REVIEWS Archives - Page 15 of 548

30Oct

By Stephanie WiswallNo Comments

North West

Top Hat – Liverpool Empire

Glitz, glamour, sophistication and flair, Irving Berlin's Top Hat takes to the stage to reinvigorate and regenerate the musicals of times gone by. A magical reminder of the sheer talent and romance of the theatre. Adapted for stage by authors Matthew White and Howard Jacques and based on RKO's motion picture. Directed and choreographed by Kathleen Marshall. Get your toes tapping from the moment the curtain is raised and watch in awe of the perfectly timed and varied choreography (Richard Pitt, Carol Lee Meadows and Kathleen Marshall) as the dancers showcase some iconic footwork from the soft shoe shuffle to an exciting crescendo for the end of act 1 of precision dancing in a revolution of the stage as a company. The staging (Peter Mckintosh) was grand and took you straight back in ti...

30Oct

By Charles PipeNo Comments

London

Kindling – Park Theatre

Per the final wishes of a dead mutual friend, five very different perimenopausal women come together for a camping trip in Wales. The set design by Abi Groves goes a long way to make the play really feel like an authentic camping trip. The entire floor of the stage is covered with plant litter and woodland detritus. As the actors move around, they kick up leaves and twigs, creating realistic sound. The stage quickly becomes cluttered with tents, camping chairs, rucksacks, Ikea bags, and Tupperware, all haphazardly scattered around. The design immediately and evocatively captures the essence of a camping trip with friends. Not everything is as effective as the set design; some issue with the script and direction hold the play back in the earlier scenes. Some characters are presented a...

Kathryn Tickell & The Darkening – Traverse Theatre

29Oct

By Roger JacobsNo Comments

Scotland

Kathryn Tickell & The Darkening – Traverse Theatre

Kathryn Tickell is one of Folk’s superstars, though it’s a title she’d probably toss over her shoulder in embarrassment. Prolific and eclectic from an early age she’s delivered albums of her own too numerous to mention since 1985 while collaborating with artists ranging from The Penguin Café Orchestra to Sting to Andy Sheppard. And most points in between, staying resolutely modest and self-effacing. Tonight, she performs with a slightly altered line-up of The Darkening, a creation inspired by twilight, or, as the French put it, ‘Entre Chien et Loup’, that time of day when a certain magic – both exhilarating and malevolent - is in the air. Together they perform what’s been dubbed ‘Ancient Northumbrian Futurism’ and while it’s an accurate description it’s also worth learning from one of Kath...

The Assembled Parties – Hampstead Theatre

29Oct

By Michelle KnightNo Comments

London

The Assembled Parties – Hampstead Theatre

First impressions, this play has no boundaries when it comes to flaunting American political ideology and Jewish patronage. But it is difficult to comprehend where it is positioned within the context of contemporary societal life in Manhattan in the 1980’s. Is this a drama about exposing family truths and values in the guise of Christmas tradition, rented housing, or world affairs. There are more questions than answers in this adaptation of Richard Greenbergs American stage play, The Assembled Parties. Set in an opulent rented apartment, West Side New York a proud extended Jewish family settle in to share and celebrate a Christian festival ‘Christmas Lunch. Their son Scotty is home from college and has invited his pal Jeff Sam Marks to join in the celebrations. Jeff’s relationship with ...

No Woman’s Land – Rose Theatre, Arts Centre, Edge Hill University

29Oct

By Mark DavorenNo Comments

North West

No Woman’s Land – Rose Theatre, Arts Centre, Edge Hill University

No Woman’s Land is a powerful and engaging one-woman performance from Ciara O’Neill that blends verbatim theatre and storytelling to bring to life the voices of Belfast’s women activists. Developed through a series of interviews conducted in October 2024, the piece weaves together biographical accounts that illuminate the city’s vibrant feminist legacy. As a work in progress – although it was far more than that – this review contains observations for consideration as part of the ongoing development process. The simple black box staging was ideal for this multi-character performance with the musical opening of Simple Minds’ Belfast Child setting the scene. O’Neill’s own arrival brings her own unaccompanied rendition of Belfast, which was powerful and moving, and with its repeat at the...

29Oct

By Stewart Who?No Comments

London

Play Dead – The Horse Hospital

As the trend for celebrity performers and popular stories continues to dominate the West End, it becomes increasingly important to support and highlight new writing and underground talent. Last week, Nadine Rennie, co-chair of the Casting Directors Guild warned that this commercially driven, fever for the famous is like, “feeding a child too much sugar.” As the trend towards box office safe bets shows no sign of retreating, it was a bracing thrill to experience Play Dead by Bailey Edwards at The Horse Hospital. This wasn’t a spoonful of crowd-pleasing sugar. It more like a judicious jab of crystal meth, followed by a slap. Play Dead is a unique, queer, grimly comic modern myth about obsession, addiction, co-dependence and the fragile nature of sanity. It features the author, Edwards ...

1884, an anti colonial game-theatre show at the Wellcome Collection

28Oct

By Alice RoseNo Comments

London

1884, an anti colonial game-theatre show at the Wellcome Collection

Without any previous research, I chose to enter this piece blind in which I am immensely glad I did. Created by Rhianna Llube, we wait patiently at the doors. We are told this is as immersive as you chose it to be, you can simply observe or be as active as you desire. Once inside you have a choice of 5 tables to sit at, you are encouraged to start as strangers and so as a solo traveller that is what I did. In front of you, you have a home, a letter holder, and a few counters with pieces of furniture on them. The actors begin their welcoming speeches, inviting us to a new society in which we are all separate families building their homes. The set and costume is beautifully designed, almost 50’s American style with pale blues, pinks and browns to express solidarity and neutrality. We begi...

Northern Lights and German Resonance – Liverpool Philharmonic Hall

28Oct

By Paul DownhamNo Comments

North West

Northern Lights and German Resonance – Liverpool Philharmonic Hall

There was nothing Fawlty about the RLPO in last night’s performance—a real Touch of Class, you might say. In that BBC comedy classic, Sybil famously complained about her henpecked husband “listening to that racket”—prompting Basil’s comic rejoinder that it was Brahms’s Third racket. Perhaps she would have preferred his Fourth Symphony, one of the great Romantic masterpieces, brought vividly to life at Liverpool’s Philharmonic Hall by debutant Estonian conductor Kristiina Poska. The programme opened with little-known Swedish composer Ida Moberg’s evocation of dawn, traversed Sibelius’s elemental drama, and closed with Brahms at his most romantic and architecturally grandiose. All of it under the guidance of a left-handed baton—a rare sight, even in Liverpool, the city of famous left-hand...

27Oct

By Dylan MooneyNo Comments

Scotland

So Young – Traverse Theatre

Off the back of its Edinburgh Fringe run, Douglas Maxwell’s So Young returns to the Traverse Theatre, directed by Artistic Director, Gareth Nicholls. Milo (Robert Jack) is in his forties and has recently lost his wife, Helen. Struck down with grief, he invites his friends, married couple Liane (Lucianne McEvoy) and Davie (Andy Clark) for an evening of food, drinks and reminiscing. However, he also invited his new partner, Greta (Yana Harris), who is 20 years younger than him. It isn’t long before tensions rise, and feelings are made known between these life-long friends. So, Young explores the different ways in which grief affects people as well as the struggles of getting older. Maxwell approaches his themes with his notorious wit, providing the audience with many laughs throughout ...

27Oct

By Zain RussellNo Comments

London

The Monkey’s Paw – The Hope Theatre

The Monkey’s Paw, currently haunting the intimate Hope Theatre, is a stage adaptation of the classic supernatural tale of the same name. This version narrows its focus onto a young married couple wrestling with real-world struggles, mounting bills and the deep emotional fallout of a recent miscarriage. The show opens with a beautifully staged movement sequence tracing their relationship from first sparks of romance to marriage, pregnancy, and heartbreak. It’s wordless but full of emotional detail, giving the audience a sense of the life they’ve built, and what they’ve lost, before the supernatural intervenes. When a mysterious talisman, the titular monkey’s paw, enters their lives, it allows them to grant their desperate wish: a child of their own. But as with all good cautionary tal...