REVIEWS Archives - Page 229 of 549

The Merchant of Venice 1936 – The Criterion Theatre

26Feb

By Caroline WorswickNo Comments

London

The Merchant of Venice 1936 – The Criterion Theatre

Relocated from the traditional Venice of the 16th century, to 1930’s East End of London, this thoroughly re-worked and re-freshed version of The Merchant of Venice, uses a different period in history to tell its story. The outline of the story remains unchanged. Antonio (Raymond Coulthard) hopes to assist his friend Bassiano (Gavin Fowler) who wishes to court the wealthy Portia (Hannah Morrish); by obtaining a loan from Shylock (Tracey-Ann Oberman). Antonio suffers financial setbacks, and cannot repay the loan, unfortunately, the penalties for this are not financial, Shylock wants her pound of flesh. And yes, you noticed that Shylock is a woman! Oberman imagined a Jewish matriarch, inspired by her grandmother who fled an antisemitic country to arrive in Lon...

26Feb

By Anisha PucadyilNo Comments

London

Musclebound – Camden People’s Theatre

Very niche and very funny! Rosy Carrick ruminates about the eroticised torture of bodybuilders in mainstream films of the 1980s and her personal sexual exploration through the years. Having co-hosted the poetry stages at Latitude and Glastonbury festivals for the last decade, Rosy has the gift of gab and will have your attention immediately after 'coming' into the room. It is not often that we have one-woman comedy take centre stage shamelessly about their first explorations around sex as a child, a teen, an adult, a mother of a teen, or an older woman pursuing exactly what she fancies. This new show is asking a lot of questions about the politics of female pleasure and untangling the creepers of shame, power, and torture around ideas of sexual exploration. Rosy has created a bra...

25Feb

By Anisha PucadyilNo Comments

London

King Lear – Almedia Theatre

Tour de force contextualising King Lear in the here and now. Yaël Farber's directed recreations of Shakespeare have become synonymous with memorable action from the actors and actresses, moody lights and deep witnessing of self and others. The earthy elements of the wind, rain and soil are brought alive on stage with outstanding craftsmanship. Max Perryment's music is brought centre stage by the talented actors and actresses who break into songs and by the infinite variety of instruments on stage and in the background. The violinist often contoured in inverted postures, usually a background in position but centre stage by adding additional flavourful notes. Set designer Merle Hensel's delicate shimmering cascading fine chains curtain provides an aesthetic background...

25Feb

By Peter KinnockNo Comments

West Midlands

Spot’s Birthday Party – Theatre Severn

It’s hard to believe Eric Hill’s joyous creation has been bouncing joyfully through children’s literature for over forty years. I’m not sure what that is in doggy years, but Spot’s appearance in Shrewsbury this afternoon showed no sign of old age or flagging. “Where’s Spot?” quietly appeared on our book shop shelves in 1980 and slowly went talkies all over the country and onto bedroom bookshelves all over the world. Spot, the worldwide phenomenon, has barked in over sixty languages and has appeared on television, video, DVD, CD and now, in what appears its natural habitat, on stage. Surrounded by a giggling, gurgling, pointing, chatting audience with an average age of about 6, this critic took his seat wondering what wonders would unfold in the doggy world of which he knew so little. We...

25Feb

By Kira DanielsNo Comments

London

A Family Business – Omnibus Theatre

A show about how not to blow up the planet, a show about friendship, a show about diplomacy, and a show about what we all owe to each other as individuals and as nations, A Family Business is a genuinely thrilling and intensely educational experience. Written, performed, and introduced by the affable and erudite Chris Thorpe, watching this play feels like making a new friend. Clearly something Thorpe takes quite seriously, friendship is the foundation of this work, and his efforts to befriend experts and ignorant audiences alike are well worth their while. With a severe urgency befitting the play’s subject matter, director Claire O’Reilly weaves audiences confidently through Thorpe’s dense syllabus with more than a little hand holding. Photo: Andreas J. Etter With much the same ef...

25Feb

By Carole GordonNo Comments

London

JAB – Finborough Theatre

Married for 29 years, Anne and Don think they know each other well. They dance to their favourite music, share too many bottles of wine, muddle along in their empty-nest lives. Anne is an administrator with the NHS, Don runs a niche vintage shop that makes little money, leaving Anne as the main breadwinner. It works for them - until the pandemic hits and the country goes into lockdown. As Covid ravages the world, it also shows up the cracks in the marriage. Anne continues to work long hours from home while Don has to close his shop and lazes around reading the Daily Mail and soaking up far-right conspiracy theories. It's just the flu, he insists. It will go away in a month, he says, parroting what he's read in the tabloids. Irritated by his increasing dependence on Anne, Don's sexism...

The Guildford Poltergeist – Hope Street Theatre

25Feb

By Miranda GreenNo Comments

North West

The Guildford Poltergeist – Hope Street Theatre

Where to start with this play? It’s 1965 and a dysfunctional family of Irish descent (confusingly called Starbuck - a Yorkshire name) have moved from Manchester to deepest Surrey. Following the death of their father, bright seventeen-year-old Tristan must leave school to support his violent, alcoholic mother, Kathleen, and his neuro-atypical, school-shirking sister, Joyce. They’re already outsiders but they’re just about fitting in. Until the arrival of a poltergeist, which brings them infamy and attracts the suspicion of the local community. It also brings them into contact with a paranormalist, the priest, the press and the plod. Playwright Tess Humphrey has a lot to say about, in no particular order: Catholicism, generational trauma, otherness, racism, sexism, neurodiversity, PTSD...

Unfortunate: The Untold Story of Ursula the Sea Witch – The Lowry

24Feb

By Alison BainesNo Comments

North West

Unfortunate: The Untold Story of Ursula the Sea Witch – The Lowry

Brash, bold and untold, Unfortunate is the story of (arguably) the best Disney villain ever made, Ursula the sea witch. It is the side of the classic 1989 story, The Little Mermaid, as never seen before. The original character was inspired by the triple treat drag queen Divine, so drag culture has been intertwined with the villain from the very start. This musical parody brings the character right back to its roots with an outrageously camp new story. The musical parody dives deep into what really happened all those years ago under the sea. We’re first introduced to a young Ursula Squirt, from a poor family in the depths of the ocean. We see her grow into an intellectual octo-woman and diva. Her relationship with King Triton was not as foretold; they explore their complex relationshi...

24Feb

By Katie LeicesterNo Comments

North West

Smiler – Pyramid Arts Centre

Soup Productions presented ‘Smiler’ at Warrington’s Pyramid Arts Centre written by Michael Pirks and Directed by Michael Ridd. Soup Productions is a relatively small theatre company that established itself in 2017 and has had one previous successful production of ‘Little Red’ which was performed in 2023. It is extremely rare that actors are blessed with new writings and are given the opportunities to use new material as nowadays everything is rehashed or is a reimagined versions of something that already exists. New material is so unique for actors to be given the scope to be a new character that has no stereotype and has only the characteristics from the genius’s head that it came out of. The actor has only the writers’ ideas that they can base and build the character on. The actor ...

24Feb

By Michelle KnightNo Comments

London

Othello – Sam Wanamaker Playhouse

Director Ola Ince rendition of Shakespeare’s dark tragedy The authentic Shakespearean Othello ‘Moorish’ features as a top ranking detective police officer in the London metropolitan force, which offers up the notion that this is not your ordinary version of Othello. The opening scene introduces the characters Othello Ken Nwosu’s and Poppy Gilbert as his wife, Desdemona entwined in love a marriage vows. Shakespearean enthusiasts will recognise the familiar characters of the devious hateful Iago portrayed by Ralph Davis and Cassio played by Oli Higginson. References to police dialogue and officers switching from uniformed police, in body armour merges at times quite clumsily with the Shakespearean text, which at times feels wrong but as the sequence of events un...