After Miss Julie – Park Theatre
What I find most unsettling about Strindberg’s Miss Julie these days is no longer the play itself, but that it remains one of the most frequently produced plays in the Western canon, a status that feels increasingly difficult to justify. Especially when, in the preface, Strindberg a well-documented misogynist openly articulates his hostility toward women, and feminists in particular, describing Julie as a degenerate product of emancipation, bound to self-destruct. Knowing this, one is left wondering why theatres keep returning to this text, and what is still being sought or defended in bringing it back to the stage.
Knowing that, I had hoped Patrick Marber’s After Miss Julie might reframe or redeem the problematic source or do for Strindberg what Lucas Hnath’s A Doll’s House, Part...









