Friday, December 19

REVIEWS

Sh!t Theatre: Or What’s Left Of Us – Summerhall Tech Cube
Scotland

Sh!t Theatre: Or What’s Left Of Us – Summerhall Tech Cube

Like a pair of iconic Midsommer maidens, in mediaeval garb, replete with silly Wicker Man – style animal head hats Rebecca Biscuit and Louise Mothersole prove that It is possible to be desperately sad and have fun at the same time. Incredibly brave to have put this on at all, set against the tragically young death of Adam Brace, the duo’s long time director (and Rebecca’s partner), this is a rollercoaster of a show full of laughs but also barely held tears, that leaves you admiring, nay loving, this duo even more. Along the way, we discover that badgers enter a torpic state, which is quite different to hibernation! We sing about John Barleycorn, some even drink the drink of John Barleycorn, but remember, There are rules! Much of the show focuses on their new found love of Folk...
Until The Next Wedding – Paradise in Augustines
Scotland

Until The Next Wedding – Paradise in Augustines

Until The Next Wedding was brought to us by Under the Rug Theatre. This “not so rom com” was written by Allie Willison, directed by Niamh Mcgarvey and executive produced by Bethan Murray. This new and exciting play was first previewed in Glasgow before landing at the Edinburgh Fringe. Until The Next Wedding is a two man show featuring characters Mandy and Eliot. Mandy is performed by actor and playwright Allie Willison. The second character, Eliot, is played by actor James Crutcher. As Willison enters the stage and begins to interact with the furniture and props, and tragically fails at smoking a cigar, it becomes clear that this is some sort of in-house library near the wedding. The whole play takes place in that library creating a link between each wedding the two characters at...
Lynn Faces – Summerhall Main Hall
Scotland

Lynn Faces – Summerhall Main Hall

It’s odd. Very odd! Following on from Laura Horton’s 2022 near perfect, sensitively written award-winning Breathless which focussed on mental illness and hoarding and which transferred successfully to off-Broadway, we have something of a hand-brake turn into her latest vehicle, Lynn Faces. The story follows almost-40 Leah, wannabe lead singer of newly assembled punk band Lynn Faces. We join them as they are about to play their opening gig.They wear masks of Lynn, the eponymous long-suffering, snazzy-cardigan-wearing assistant to fictional comedian Alan Partridge. Problems are racking up: firstly, none of them can really play any musical instruments (with the exception of an excellent grade 3 recorder solo!), oh, and the drummer hasn’t turned up. But, who cares, the show must g...
Ne’er The Twain – Mayfield Salisbury Church
Scotland

Ne’er The Twain – Mayfield Salisbury Church

Edinburgh People’s Theatre (EPT) has been at the Fringe since the very beginning. The members speak with pride of their heritage, of which Ne’er The Twain is a fine example. The play was written by EPT stalwart Alan Cochrane and premiered by the company in 1971. Some of today’s cast also performed in its 2012 revival, and this play is dear to their hearts. It is 1919, and the neighbouring towns of Leith and Edinburgh each have their own culture and identity. But Leith is about to become part of the City of Edinburgh, much to the indignation of its populace. The McIvors are Leithers, proudly working class, although their lavvy is across the border in Edinburgh. Their neighbours, the Burns family, are Edinburgh people and afflicted with an unfortunate dose of snobbery. However, the ...
Lads of the Flies – The Space @ Niddry Street
Scotland

Lads of the Flies – The Space @ Niddry Street

STAG (Student Theatre at Glasgow), takes the Fringe by storm with their latest production written and directed by Grace Donaldson.  This quick-witted, fast-paced show tells the story of four “lads” lost on their Duke of Edinburgh expedition - two of whom, are coming to terms with their sexuality. Throughout the play we see them accept that they are in love, and they do in fact fit the rugby lad stereotype – they’re as gay as gay can be. Donaldson’s writing is incredibly sharp, with well-thought, quick-witted remarks from each character.  The actors were steadfast in their roles – so sure of themselves that I really did see them as lads (even the one with pigtails).  The group played off of each other wonderfully, really giving the audience a good chuckle.  The...
Dionysa – C Arts Aquila
Scotland

Dionysa – C Arts Aquila

I am on a roll with Greek tragedies at the 2024 Edinburgh Fringe Festival, and the Wellington College Theatre Collective’s take on Euripides’ ‘The Bacchae’ is interesting.  The company have loaded the play into a time machine and moved it into the 20th Century, 1920 to be exact.  This play written by an Athenian playwright was set in Thebes, this remains the same, but we have a gender change, as the original play is based around Dionysus, a Greek god (also known as Bacchus to the Romans), of whom was originally a Thracian god, later adopted by the Greeks.  This gender change makes Dionysus become Dionysa! The basic storyline is that Dionysa (Cressida Massey-Cook), is a god, born from a union between her father Zeus and her mortal mother Semele.  Dionysa is enrage...
The Sex Life of Puppets – Pleasance Courtyard
Scotland

The Sex Life of Puppets – Pleasance Courtyard

An interesting title, and an even more interesting show.  Brought to the stage by Blind Summit Theatre, the play does exactly what the title suggests, it gives an insight into the private lives of a selection of puppets which sounds a wee bit twee, but this play is anything but twee!  The puppets are not string puppets but hand-held puppets, which I assume would make them easier to manipulate for the subject of the show.  The puppeteers use a table to sit the puppets down and the rest is down to the script and the puppeteers’ imagination.  The puppets are all human puppets whose characters are brought to life by their handlers, they discuss subjects such as sexual wellbeing, what they like to name their genitals, nursing home sex, lesbian sex and many more. ...
Nation – Roundabout @ Summerhall
Scotland

Nation – Roundabout @ Summerhall

Within the womb-like space that is The Roundhouse, at Summerhall, one of my favs in the scrum that is the Fringe, magic can happen. Nation might have been written for this space, and this time. It may not be the kind of launch pad writer and performer Sam Ward would have wanted, but the spate of xenophobic far-right riots sweeping the UK makes this story chilling pertinent. Ward welcomes us into the tent and asks us to exist in the moment, right now you are an audience listening to a storyteller. Right now, I’m a postman, on a High Street of an ordinary town. We are asked to imagine the ordinary town, not too big, not too small, and the ordinary people that inhabit it. The Butcher, the Baker, the Pilates Instructor, Ward points at people in the audience, assigning identities, ...
Reuben Kaye: Live and Intimidating – Assembly George Square
Scotland

Reuben Kaye: Live and Intimidating – Assembly George Square

Self-described “actress, model and award-winning cry for help” Reuben Kaye brings his new show to the Palais du Variete for its UK debut. An experienced and talented cabaret performer and comedian, Kaye has been impressing audiences and critics alike at the Fringe for several years now. He not only performs his own show, but also curates a late-night variety show amusingly titled The Kaye Hole. He welcomes the audience individually at the door, towering above the crowd in sparkly stilettos and a ruffled shirt split to the waist. There isn’t a hint of the intimidation mentioned in the title of the show – but then the performance starts. Kaye stalks amongst the front rows like some sort of impossibly glamorous praying mantis looking for its next victim. Audience members are serenaded,...
Eleanor – the Space @ Niddry Street
Scotland

Eleanor – the Space @ Niddry Street

Eleanor, the youngest daughter of Karl Marx, was a socialist and feminist activist. But this play concentrates mainly on her relationships with her lover and friends. All of the characters in this well written drama by Agnes Perry-Robinson were real people, intellectuals who lived in late nineteen century England. The play is based on research. But Perry-Robinsion has used her imagination to recreate some of the interactions between Eleanor and her friends. We see laughter-filled soirées full of stimulating conversations, charades and acting. The group shares a love of Shakespeare and even play the mechanicals performing ‘Pyramus and Thisbe’ from ‘A Midsummer Night’s Dream’. It’s all great fun - at first. Eleanor (nicknamed ‘Tussy’) has a particularly close friendship with ...