REVIEWS Archives - Page 21 of 629

17Aug

By Oliver GigginsNo Comments

Scotland

Endgame – Pleasance at EICC

Probably Samuel Beckett's second most famous work after Waiting For Godot, Endgame is, perhaps not coincidentally, a much bleaker play than the one famously known as the play in which nothing happens (and twice). The play's mix of the absurd and the nihilistic are not for everyone. This material is not relatable or made of easily defined punchlines, and anyone coming in purely off the name of a famous comedy writer or the MCU team-up could be in for a shock. Set in a houser in a post-apocalyptic landscape, the play follows Hamm (director Henry Maynard), his servant Clov (Simon Gleave) and Hamm's two dustbin-bound parents, Nagg (Derek Elwood) and Nell (Annabel Arden). Maynard brings a Shakespearan gravitas to the seat-bound and petty Hamm, while Elwood and Arden in their bins a...

Twonkey (Soft December Night In Tallahassee) – Edinburgh Dragonfly (Other Room)

17Aug

By Roger JacobsNo Comments

Scotland

Twonkey (Soft December Night In Tallahassee) – Edinburgh Dragonfly (Other Room)

Other than the closing line of one of Twonketta’s musical interludes, there was no ‘Soft’, ‘December’, ‘Night’ or ‘Tallahassee’. Of course there wasn’t. Welcome to the Twonkey-sphere. Or Twonko-verse. Or, since the unceremonious, Ziggy S-style curtailment of Twonkey’s career a couple of years back, maybe the Twonketta-sphere? Some are starting to question the story about the tin of condensed milk, sensing the hallmarks of a particularly ruthless boardroom takeover. Still, Twonketta feigns such remorse that we accept, attend and note that most of the backing props and puppets have moved on too. With gusto they set about this adventure, a complex chilli-spiced grapefruit, designed to give most professional chefs a seizure. One which the Marvel franchise can only dream of. So, hold on… tight!...

17Aug

By Nazaret RaneaNo Comments

Scotland

Mozart’s Don Giovanni – Usher Hall

The Scottish Chamber Opera dazzles again with its high-spirited rendition of Mozart’s Don Giovanni for the Edinburgh International Festival. Conducted by Maxim Emelyanychev, the show continues the SCO’s highly acclaimed series of Mozart operas at the festival. Part raunchy comedy, part high drama, Don Giovanni tells the story of a dissolute Spanish nobleman whose penchant for womanising and bloodshed brings him to a grisly end. Act I opens with Don Giovanni murdering Il Commendatore after a failed attempt to bed the old man’s daughter, Donna Anna. Konstantin Krimmel plays a leonine, bombastic Don Giovanni, who is at times slick with charisma, at times laughably pompous. His Canzonetta in Act II (“Deh, vieni alla finestra”), sung with elegance and tenderness, is a particularly memo...

Houdini Speaks To The Living – The Space On The Mile

17Aug

By Oliver GigginsNo Comments

Scotland

Houdini Speaks To The Living – The Space On The Mile

Hidden Room Theatre produce this show from writer-director Beth Burns and writer-magician Patrick Terry, who also stars as Houdini, along with Robert Matney playing Sir Arthur Conan Doyle. Houdini was famously a debunker of fraudulent mediums, while Conan Doyle, perhaps counterintuitively as the creator of the very rational Sherlock Holmes, was a crusading spiritualist. That the two men were real-life friends feeds the dramatic tension that has fascinated many for a century and is the centre of this show. The level of research is clear, with lines taken verbatim from the letters and works of Houdini and Conan Doyle. Terry & Matney first originated these roles a decade ago, and their ease in these parts is clear, though Terry's theatricality, while reasonable for a performer c...

17Aug

By Jessie MartinNo Comments

Scotland

Swan Song – theSpace @ Surgeons Hall

Swan Song, produced by Irish theatre company Jilted Bride Productions, is a camp melodrama providing commentary on the hypocrisy, corruption and egos of the entertainment industry. Big Media, and their subsidiary Big Film, are the biggest conglomerate around. Headed by the evil Big Media Boss, she is on a mission to shut down anyone who disagrees with her. In an attempt to return to the spotlight, director Oswald recruits bygone diva Heidi Hole to star in his new play. When Big Media Boss fires journalist Samira Plath for her support of liberal activism, her father and renowned critic Skandar Plath returns to confront Big Media Boss, rehashing age-old secrets and scandals. After her father is murdered, Samira makes it her mission to take down Big Media Boss f...

17Aug

By Torya HughesNo Comments

Scotland

Steak Out – Gilded Balloon

Steak Out is the latest offering from Edinburgh born writer and actor Ruaraidh Murray, providing a dark comedy with a lot of local flavour. Set over two nights before Christmas, the play follows an Edinburgh family as they seek good fortune and revenge. Murray stars as Pilton butcher Archie, who hatches a plan to steal the best cuts from his ex-employer, Smedleys of Stockbridge. Aided by his girlfriend Karen and her out of work actor son Thomas, he finds himself committing a more serious crime than the one he'd originally planned. The performances are excellent. Murray is very believable as the rough and ready Archie, constantly being berated for his language by long suffering girlfriend Karen. Reanne Farley displays range as family matriarch Karen, scolding the men in her life for ...

Endometriosis the Musical – Gilded Balloon Patter Hoose

17Aug

By Torya HughesNo Comments

Scotland

Endometriosis the Musical – Gilded Balloon Patter Hoose

Blending musical comedy with medical commentary, Endometriosis the Musical tackles a global health issues with considerable energy. A musical about menstruation might not appeal to all, but this seven strong company make it a relatable and funny experience. Written by Maria Bartholdi and Kristin Stowell, who both have lived experience of endometriosis, the story follows business woman Jane as she tries to deliver the best presentation of her career. Her big opportunity comes when colleague Brad, a self-titled "business bro", becomes the latest victim in a spate of bear maulings. Despite trying to impress her boss Mr McKenna, she struggles to focus when her period turns up right on cue. Luckily her office bestie Miranda is there to stage an intervention, encouraging her to see a doct...

17Aug

By Alan Stuart MalinNo Comments

London

Cocaine – The Courtyard Theatre

Written by Pendleton King in 1917 and relocated to the 1980s for this Camden Fringe production, ‘Cocaine’ is an intimate and affecting examination of addiction, dependency and a relationship pushed towards breaking point. Directed by Sushant Nair, this compelling two-hander succeeds through simplicity, placing its confidence almost entirely in King’s writing and two extremely strong performances. Joe, once a promising boxer, has seen his potential consumed by cocaine addiction. Alongside him is Nora, who wrestles with her love for him, her own dependency and the exhausting reality of trying to keep them both afloat. The play is not principally concerned with the sensation or spectacle of drug use, instead, it focuses on the emotional consequences, examining the ways addiction distor...

17Aug

By Charlotte MansfieldNo Comments

London

Improv the Dead – Bridewell Theatre

Zombie-themed group, Improv the Dead, performed their one hour long-form improv show last night at the Bridewell Theatre as part of this year's Camden Fringe festival. With shambling, moaning and sparkly intestines, they turn audience suggestions into a zombie film with more laughs than horror. Last night's show told the story of 'Delay of the Dead', where terrified TfL workers had to escape a zombie-infested Bakerloo line. Time travel, rat catching and experiments in cloning led to an underground teeming with the undead, who were eventually defeated by being trapped in the carriages of the London Eye, doomed to an eternity of circular sightseeing. To start with, the story rambled a little, with scenes going on for too long with no real purpose. I was worried that we'd be in for ...

16Aug

By Greg HolsteadNo Comments

Scotland

Evita Too – Zoo Southside

ZOO Southside’s Main House is a wonderfully generous Fringe venue, a huge wide stage, properly raked seating and not a bad view in the house. In fact, the stage is so large and voluminous that you could probably roller skate around it naked if you wanted to. Sh!t Theatre, it turns out, wanted to. Rebecca Biscuit and Louise Mothersole are one of the funniest double acts at this year’s Fringe. I’ve seen Sh!t Theatre many times before and they never disappoint. EVITA TOO gives them an unusually expansive playground, and they use pretty much all of it. Their starting point is Isabel Perón, Juan Perón’s third wife and the woman who succeeded him as President of Argentina in 1974, becoming the first female president of any country in the world. Yet ask most of us about a Mrs ...