REVIEWS Archives - Page 15 of 545

Cirque Éloize: iD Reloaded – Hull New Theatre

19Oct

By Jackie FoottitNo Comments

Yorkshire & Humber

Cirque Éloize: iD Reloaded – Hull New Theatre

If I had a tenner for every time I said “oh my God!” while watching the unbelievably talented Cirque Éloize circus crew perform at the Hull New Theatre, on Friday evening, I would be laughing all the way to the bank. This production, iD Reloaded, is inspired by the company’s international hit, iD, created in 2009. Presented by Dance Consortium and directed and created by the Canadian company’s co-founder, Jeannot Painchaud, I was immediately impressed by the wonderful opening stage setting of industrial metal frames with a backdrop of a built-up city scape - an eye-popping video backdrop that changed and dazzled throughout the performance. The action takes place in the heart of a busy city, out in the open, in a space that encourages individuals to express their personalities and ...

19Oct

By Zain RussellNo Comments

London

Fanny – King’s Head Theatre

Fanny is a hilarious and clever play that blends fact and fiction to retell the story of Fanny Mendelssohn. Set in the nineteenth century, the play explores the life of Fanny, sister to the famous composer Felix Mendelssohn. While classical music lovers may be familiar with Felix’s work, Fanny’s contributions are often overlooked, despite evidence that she co-composed several of his pieces. The play highlights how Felix discouraged her from publishing her own music, adding a bittersweet edge beneath the comedy. This production offers a brilliantly funny introduction to the Mendelssohn family and the colourful cast of characters surrounding them. The story focuses on Fanny as she’s courted by Wilhelm, played by Riad Richie. Richie’s sharp timing, quick wit, and playful energy delivered s...

17Oct

By Peter KinnockNo Comments

West Midlands

Moulin Rouge – Birmingham Hippodrome

It Does What It Says On The Can-Can! Baz Luhrmann’s deft capacity to envision new worlds in new ways through new eyes has placed him at the peak of Hollywood artistry. Not only his ability to find, fashion and formulate dazzling new images and inspired panoramas but also to deliver something equally as valuable and important, putting the biz in show biz - money! His works tingle with extravagance and shimmer with opulence especially in his 2001 oddity “Moulin Rouge!”, which, though toffing its top hat to history, reinvents, reimagines and reupholstered the lot. It fizzes with unique ideas and iconic vistas which linger long after the final shot has faded into celluloid oblivion coupled with a bubbling, melting pot of eclectic songs and music - little of which is of the period but drawn ...

The Perfect Murder – Rainhill Village Hall

17Oct

By Mark DavorenNo Comments

North West

The Perfect Murder – Rainhill Village Hall

Director Rosetta Parker is guilty as charged for delivering the perfect murder drama with this production of Hugh Janes’ adaptation of a Jeffrey Archer short story. Set in England, the play centres around the murder of a young woman, and as the drama unfolds, it becomes clear that John (Peter Cliffe) is somehow involved in it and he confesses as such to his wife, Elizabeth (Tracey Duffy), who is determined to keep him out of prison. The police are soon on the case in the form of DI Simmons (Gerald Walker) and Sgt Davies (Rob Williams) and as they – and us – are bombarded with clues and the occasional sleight of hand, it is Paul (Dave Asbridge) who ends up getting charged. But did he commit it though? At No.4 Court of the Old Bailey the Judge (Liz Munro) has to decide with the c...

17Oct

By Michelle KnightNo Comments

London

Private Lives – Rose Theatre Kingston

What a life of ruse, where “Love and Chaos Collide” in Noel Coward’s Private Lives. It is evident that some knowledge of Noel Coward,his character as a playwright, composer and director, would stand you in good stead to appreciate this play. Coward was a distinguished actor flamboyant full of wit and charm using the English language like a tool to convey drama, comedy in a unique style that became his trademark. Private Lives a 1930 Coward’s comedy classic has seen many revivals in the past and this new production directed by Tanuja Amarasuriya has a sleek “modern connection” to the original. Written about the lives of a couple separated by divorce only to meet again on their honeymoon night with their new spouses. Their eyes meet on the hotel balcony, the chemistry reignites, and rekin...

The Flowers of Srebrenica – Jacksons Lane Theatre

17Oct

By Paul AckroydNo Comments

London

The Flowers of Srebrenica – Jacksons Lane Theatre

The novel The Flowers of Srebrenica was written in 2022 by Aidan Hehir. In her director's notes Lara Parmiani states that this play is not intended to be an adaptation, but rather the spark for its conception. As a result, the play has a feeling of being devised in a theatre workshop rather than following a prewritten script. It is highly visual with a slight narrative and is performed by actors from three countries that have experienced recent civil wars. The play is performed in English, although some of the diction was not always clear. It tells the story of Aidan, an Irish lecturer, visiting Bosnia to expand his knowledge of the conflicts about which he teaches. He is driven to Srebrenica by Mohammed, who turns out to have been much involved in the conflicts, and who leads Aidan to ...

17Oct

By Scot CunninghamNo Comments

North West

Young Frankenstein – Hope Mill Theatre

Mel Brooks’ musical adaptation of the 1974 black and white horror comedy Young Frankenstein made its UK debut in Newcastle back in 2017, before taking the West End by storm. Now, in celebration of Hope Mill’s 10th anniversary, this spine-tingling spoof has been reanimated for the spooky season. When esteemed neurosurgeon Dr Frederick Frankenstein learns that he has inherited his infamous grandfather’s estate, a trip to Transylvania soon entices him into revisiting Victor’s outrageous experiments. Slick direction from Nick Winston ensures an excellent blend of sci-fi and silliness transfers from screen to stage; from flouting horror film tropes to dancing with double meanings, one scene effortlessly flows into the next as Dr Frederick and co descend into chaos. This remains both a sat...

16Oct

By Dan GrimesNo Comments

North West

1984 – Harlequin Theatre, Northwich

I have never visited the Harlequin Theatre in Northwich before and, my goodness, what a little gem it is! Unprepossessing from the outside, this 96-seater black box theatre is tucked away amidst cul-de-sacs and industrial units on the outskirts of Northwich town centre. It’s an intimate venue, which the Harlequin Players are clearly very adept at using to its full potential (it has been their home for forty-one years now). It proved to be the perfect space for their latest production, an in-house adaptation of George Orwell’s seminal dystopian novel, 1984. The narrative of the play centres on Winston Smith, an Ingsoc Party worker in the Ministry of Truth, and his conflict, both internal and external, with the regime, of which he is part. Set in a horrific near-future where totalitar...

16Oct

By Mark DavorenNo Comments

North West

The Maids – Unity Theatre

Inspired by the late Graeme Phillips, finessed by director Elinor Randle, and produced by Peter Ward, That Theatre Group CIC’s production of Jean Genet’s The Maids, translated by David Rudkin, is a masterly tour de force and a fitting tribute to a man who did so much for theatre in Liverpool. With their mistress (Jane Hogarth) away, two male maids, Solange (Samuel Perez Duran) and Claire (Cameron McKendrick) plunge into their darkest fantasies, in a twisted game, simmering with sexual tension, unravelling questions of modern slavery, gender identity, and power. The result is an absurd world where boundaries between reality and performance dissolve. Genet’s play was written in 1946 and, drawing upon a real-life murder case, critiqued the social and sexual hierarchies of the time t...

Dancing at Lughnasa – Royal Exchange Theatre

16Oct

By Paul WilcoxNo Comments

North West

Dancing at Lughnasa – Royal Exchange Theatre

Writer Brian Friel is universally regarded as one of the leading figures in English language drama, a reputation which seems to grow with every passing year since he died in 2015. The style of his work, examining the transitional culture and politics in Irish society in the 20th Century, has drawn serious comparisons with Miller, Williams and especially Anton Chekhov. This Autumn, in a continuation of their recent return to form, the Royal Exchange has teamed up with The Crucible Theatre in Sheffield to produce a spellbinding production of ‘Dancing at Lughnasa’, Friel’s exploration of his memories of growing up in rural 1930s Ireland. The comparisons of Friel with Chekhov are a serious one; both writers work is set in communities on the cusp of radical change from rural to industrial ec...