REVIEWS Archives - Page 182 of 545

Kaleidoscope Festival – Alexandra Palace Park

16Jul

By Zain RussellNo Comments

London

Kaleidoscope Festival – Alexandra Palace Park

The Kaleidoscope Festival, set in the lush Alexandra Palace Park with stunning views across the London skyline, offered a vibrant array of activities, music, and performances throughout the day. The festival was exceptionally well-organized and maintained, providing ample space for attendees to enjoy the grounds, views, and diverse performances. One of the standout features of the festival was its cleanliness. There were plenty of bins and garbage bags strategically placed around the venue, ensuring that the festival remained mostly clean throughout the day. Additionally, the festival provided a large number of portable toilets, which were sufficient to accommodate the crowd without long queue times. Inside the building, where the Fringe Stage was located, there were also indoor toilets...

16Jul

By Paul ClarkeNo Comments

Yorkshire & Humber

Paranormal Activity – Leeds Playhouse

All of us have a personal deep, dark fear – mine is enclosed spaces – we’d run a million miles from, but it says something about human nature that most of us volunteer to be scared half to death watching horror movies. When the Courtyard theatre went totally dark there was a deep sense of both excitement and unease as we waited for this theatrical adaptation of the classic horror movie Paranormal Activity. There are two types of horror – splatter or psychological – and life long fan of the macabre Levi Holloway’s adaptation was most definitely on the creepy side, messing with our minds rather than splashing us with blood. Fans of the wildly successful Paranormal Activity franchise will enjoy this, but there’s plenty for people who never saw them at the flicks to enjoy as Holloway had...

14Jul

By Louise KershawNo Comments

North West

Dear Eliza – The King’s Arms, Salford

Barbara Diesel’s Dear Eliza, currently touring UK fringe festivals, is a powerful and raw piece of theatre that explores the fear of the effects of mental ill health upon friendship and delves into the conversations that most people find too difficult, too upsetting, too challenging to have. This one woman show presents as a live video recording of responses to letters from one friend to another. Except the letters were never sent; never received. The letters are found hidden away following the suicide of the sender. The impact on Eliza, the recipient, is recorded in response; ironically, never to be received by its intended beneficiary and cleverly pulling the audience into that role. The structure of the piece allows a linear narrative which depicts the friendship between the two y...

Fine Line: A GreySpace Production – The Fitzgerald

13Jul

By Amelia PhillpottsNo Comments

North West

Fine Line: A GreySpace Production – The Fitzgerald

When the stylistic choice is made to produce a play with minimal set, a small cast and a character driven storyline, the pressure of the show falls almost solely on the actors’ ability to work realistically within the space and present a believable yet fascinating relationship to entice the audience. Fine Line: A GreySpace Production manages to excel in its stylistic choice and create a realistic dynamic without crutches of realistic set. The play follows teenager Mil and her counsellor Josie reconnecting by chance after 2 years. This rekindling is inter-spliced with flashbacks to their initial relationship, which constantly blurs the lines between a professional relationship and a deeper emotional connection. As they reminisce about the past, you watch how thei...

13Jul

By Max EdenNo Comments

North West

& Juliet – Opera House, Manchester

When this Musical first debuted in Manchester in 2019; I became an immediate fan and I was over the moon when &Juliet announced a UK Tour this year with its first stop at the Manchester Opera House. The vibrant reimagining of Shakespeare’s classic is such a feel good musical, you can’t help but love it as it takes you on an exhilarating journey that is both uplifting and deeply entertaining, powered by an incredible back catalogue of hits penned by the legendary Max Martin. From the opening number to the final curtain and cancelling to Justin Timberlake hit ‘Can’t Stop the Feeling’, & Juliet is a joyous celebration of self-discovery and empowerment throughout! This new tour features a brand new cast; with Matt Cardle as the Bard himself and the sensational Gerardine Sacdal...

13Jul

By Scot CunninghamNo Comments

North West

I Was Dancing in the Lesbian Bar – The King’s Arms, Salford

In a packed-out King’s Arms, musical stand-up Holly Redford Jones’ tuneful contribution to Greater Manchester Fringe seeks to answer the question: where have all the lesbian bars gone? Redford Jones instantly draws the audience in with a reassuring stage presence, achieving many laughs through the sardonic delivery of her musings. Social critique remains sharp as well as facetious throughout. The show’s description promises many things- including a celebration of queer women of the past, present and future. It was therefore a missed opportunity for the piece to be noticeably light on sapphic content. Where did all the lesbian bars go? A brief history of the country’s venues- from the 1930s’ Gateways Club to London’s newest joint La Camionera- would have been a welcome inclusion. ...

12Jul

By Hannah EsnoufNo Comments

North West

The Giant Killers – Royal Court Studio

Leaving behind them a trail of raving reviews as they travel around the country, it is no surprise that Long Lane Theatre keeps impressing. The story is simple enough, but it is brought to us in a way that is both remarkably efficient, funny and educational. Though it is set in the 1800s, something that may put theatregoers off, may they be assured that this production feels as present as the day itself. Each performance has tenacity, complexity and human value and will keep audiences, whether they’re football fans or not, entertained throughout. The studio at Liverpool Royal Court is not a massive space, and noticing the compact nature of The Giant Killers set, neither were any of the touring show’s previous venues. It is testament to the quality of the cast of four per...

12Jul

By Tracey BellNo Comments

Yorkshire & Humber

Chariots of Fire – Crucible Theatre

Chariots of Fire is the stage adaptation by Mike Bartlett of the 1981 Oscar winning motion picture. This Sheffield Theatre production is cleverly directed by resident award winning Artistic Director Robert Hastie and unfortunately, his last Sheffield production in the role. Hastie with Associate Director Lilac Yosphon and Assistant Director Chantell Walker re-imagine what was first performed at the Hampstead Theatre in London in 2012. In the Olympic year of 2024, this production marks 100 years since the Paris Olympics of 1924 when this extraordinary real life story takes place and is subsequently dedicated to Sheffield Olympians past and present. It would seem the circular stage (theatre in the round) of the Sheffield Crucible is the perfect location to house a production that requires...

12Jul

By Olivia CoxNo Comments

London

Dog Sh!t – Theatre 503

With a title like ‘Dog Sh!t’ and a promotional poster featuring a cartoon canine caught in that very act, audiences watching Bellaray Bertrand-Webb’s play at Theatre503 should know to expect the unexpected. Selling out an acclaimed run at the Dublin Fringe Festival last year, Dog Sh!t has transferred to London’s Theatre503 for two nights, directed by Ursula McGinn. The 70-minute play focuses on four characters: the existentially melancholic Emma (Laura Brady), passionate thespian Raven (Gracie Oddie-James), creative-turned-corporate Nora (Breffni Holahan), and Nora’s boyfriend Obi (Aaron Shosanya), the tech bro with a surprising obsession with Greek philosophy. Advertised as a satirical comedy, I’m happy to say that Dog Sh!t definitely isn’t all bark and no bite. Firstly, the c...

12Jul

By Kira DanielsNo Comments

London

Dressing Gown – Theatre at the Tabard

Have you been bed rotting? Are you in your dressing gown? Is it mostly clean? Are you itching to get out and get dressed, or get dressed and get out? It’s amazing how the trappings of coziness can feel so oppressively snug when certain conditions of comfort are not met. The intimacy of the the Tabard Theatre for instance shifts into something else entirely under the influence of Andrew Cartmel’s new bedroom farce, aptly if unimaginatively titled Dressing Gown so called after its leading man’s essential predicament and sole comfort. Jamie Hutchins stars as Ash, a theatre director whose morning recumbence is interrupted by a series of visitors who each come bearing a unique challenge to his efforts to finally clothe himself. Much like the play’s title, its characters and plot are p...