Monday, December 22

REVIEWS

The Addams Family – Memorial Hall, Innerleithen
Scotland

The Addams Family – Memorial Hall, Innerleithen

The Addams Family, a musical comedy, promises ghoulish jokes and familiar characters. These were dished with aplomb by a society with 123 years of productions under its belt. Innerleithen and District Amateur Operatic Society served its apprenticeship many years ago and, while the name Amateur sticks and the commitment to community involvement is at the very heart of each performance, this circle of talented singers, dancers and actors are anything if not professional in their commitment and style. The main characters are spot on: Morticia, played by Angela Duncan, oozes sensuality and confidence; Gomez (Douglas Russell) has a wonderful voice, fabulous delivery and great comic timing; Erin Thompson as Wednesday is suitably grumpy and very likeable as the crazy love-sick teenager and Ros...
Madama Butterfly – Royal Opera House
REVIEWS

Madama Butterfly – Royal Opera House

Director Daisy Evans’ revival is spirited but like Moshe Leiser and Patrice Caurier’s original production, the butterfly never flies as freely as the accompanying music in Puccini’s devastating tragedy about a young geisha who falls in love with an American naval officer. Marriage broker Goro (Ya-Chung Huang) shows US naval lieutenant Pinkerton (Joshua Guerrero) around the home he will share with his bride-to-be in Nagasaki, although American Consul Sharpless (Lauri Vasar) warns him of the tragic consequences that may follow. The Butterfly duly lands in the form of young Japanese girl Cio-Cio-San (Asmik Grigorian) supported by maid Suzuki (Hongni Wu), and they are married by the Commissioner (Romanas Kudriašovas). Her love makes her willing to sacrifice everything which sees her disowne...
Priscilla the Party! – Here at Outernet
London

Priscilla the Party! – Here at Outernet

Immersive theatre is all the rage in 2024. From Guys and Dolls to Mamma Mia! plenty of stories are returning to the stage with an up-close-and-personal twist. At London’s HERE at Outernet, it’s Priscilla, Queen of the Desert’s turn to get in on the immersive fun with Priscilla The Party!  Until the end of September, Priscilla The Party! is transforming HERE at Outernet into the sparkling, disco ball-covered Cockatoo Club, where audiences are brought right into the iconic story of acceptance and self-empowerment. Seated tickets are available, but those who have a standing ticket (like I did) watch the show from the dancefloor, where parts of the stage move, and actors sometimes weave through the crowd. The party starts before the show even begins, with a series of cabaret perform...
Roméo et Juliette – Met Opera Live in HD
REVIEWS

Roméo et Juliette – Met Opera Live in HD

Bartlett Sher’s production may be rather staid and static in its staging of Gounod’s sumptuous Shakespeare adaptation but this tale of two star-crossed lovers touched the heavens tonight as its two stars shone brightly and lit up the stage. Lord Capulet (Nathan Berg) is hosting a ball where he hopes to pair off his daughter Juliette Nadine Sierra) with Count Paris (Daniel Rich) but she is not keen. When Roméo (Benjamin Bernheim) appears however the two are immediately love-struck and he has to hide from his friends Mercutio (Will Liverman), Stéphano (Samantha Hankey), and Benvolio (Thomas Capobianco). Her cousin Tybalt (Frederick Ballantine) is less than impressed with the presence of these sworn enemies and accompanied by Gregorio (Jeongcheol Cha), he swears revenge. Romeo and Juliette...
Don’t. Make. Tea. – Traverse Theatre
Scotland

Don’t. Make. Tea. – Traverse Theatre

In a near future in which government attitudes to disability have supposedly been revolutionised, Chris (Gillian Dean), a former police detective now facing a deteriorating condition, receives a visit from Ralph (Neil John Gibson) to “check” whether she is indeed entitled to benefits. But their competing agendas are clearly mutually exclusive: if displays and white lies are not enough, then how far must Chris go to get what she needs? A dark comedy written by Rob Drummond and directed by Robert Softley Gale, Don't. Make. Tea. tackles many of the issues of current attitudes towards disability. As with many stories set in the future, the applicability is clearly in the here and now rather than the impossible. Many of Ralph's slogans, repetitions and little tricks clearly struck a chord...
Red Pitch – Soho Place
London

Red Pitch – Soho Place

For Tyrell Williams’s Red Pitch, making its West End debut at Soho Place after two sold-out runs at the Bush Theatre, it’s not a case of ‘third time’s the charm’, but rather ‘third time’s an even bigger charm’. A story about the friendship between London-based, football-obsessed teenagers Bilal (Kedar Williams-Stirling), Joey (Emeka Sesay), and Omz (Francis Lovehall), Tyrell Williams was inspired to write Red Pitch after passing by his childhood football pitch to find it had been demolished and replaced with unoccupied housing. All the action is set at the titular ‘red pitch’, where the three friends play football together and dream of professional superstardom. But the pitch plays a much bigger role for the trio than simply providing a space to indulge in their favourite hobby. T...
Mary’s Daughters – The Space Theatre
London

Mary’s Daughters – The Space Theatre

Why do we tell ghost stories? To titillate? To frighten? To inspire? To warn? To grieve? To honour? Mary’s Daughters, written by Kaya Bucholc and Will Wallace and directed for The Space Theatre by Kay Brattan, attempts all of these feats. A haunting triplet performance by Megan Carter as Mary Wollstonecraft, Rachael Reshma as Mary Shelley, and Kaya Bucholc as Shelley’s forgotten half-sister and Wollstonecraft’s “unfortunate girl,” Fanny Imlay, sets out to right the wrongs of history and restore a legacy to three women who despite their brilliance did not get the option to control their own historical narratives. Many of the salacious details of the three women’s lives long known in fun fact format and prized as illuminating context by scholars of their works are here fleshed out, rep...
Opera North: Cosi fan tutte – The Lowry
North West

Opera North: Cosi fan tutte – The Lowry

As the programme notes, Mozart is one of those rare creative beings who comes to disturb the sleep of the world., and certainly mischief and misunderstandings are everywhere in this revived adaptation in English of Mozart’s famous two-act comic opera, and on the whole this good-humoured production from Director Tim Albery does not disappoint. The story begins with an old cynic and philosopher, Don Alfonso (Quirijn de Lang), betting two young soldiers, Ferrando (Anthony Gregory) and Guglielmo (Henry Neill), that their respective fiancées, sisters Dorabella (Heather Lowe) and Fiordiligi (Alexandra Lowe) will not stay faithful if put to the test. The two young men accept the bet and pretend to depart for the front line whilst secretly returning in disguise and under the direction of Don Al...
Mind Mangler: Member of the Tragic Circle – Apollo Theatre
London

Mind Mangler: Member of the Tragic Circle – Apollo Theatre

Mind Mangler, Keith (performed by Henry Lewis), is a mentalist, a human lie-detector, an expert at prophesy, a man who can read your mind. As this show comes from the crazy team at Mischief Productions who also devised the hugely successful The Play That Goes Wrong and Peter Pan Goes Wrong, it's not long before the Mind Mangler's tricks spiral into chaos. Lewis is an imposing figure with a sonorous voice that is perfect for this role. He exudes misplaced self-confidence in his abilities, while recognising that his past is not without its flaws. A lot of flaws. This is a performer with huge aspirations to play Las Vegas but who fate will undoubtedly and inevitably kick to the end of the pier. There's a lot of audience participation, from revealing personal secrets to mixing up Rubik cube...
Faith Healer – Lyric Hammersmith
London

Faith Healer – Lyric Hammersmith

This season the Lyric in Hammersmith are showcasing some of the best classic pieces of British and Irish Theatre for modern audiences. Faith Healer was written by Brian Friel in the 1970s and will appeal mostly to audience’s who lived through or understand the political context of the time. Rachel O’Riordan’s direction is imaginative and powerful use of spacing helps to lift moments in this play. However, the stream of consciousness nature of the monologues in the play could lose some audience members. The key flaw here being that this is a play from another Era and audiences today will only give an awkward chuckle to moments that would have initially intended to fill a room with hysteria. Nonetheless, as Rachel O’Riordan describes ‘some of the best British and Irish talent around’ have be...