Friday, April 19

REVIEWS

Scottish Ballet: The Crucible – Sadler’s Wells
London

Scottish Ballet: The Crucible – Sadler’s Wells

Arthur Miller’s The Crucible has a rare quality of being ubiquitous, but consistently relevant, provocative and timely. There’s always a witch hunt somewhere. Medieval villagers with pitchforks have evolved into middle aged idiots on Facebook. Or mob-giddy kids on TikTok. Theocracies continue to thrive, and the oppression in those places can make The Crucible seem tame. I’m looking at you; Yemen, Afghanistan, The Vatican, Saudi Arabia and Iran. Arthur Miller was famously a victim of McCarthy era ‘Reds under the Bed’ paranoia. The playwright was questioned by the House of Representatives' Committee on Un-American Activities in 1956 and convicted of contempt of Congress for refusing to identify others present at meetings he had attended. His play is more than just an allegorical spin on ...
Dictating To The Estate – Maxilla Social Club
London

Dictating To The Estate – Maxilla Social Club

We are approaching the 5th anniversary of the cataclysmic inferno that engulfed Grenfell Tower and killed 72 people. Post-pandemic, as we ponder war in Europe, food bank ubiquity and a shifty party-clown PM, there’s a danger of taking an eye off Grenfell. More fatalities could haunt us, if we don’t wise-up, listen to campaigners and hold the guilty to account. The luxury of looking elsewhere is not afforded to those who lost their lives, or to their loved ones whose grief is poisoned by righteous fury. The inquiry into the Grenfell Tower disaster has spent £117m of public money so far. £60m got sucked up by lawyers working for the core participants. Arconic, the company that made the combustible cladding sheets has splashed £55m on legal and professional advice for its defence. All. Th...
I Am Not A Robot – King’s Arms, Salford
North West

I Am Not A Robot – King’s Arms, Salford

The potential dangers to humanity of Artificial Intelligence (AI) and robots have been the meat and drink of numerous science fiction movies for decades. On TV the BBC sci-fi show, Doctor Who, back in the 60s, created the Cybermen, monsters who had once been human but had turned themselves into killing machines devoid of emotion. I Am Not a Robot explores this theme, cleverly grounding it with northern humour, whilst adding a touch of slapstick and a healthy dash of melodrama. The sparky script is punchy and witty which rattles along at a wonderful pace until the third act. It starts off in the bedroom of a luxury hotel somewhere overseas in the near future. Beth has won a luxury stay via Instagram and has invited her best friend, ambitious politician Karina, to share it with her. K...
The False Servant – Orange Tree Theatre
London

The False Servant – Orange Tree Theatre

Gender fluid yet stereotypical, Martin Crimp’s translation of Pierre Marivaux’s French play The False Servant is probably the outcome of Commedia del'arte being shredded off its extreme archetypes and placed in a slightly modern context. Often reminiscent of Shakespeare and Moliere’s comedy, filled with subplots, disguise and conceit, wit and irony, courtship and lust, Orange Tree Theatre production presented The False Servant directed by their artistic director Paul Miller. The play opens announcing its period origins with the ensemble walking and bowing to festive and joyful music. We first meet Trivelin (Will Brown), the voluble and opportunistic aristocrat reduced to poverty by circumstance and Frontin (Uzair Bhatti) who introduces Trivelin to his mistress/ master successfully prov...
Habeas Corpus – Lyceum Theatre, Oldham
North West

Habeas Corpus – Lyceum Theatre, Oldham

“I’ve never seen anything like it since I was a locum in Liverpool.” So declares the diminutive Sir Percy Shorter in Alan Bennett’s 1973 farcical exploration of the randy side of Little England, named after the Latin legal phrase that roughly translates to ‘have the body’. Set in the residence of a Brighton and Hove GP, Arthur Wicksteed, the play is a saucy seaside postcard collection of characters and carry ons, each loaded with carnal frustrations and foibles. There’s Wicksteed’s wife, the frustrated Muriel who, neglected by her husband, longs to rekindle a past dalliance with Sir Percy. Her sister, the flat-chested Constance, buys fake breasts in the hope of literally boosting her chance of romance. The Wicksteed’s wimpish son Dennis is convinced he’s dying until his head i...
Opera North: Parsifal – Bridgewater Hall
North West

Opera North: Parsifal – Bridgewater Hall

Opera North’s production of Wagner’s final work for the stage arrives in a blaze of glory from director Sam Brown’s theatrical staging in Leeds but what is served up at Bridgewater Hall in Manchester is much more muted in its dramatisation, and although the work was originally written with the orchestra below the stage to add acoustic and psychological drama, here it was very much centre and fore. Running at just over four hours stage time, Parsifal tells the story of the Knights of the Holy Grail, much of it narrated by a veteran knight, Gurnemanz (Brindley Sherratt). The castle of Monsalvat has been established by Titurel (Stephen Richardson) as a sanctuary for the Holy Grail and the Spear that pierced Christ’s side, before retiring in favour of his son, Amfortas (Robert Hayward), wh...
Beneath the Surface – Traverse Theatre
Scotland

Beneath the Surface – Traverse Theatre

Originally halted by lockdown in 2020 before the play had even had its initial run, Beneath the Surface will have had to remain just so for a little while longer. From tonight’s performance, I like to think that the extra lapse of time (and come on, when do you ever get that really?) will have only given the cast and crew the opportunity to hopefully make this show the best it could be. True to its name, the play explores what lurks beneath, what feeds the pressures that young people might feel today. As 5 friends are drawn to venture into a cave as a storm hits them and they are looking for a bit of adventure during the holidays, they find themselves pushed to confront their shadows. You know, those parts of ourselves that we don’t want to dig too deep for and would rather leave burie...
The Return of the Rainbow Monologues – Liverpool’s Royal Court
North West

The Return of the Rainbow Monologues – Liverpool’s Royal Court

The Return of the Rainbow Monologues is a collection of eight short LGBTQIA+ themed monologues from Grin Theatre. Presented during Pride month, the show both explores the difficulties faced by the Community and celebrates the intricacies of the individuals belonging to it.  Directed by Dan Scott, with creative direction from Kiefer Williams, the production feels particularly intimate in the beautiful studio space at the Royal Court. All four actors sit on the stage throughout the entire show, creating a feeling of togetherness during the individual performances. Rainbow lighting is used in keeping with the theme of the show and each half opens with a snippet from Over the Rainbow, which is both on theme and especially resonant on Judy Garland’s 100th birthday. The costumes and ...
Bad Clowns: Invasion – New Wimbledon Theatre
London

Bad Clowns: Invasion – New Wimbledon Theatre

Promising an hour of absolute tomfoolery, laughter, and hoots, the Bad Clowns Trio presented Bad Clowns: Invasion at the New Wimbledon Theatre as part of their fringe festival. The Bureau for Alien Defence (B.A.D.) is faced with an arduous task which is to locate a mind-controlling alien and diffuse a time bomb that can wipe off the entire planet. Trying all kinds of unique and hilarious gimmicks to complete the task at hand, do Agents Sam and Christian succeed? The small black box theatre space known as the Studio welcomed the audience with two special agents curiously questioning spectators about their favourite planet, occasionally showing off their pistols. This interaction was enough to predict the laughter that was delivered quite efficiently in the due course of the play. The sh...
BenDeLaCreme is… Ready To Be Committed – Leicester Square Theatre
London

BenDeLaCreme is… Ready To Be Committed – Leicester Square Theatre

BenDeLaCreme oozes charisma in her spectacular solo showcase. The show begins with her preparing for marriage, except she is missing a groom and a wedding dress amongst other “small” details. Coerced by a feisty and entitled wedding cake topper, BenDeLaCreme’s doubts are pushed aside as she plans her special day. She begins to question the notion of marriage and love, inspired by talking inanimate objects which come to life. Full of colour and range, from historical raps to a medieval version of Single Ladies, DeLa shows her talent as a performer, lyricist and creative director. The dramatisation of relatable events, of rejection, excitement and anticipation are almost cathartic to watch, as she allows her full emotional expression. The Grindr experience in which the men are ken do...