REVIEWS Archives - Page 216 of 548

9Apr

By Paul ClarkeNo Comments

Yorkshire & Humber

Jennie Lee – Marsden Mechanics Hall

Over two million people have graduated from Open University courses, and most of them are probably blissfully unaware their futures have been changed forever because Labour MP Jennie Lee was totally committed to the idea of education for all. The rich life story of a politician who moved from gesture politics to understanding how being in power can change lives for the better is a natural fit for Mikron Theatre as they begin their 52nd year touring the country on their specially adapted barge. Lindsay Rodden offers a fast-paced account of an intelligent working-class woman who rose from the poverty of the Scottish coalfields to become Westminster’s youngest MP aged 24, and there is a terrible irony that she couldn’t even vote for herself as only women aged 30 plus could cast a ballot...

Nobuyuki Tsujii – Philharmonic Hall, Liverpool

9Apr

By Mark HumphreysNo Comments

North West

Nobuyuki Tsujii – Philharmonic Hall, Liverpool

What amazed me about pianist Nobuyuki Tsujii’s concert at the Philharmonic Hall was not the virtuosic playing, the passion he brought out in the music, the meticulous attention to detail or even the width and depth of emotion wrung out of every last piece. In these days of music on demand, with Spotify, Apple Music, or BBC Radio 3 through BBC Sounds, it is easy to take for granted our ease of access to world class performances. And to think we can all access them via mobile devices which fit into the palm of our hand, even if the wireless headphones much in vogue these days make us look more like we’re in the US Secret Service on Presidential protection duty. Or perhaps that’s just my son. No, I was entranced by understanding the process by which Tsujii learns the repe...

9Apr

By Anisha PucadyilNo Comments

London

Gunter – Royal Court

Gunter is haunting! Take a bow! Lydia Higman, Julia Grogan, and Rachel Lemon are three co-creators who prepared the show just in time for the Edinburgh Fringe 2023. They took the Fringe by storm with sold-out shows at Summerhall then. As you read this review, they continue their winning streak with sold-out shows at the Royal Court. The play wraps fiction, myth, past, and present with haunting imagery and spine-tingling music. My favourite moment on stage is young Anne centre stage, sitting with her period pain as the 'adults' trip over their own assumptions of what is happening without asking her. You wonder why you have never seen this before on stage. You wonder, after all these years, why we are still fighting wars and lamenting dead children instead of researching the deep pain wom...

6Apr

By Michelle KnightNo Comments

London

Love Steps – Omnibus Theatre

The writer, poet and producer Anastasia Osei-Kuffour makes her playwriting debut in Love Steps: The story of Anna a young, gifted and Black girl navigating a world in turmoil searching for the one thing missing in her life, love. The set is simplistic with only shadow effects of their silhouettes, flashed up words to reflect the mood, offering no hiding place for this two person play. Anna played out by Sharon Rose set the perfect scene of her successful professional life with prose poetry and dance. She had everything a Black girl would want except in this life, devoid of a man’s love and affection, marriage and children. She would ponder, analyse control and create a checklist of the perfect man. When will happen, and how, who will it be are ...

6Apr

By Paddy Darnell-WalshNo Comments

North West

FADE – The Lowry

There is something beautiful and rather tribal in sibling relationships. Through good times and bad, the unconditional love and unity that conquers all ‘just because’ is difficult for us to explain, but a feeling many of us have for our brothers and sisters. The sibling relationship between Cassie and Rubin, following the death of their mother, forms the basis for Alice Christina-Corrigan’s one act play as the past and present collide. Exploring themes including mental health, death, grief, suggested parental abuse and suicide, this world premiere production of FADE is hard-hitting and extremely emotive. Christina-Corrigan’s script was beautiful and raw in equal measure. It introduces two characters, at different stages of their lives, navigating their way through the hardships of both ...

6Apr

By Paul ClarkeNo Comments

Yorkshire & Humber

Unfortunate – Bradford Alhambra

If you’re ever wondered why Ursula The Sea Witch was the bad guy in Disney smash hit The Little Mermaid then this raucous and gloriously camp revisionist musical reveals her true backstory. It’s the latest prequel musical where the ‘villain’ gets their say, and what you think you know about them may be a little more complicated than it first appears Unfortunate takes us right back to her days as a poor octopus who falls in love with a weak fishy prince before a classic musical theatre betrayal sees her banished from the underwater kingdom. So this big haired, baddest bitch in the ocean hatches a plot to take revenge through the now King Triton’s daffy daughter Ariel who longs to be human. Yes, it keeps all the elements of the movie but ingeniously turns them on their head. ...

6Apr

By Klervi GavetNo Comments

London

The Pinot Princess – Omnibus Theatre

“Blessed are the hags and the harlots. For they shall be celebrated in this show.” A Bruntwood Prize 2022 nominee, this dark comedic Tale of Two Marys packs up a punch for all feminist and Life Of Brian enthusiasts out there in just under an hour. The Pinot Princess follows Irish actress Pamela Flanagan in her double portrayal of unruly, gender-tormented Marys. First as Pinot, a punk Virgin Mary and the lead character in a rebellious-soon-to-be-viral-hopefully-Vatican-banned production on Jesus’ legendary mum. Second as modern Mary, the catholic actress who portrays the horny, foul-mouthed heroine, and who is convinced she will go to hell for it. Opposite Mary is, of course, her co-star Joseph. Energetically portrayed by Neal Craig in a whirlwind of colourful role-playing, Joe off...

Sheku Kanneh-Mason performs Weinberg – Royal Liverpool Philharmonic Orchestra

6Apr

By Mark HumphreysNo Comments

North West

Sheku Kanneh-Mason performs Weinberg – Royal Liverpool Philharmonic Orchestra

I don’t know how many people my age will remember what they were doing on their 25th birthday. I certainly don’t – probably some real ale bar in Oxford with sticky floors and beer at £2 per pint. But Shekhu Kanneh-Mason, superstar cellist and the third of seven ridiculously talented musician siblings, may well remember the rapturous reception (and impromptu rendition of ‘Happy Birthday’) he received from the audience at Liverpool’s Philharmonic Hall last night on the occasion of his reaching a quarter-century. The curtain-raiser was Samuel Coleridge-Taylor’s Ballade for Orchestra. Born in London in 1875 to an English mother and Sierra Leonean medical student father, Samuel was named after the poet Samuel Taylor Coleridge. When the Three Choirs Festival wished to ...

6Apr

By Samantha CollettNo Comments

London

Horne’s Descent – Old Red Lion Theatre

In the intimate surroundings of the Old Red Lion Theatre, you feel as if you have been invited to a dinner party from the last century. With 1920s décor, and a set that resembles a real-life drawing room, this is an immersive fly on the wall experience. Albie (Magnus Gordon) sets the scene for the coming soiree with his cut glass accent and aristocratic ways. We meet his childhood friend Peter Horne (Alexander Hackett) who has recently become a priest, and who Albie wishes to avail himself of his godly duties by marrying him to his latest fling, Mary (Bethany Slater), the niece of Etta (Cici Clarke). Of course, a party is never a good party without trouble, and the scene is set for a night of debacle and debauchery when we learn of Etta’s interest in the occult. Add in the PTSD of th...

5Apr

By Mark DavorenNo Comments

REVIEWS

La Fanciulla Del West – Opéra de Lyon

Puccini is renowned for serving up negative consequences for his leading female characters, so it was with some relief and pleasant surprise that in what he considered his best opera, this Wild West girl decides who she wants and gets it, gun in hand. Created in 1910 at New York’s Metropolitan Opera, this is its first presentation in Lyon with conductor Daniele Rustioni passionately matching the vitality of the music to the violent and elementary feelings unravelling on stage under the direction of Tatjana Gürbaca as we explore questions about justice, forgiveness, and love. During the California Gold Rush in a frontier mining town populated by ruthless bandits and tough-talking but good-hearted miners, remarkable female tavern-keeper Minnie (Chiara Isotton), the miners, and the cynical...