Leah (Naia Elliott-Spence) brings along her 20-year-old girlfriend Layla (Katy Richmond) and Maddy (also played by Underwood) brings along her new “partner”… a blue fuzzy puppet called Charlie. Wh...

Paul Foot: The Future – Belly Dancer at Underbelly

9Aug

By Greg HolsteadNo Comments

Scotland

Paul Foot: The Future – Belly Dancer at Underbelly

A sold-out Paul Foot show at the Edinburgh Fringe is hardly a surprise. I managed to snag a very last-minute seat in the front row, which with Foot feels simultaneously like a privilege and a potentially hazardous place to be. Foot has been part of the Fringe landscape for years, developing a particularly devoted following, the self-styled Guild of Connoisseurs, or Leguminati. There is something reassuring about seeing a comedian with such an established audience who still appears determined not to give them quite what they expect. The Future finds Foot in characteristically restless form. His comedy occupies that peculiar territory somewhere between carefully constructed argument and the thoughts of a man whose internal filing system has been struck by lightning. Like a harmless dru...

9Aug

By Greg HolsteadNo Comments

Scotland

The Best of Burlesque – Assembly Rooms

There are occasions at the Edinburgh Fringe when sitting in the front row feels like a privilege. There are others like, several minutes into Best of Burlesque, you begin to wonder whether you have made a serious tactical error. You live and learn. The problem is not burlesque. Quite the opposite. Burlesque has enormous theatrical possibilities. It can be funny, provocative, sensual, satirical, beautiful and absurd. There can be character, storytelling and invention in the simple act of appearing on stage and gradually removing what you arrived with. But there has to be an idea. Too often tonight, Best of Burlesque seems to consist of people taking their clothes off to music. There isn't enough artistic interpretation or theatrical imagination to turn the act of undressing ...

A Curious Demise – Hen & Chickens Theatre

9Aug

By Caroline WorswickNo Comments

London

A Curious Demise – Hen & Chickens Theatre

Do you fancy yourself as a murder mystery detective? Or a writer – this Agatha Christie style show might be for you! A Curious Demise, is an improvised murder mystery, and they use their long-form improv skills to create a short play using some suggestions from the audience. As we enter the theatre, a guy with a rather dodgy moustache is brushing up and sets the tone for the show perfectly. With A Curious Demise, the show begins with a body, and the mystery is solved along the way by the cast developing the characters and the storyline naturally unfolds. But first, they must get some suggestions from the audience. Where has the body been found? - a greengrocers is suggested. The dear departed gentleman died holding something in his hand, wha...

9Aug

By Christina SchmidtNo Comments

Scotland

Belly – Greenside @ George Street

Three women, three generations, one family - and all of them struggle with their belly. The play follows Ellie, who gets pressured into an eating disorder by her high school swim coach, her aunt Katherine, who wants to do everything right for her baby but has to navigate a fatphobic healthcare system and patronizing doctors and Katherine’s mother Susan, newly widowed and learning to live with her grief. From time to time, writer and performer Reilly O'Shaughnessy checks back in with the audience as herself, and we get to learn about her own story and the reasons behind her creating this show. This variety of characters and storylines keeps the audience engaged and waiting to learn more about their relationships. They get rewarded with a very sweet ending, tying the different s...

Much Ado About Nothing – Thomas’s College

9Aug

By Alan Stuart MalinNo Comments

London

Much Ado About Nothing – Thomas’s College

Tom Littler’s staging of ‘Much Ado About Nothing’ is a true masterclass in how Shakespeare should be performed, adapted and directed: intelligent without becoming academic, emotionally rich without descending into sentimentality, and uproariously funny without ever compromising the text. Presented by the Orange Tree Theatre and Guildford Shakespeare Company in the grounds of Thomas’s College, Richmond, alongside ‘Love’s Labour’s Lost’, it is an extraordinary theatrical achievement that is brilliant on every level. The production continues the stories of the same characters from ‘Love’s Labour’s Lost’, but six eventful years later. The original carefree summer of 1939 has been replaced by the summer of 1945, with the surviving men returning from war and the women revisiting the village i...

9Aug

By Alan Stuart MalinNo Comments

London

Love’s Labour’s Lost – Thomas’s College

Tom Littler’s adaptation of ‘Love’s Labour’s Lost’ is an exceptional theatrical achievement: intelligent, technically accomplished and irresistibly entertaining. Presented by the Orange Tree Theatre and Guildford Shakespeare Company in the grounds of Thomas’s College, Richmond, this glorious open-air production demonstrates precisely how Shakespeare can be made contemporary, immediate and entirely accessible without sacrificing the richness of the original text. The production is performed in repertory with ‘Much Ado About Nothing’, using the same company to connect the two comedies across six eventful years. Although the productions reward being seen together (this is highly recommended), they also stand independently. Having recently played within the grounds of Braboeuf Manor in G...