Friday, December 19

REVIEWS

Breathe – Pleasance Dome
Scotland

Breathe – Pleasance Dome

The creative ingenuity in this show is outstanding. The staging is slick; the voices beautifully melded and the music is perfectly crafted, demonstrating terrific inventive scope for blending human creativity with clever technology in an open and transparent way. I was enamored of the clicking fingers that translated into rainfall so that the fungi danced to the drum of nature. It was a transition evoking a touch of pixie dust! Louisa Ashton (co-founder of Sparkle and Dark Theatre Company) is an adept puppeteer and, together with Darcey O'Rourke and Peter Morton, they front this accessible, intelligent and astonishing work. Breathe is an intriguing journey with a sleepy acorn seed who has to survive the winter. It is full of imagination, multifunctional models and storytelling...
Through The Mud – Summerhall Main Hall
Scotland

Through The Mud – Summerhall Main Hall

Opening to screened news footage of the killing of Michael Brown in Ferguson, Missouri, a mixed race student (Tinashe Warikandwa) is moved to join the protests and become a fierce advocate in the Black Lives Matter movement.  42 years earlier Assata Shakur, as a member of the Black Panther Party is violently involved with the civil rights movement, leading to a conviction for the killing of a State Trooper on the New Jersey Turnpike.  Shakur (played by Apphia Campbell) later escaped prison and fled to Cuba, where she still lives and remains on the FBI’s Most Wanted list.  The two women share the stage with Shakur as a sort of ghost mentor, reliving her own fight, as the student becomes ever more embroiled in the 2014 escalating violence, following one of the main prot...
Richard Cobb: Running Joke – Laughing Horse @ Raging Bull
Scotland

Richard Cobb: Running Joke – Laughing Horse @ Raging Bull

Richard Cobb’s Running Joke is an entertaining hour of stand-up comedy, perfect for passing the time in the early evening. Performing in an intimate venue, Cobb’s natural delivery creates a friendly atmosphere almost akin to a chat at the pub. The show centres around various challenges Cobb had to overcome before he faced the challenge from which the show derives its name: running the Edinburgh marathon. It’s a relatable premise, allowing the audience to empathise with his journey and feel present in the stories he told.  This isn’t an absurdist, existentialist or political stand-up. Rather, Cobb derives humour from real situations that happen to real people (mostly himself). He was perhaps a little nervous at the beginning and spoke very fast as a result. Unfortunately, this meant ...
LIFE: Maria MacDonell – Scottish Storytelling Centre
Scotland

LIFE: Maria MacDonell – Scottish Storytelling Centre

I am afraid of drawing. I don’t know why. This play is set in a drawing class, and the audience is invited to sketch and doodle throughout. Now is the time to embrace my phobia. I am welcomed by The Artist (Leo MacNeill), a reassuring presence. “We are all artists”, he says. I am given paper and pencils, but no eraser. Every mark we make remains on the page. Estelle (Maria MacDonell, who also wrote the piece) cuts through The Artist’s whimsy with a shard of cynicism, at least to begin with. She thinks he’s pretentious. The Artist helps Estelle open up, and she tells us about her life, her hopes and regrets, her love of graveyards and her career as an artist’s model. Estelle tells her story through the medium of folk tales. Afterwards, MacDonnell tells me that Estelle is so damage...
Arcade – Summerhall Terrace
Scotland

Arcade – Summerhall Terrace

Set within a fully sealed and completely dark and sound-proofed container outside Summerhall, as a half-hour filler I have no problem with this at all. Personally, I might prefer a recumbent half-hour with a yoga track, but as a decompression from the sometimes over-whelming sights and sounds of the Fringe, this works either way. You certainly have more agency than previous container experiences I have had, you have a button to make choices yes or no, you have a token (use it wisely!) and a slot to put it in. Of course, there are multiple ways the storyline can twist and turn and for hardened arcade fans this might need multiple outings. The audible experience is excellent as is the haptic feedback. At one point, when your partner is wasted right beside you, you experience a s...
The Faustus Project – C Arts, Alto Studio
Scotland

The Faustus Project – C Arts, Alto Studio

Doctor Faustus is universally known as the man who sold his soul to the devil, and that basically sums up the play by Christopher Marlowe. Remembered as a scholar and a rebel, Marlowe's play is actually quite reactionary, very much boiling down to, between patriotic swipes at the papacy, "I want knowledge, consequences be banned! "No, don't have knowledge, you'll be damned!", "oh no I had knowledge but now I'm damned!', like the College Humour Ye Old Black Mirror sketch played straight. As such, it seems a good frame to riff off of, which Half Trick Theatre have done by casting a new actor in the main role each night with no knowledge of the show, with all the comedic opportunities for embarrassment and confusion that offers. The secret to all these shows is the cast themselves, ...
Margolyes & Dickens: The Best Bits – Pleasance at EICC
Scotland

Margolyes & Dickens: The Best Bits – Pleasance at EICC

Seventy minutes with an 83-year-old who’s got all her marbles and oodles of talent besides was one brilliant way to spend a rainy afternoon in Edinburgh. Playing to a full house of 1200 capacity, Miriam Margolyes’ fan-base is younger than her which, of course, didn’t matter a jot to this outspoken and wonderfully entertaining woman. She had the crowd in the palm of her hand right from the get-go. There were Margolyes followers in their twenties upwards, the younger members presumably fans of her outings in the Harry Potter series of films. My favourite Margolyes performance was the fabulous Italian nurse she played in Baz Lurhmann’s Romeo and Juliet. She was deliciously nuanced and funny in that role, bringing it to life as I’d never seen it before or since. We listened to Sachmo...
Craig Hill: I’ve Been Sitting on This For a While – Just The Tonic Nucleus
Scotland

Craig Hill: I’ve Been Sitting on This For a While – Just The Tonic Nucleus

This wis sae, sae funny! Seriously. It wis hilarious. I wasnae sure tae begin wi’. I thought it might be humour at others’ expense, but nah, nah, ye ken, it wis pure dead magic. Unlike my current attempt at a Scottish accent. I cannae dae it, hailing frae Essex, as I do. But Craig Hill can. He can take whatever the audience offers and make a comedic feast from the smallest offering. He can mimic accents and tonality with ease and create a personalised skit based on you alone. For some it is thrilling, for others maybe not so much, but this man knows his stuff and he’s not about to crucify anyone who’s not up for it. He’s got discernment. That’s what happens when you’ve garnered 25 years of Edinburgh Fringe shows under your belt and you’ve been blessed with a quick wit. He’s never...
I’m Almost There – Summerhall Main Hall
Scotland

I’m Almost There – Summerhall Main Hall

This might just be the best day I’ve ever had at the Edinburgh Fringe. I’ve just come from Every Brilliant Thing, and now this! It is one thing to see the ubiquitous posters of Todd Almond running with his yellow umbrella (which seem burned into my retina!), it is entirely another to see and hear him in the flesh. Like an alabaster statue come to life, this David with his piercing blue eyes (I was lucky enough to sit in the front row!) has the audience transfixed from note one. Almond, the toast of New York, seated at piano for most of the performance, with a lazy laconic boredom reminisces over a modern queer love story. It’s dreamy, probably because I’ve been reviewing and writing my five-a-day for the last five days, but also because it’s just dreamy! Accompanied by Erin Hi...
Every Brilliant Thing – Roundabout @ Summerhall
Scotland

Every Brilliant Thing – Roundabout @ Summerhall

Every Brilliant Thing, by Duncan MacMillan and Jonny Donahue is back and goes straight in at number one on my list of brilliant things. And with Donahue himself performing it, this is better than ice cream. Like a prodigal son returning from distant shores, the womb-like space that is The Roundhouse, at Summerhall, welcomes back, Every Brilliant Thing, a play that has globe trotted after it’s first showing here in 2014. And the public cannot get enough of it, it is completely sold out, with two additional dates already added (sold out) but surely more to follow. (Check the Fringe web site, every five minutes!) It’s one of those shows that it’s best to know nothing about before you see it. I am therefore going for the mysterious, enigmatic vibe on this one. Lets just say it is the...