REVIEWS Archives - Page 164 of 548

15Aug

By Saira KunjuvalappilNo Comments

Scotland

Depression vs Anxiety – Waverly Bar

Anxious & Hilarious: Performers with Anxiety and Depression Deliver Smash-Hit Comedy—This Is What Makes Fringe Festival So Special! I cannot believe that this show was done by people with anxiety, depression, and bipolar disorder. No, it’s not what you’re thinking—it’s a complete comedy show, and an absolutely brilliant one at that! Moni Zhang, who led the show, was exceptionally funny, setting the tone for an afternoon of laughter that you wouldn’t expect from a group dealing with such heavy personal challenges. As the afternoon unfolded, a series of comedians took the stage, each sharing their own experiences with mental health in the most hilarious ways imaginable. What they say on stage is 100 percent true about their situations, but the way they say it leaves the audienc...

A Lady Does Not Scratch Her Crotch – Hen and Chickens Theatre

15Aug

By Kira DanielsNo Comments

London

A Lady Does Not Scratch Her Crotch – Hen and Chickens Theatre

It’s a tale as old as time and a song as old as rhyme. Beauty is painful and beastliness is punishable. For a young girl trying to break the glass ceiling of her blossoming rose’s bell jar there’s just no wiggle room. Written and performed by Celeste Cahn, A Lady Does Not Scratch Her Crotch is permeated with plenty of (a little too) personal details but carries a near universal appeal. Partially thanks to the ubiquity of Disney but in greater part due to the depressing universality of coming-of-age angst and female sexual frustration, A Lady Does Not Scratch Her Crotch hits right in the soft spots of its audience. Cahn is in turns pathetic and poised, cringe-inducing and awe-inspiring. Her generosity with the audience is palpable (really, you can touch, and we’re not playing by P...

15Aug

By Marcelina KruczyńskaNo Comments

Scotland

Malion – theSpace @ Surgeons’ Hall

The play was a sensational mix of modern and ancient theatre, transcending time and language that connects modern audiences and Greek theatre buffs alike. Speeches of Gods and Goddesses were spoken in verse. The use of verse displayed the play’s connections to traditional Greek theater. However, this was broken up with modern conversations and ideas that the everyday viewer could understand and connect with in one way or another. This in turn made the play more accessible to a wider audience. Created by Tired Horses Theatre, written by Joseph Meardon, directed by Mikael Phillips and assistant directed by Hannah MacMillan. The stage was transformed into an art studio that looked like it belonged in today’s society just as much as an ancient one. The play seemed to be along the lines ...

The Edinburgh Seven – Greenside @ Riddle’s Court

15Aug

By Tom ScottNo Comments

Scotland

The Edinburgh Seven – Greenside @ Riddle’s Court

The Edinburgh Seven were the first women to go to medical school in Scotland - and indeed the whole UK. But they faced discrimination from the University of Edinburgh, ridicule from male lecturers, criticism in some newspapers, and insults and even violence from male students. Their story began in the 1860s long before women (or even most men) had the vote. In 1869 Sophia Jex-Blake applied to study medicine at the University of Edinburgh. Then in her late twenties, she had been born and educated in England. She lived for a while in the USA and applied to Harvard University for a place in their medical school, but her application was declined because she was a woman. On returning to England Jex-Blake wrote an essay, entitled ‘Medicine as a profession for women’ in which she argued that w...

Kai Humphries: Gallivanting – Just the Tonic Nucleus

15Aug

By Kathleen MansfieldNo Comments

Scotland

Kai Humphries: Gallivanting – Just the Tonic Nucleus

Isn’t it a joy, after a busy day at the Edinburgh Fringe, to be treated to effortless entertainment as a sparkling, inventive mind takes you gallivanting? That’s you, Kai Humphries. And thank you. Kai Humphries writes his own material and once got grilled by border security in a foreign land where writers (i.e. journalists) were not welcome. They didn’t understand the word “joke” and soon decided he wasn’t worth their time. He is definitely worth your time. He’s a funny writer and tells a good story. I loved his opening where he explored different cultural ways of greeting one another and his existential response to “What’s happening?” He had the audience in the palm of his hand right from the moment he introduced himself off-stage. A Geordie, Humphries exploits both his...

Bronwyn Kuss: Sounds Good – Assembly George Square Studios

15Aug

By Triona ScullyNo Comments

Scotland

Bronwyn Kuss: Sounds Good – Assembly George Square Studios

Bronwyn Kuss makes her highly anticipated solo debut at Edinburgh, bringing her signature dry charm and sharp wit to the stage. Known for transforming everyday misadventures and questionable life choices into comedic gold, she captivates audiences with her deadpan delivery and wry observations. A writer and comedian celebrated for her masterful storytelling, Kuss has already earned accolades like the Director's Choice Award and Pinder Prize at the Melbourne Comedy Festival. With her sharp and perceptive observational comedy, Kuss is sure to leave you laughing long after the show ends. The X-rated music playing before she takes the stage gives Kuss her opening gag, setting the tone for a deep dive into her past traumas. She scrutinises memories of her younger self, including her enco...

Complete works of William Shakespeare (Abridged) – theSpace @ Surgeons’ Hall

15Aug

By Saira KunjuvalappilNo Comments

Scotland

Complete works of William Shakespeare (Abridged) – theSpace @ Surgeons’ Hall

The Complete Works of William Shakespeare (Abridged), performed by the talented trio from 3 Witty fools—Sam Milner, Barnaby, and Henry Williams—delivered a whirlwind of laughter and sheer entertainment. Based on the book with the same title, this show is a condensed and comedic take on all of Shakespeare’s plays, and the team did a fantastic job bringing it to life on stage. The show kicked off with a hilarious rendition of Romeo and Juliet, setting the tone for an evening filled with clever humour and lively performances. Juliet’s exaggerated reactions to Romeo’s declarations of love were side-splitting, and her over-the-top manner of ending her life was a highlight, leaving the audience roaring with laughter. The chemistry between the performers was undeniable, and their ability t...

15Aug

By Torya HughesNo Comments

Scotland

Swamplesque – Assembly Hall

Shrek themed burlesque sounds like the premise for a show which could either be very good or very bad. Thankfully, Australian cabaret troupe Trigger Happy Productions have the skills and confidence to make this show both entertaining and impressive. After a stern announcement reminding the audience that this is in no way connected with DreamWorks, the show starts with a bang. Trigger Happy imbues the role of Shrek with an infectious pizazz, whether he's high kicking in sequins or coyly peeping out from behind a feathered fan. This energy is more than matched by Tash York as Princess Fiona, who showcases a powerful voice in two solos. Drag king Rainbow takes on the role of Lord Farquaad, arriving on her knees for comic effect. She has a wonderfully expressive face, which adds to the ...

15Aug

By Gill LewisNo Comments

Scotland

Out of Woodstock – Underbelly, Cowgate

Follow a young man’s descent into one of the worst festival disasters in recent history. Its legacy is rooted in an unleashing of Millennial anger. Baby Boomers enjoyed the summer of love, with Woodstock 69, united in their quest for peace and harmony. Thirty years later the attempt to recreate this significant cultural event, with Woodstock ’99, brought about overpriced beer, boobs, and misogyny. This play intrigues, based on real life events during the infamous music festival which ended in carnage and controversy. Poor organisation and dollar hungry management created a ticking timebomb as revelers exploded in the accumulation of sweltering unbearable heat, poor sanitation, serious sexual assaults, looting and several deaths. Written and directed by Tom Foreman,...

15Aug

By Gill LewisNo Comments

Scotland

Bills 44th – Underbelly, Cowgate

Mr Bean meets Don’t Hug Me I’m Scared in this heartwarming Tragi – comedy, an existential tale of being alone, but never lonely. Have you ever been to a party where there’s more balloons than people? No? Then you’ve never spent a birthday with Bill, who’s getting his modest flat ready to celebrate his 44th birthday. Puppeteering duo Dorothy James and Andy Manjuck in association with Underbelly deliver a thoroughly entertaining piece of laugh out loud storytelling. Working in unison, James and Manjuck’s seamless, skillful control of Bill, creates a range of funny identifiable mannerisms and reactions, which add to Bill’s natural draw and likability. The physicality speaks a thousand words. The sold-out reactive audience showed instant warmth for Bill, evident from...