REVIEWS Archives - Page 144 of 336

2Feb

By Paul WilcoxNo Comments

North West

Head Over Heels – Hope Mill Theatre

Musical theatre productions that challenge conceived norms and push back the boundaries are nothing new for Hope Mill Theatre, their latest offering gives a European premiere to this 2015 'queer jukebox musical' and is thoroughly vindicated with a hugely entertaining spectacle that poses pertinent questions around love and acceptance in the modern world. There is no denying that the genesis of 'Head Over Heels' is an oddity. Not many people would have thought of making a Broadway musical based on 'The Countess of Pembroke's Arcadia', a prose romance written by Sir Philip Sidney in 1593; still fewer would have then decided to add in songs from late 1980's indie-punk popsters, The Go Go's. Then again, not everyone is the iconoclastic figure of Jeff Whitty, the writer of Avenue Q, who onc...

2Feb

By Alison BainesNo Comments

North West

Wasteland – Contact Theatre

When the mines shut down in the 1980’s, little thought was given to the catastrophic ripple affect it would have on the northern mining towns of England. This story follows Gary Clarke’s award-winning production Coal, which looks at the infamous mining strikes of 1984/5. Wasteland takes flight with its tale about the radial upheaval that followed. Mired in recession, communities struggled but born was an era of illegal raves forming escapism and euphoria. It begins with The Last Miner (Parsifal James Hurst), drunkenly swaying across the stage clutching a bottle. Every inch of his movement is carefully choreographed, from the light lyrical motions to the harsh stomps and falls, his despair and frustrations clearly evident. The Pit Men Singers were a really nice touch, unique to ea...

An Inspector Calls – Edinburgh Festival Theatre

1Feb

By Beth EltringhamNo Comments

Scotland

An Inspector Calls – Edinburgh Festival Theatre

An upper class family oblivious to fact that the world around them is falling to ruin, a family laughing around a dinner table without a care in the world; that is until he arrives. A detective. A dead girl and secrets to be explored. There’s a reason that An Inspector calls by J B Priestley has been wildly used in educational studies throughout the years and that’s simply because it fantastic. It’s a play that keeps us on our toes as it unravels itself with every character, providing us with twists and turns but also striving in the end to leave us with important moral lessons. The lessons of this tale clearly being ‘our own actions have consequences’ and that ‘we should take responsibility for how we treat others because we never know what could be going on in their lives’. ...

1Feb

By Jackie FoottitNo Comments

Yorkshire & Humber

Peaky Blinders – Hull New Theatre

Period crime drama, Peaky Blinders, wowed TV audiences from 2013 to 2022. And now a Rambert Dance production of the same name, is wowing theatre audiences nationwide. On Tuesday evening, Peaky Blinders: The Redemption of Thomas Shelby came to Hull New Theatre, and from "curtain up" it was action all the way. The Peaky refers to a popular style of flat cap, and the Blinders is common slang for someone well-dressed and dapper. I spotted quite a few theatregoers sporting a Peaky and very dapper they all looked, too. The unbelievably atmospheric opening stage setting took us straight to the trenches of Flanders, during the First World War, with dramatic scenes from which emerged five young men - alive, but dead inside from the horrors they had witnessed and taken part in. Fast-for...

<strong>Lemons, Lemons, Lemons, Lemons, Lemons – Harold Pinter Theatre</strong>

1Feb

By Aditi DalalNo Comments

London

Lemons, Lemons, Lemons, Lemons, Lemons – Harold Pinter Theatre

Bernadette and Oliver meet at a cat's funeral. One of them is an aspiring musician and the other is a lawyer. One of them has parents who ‘live in a castle’ and the other doesn’t want to have anything to do with the circumstances they worked their way upwards from. As they begin to get to know each other, their past and present, they’re presented with a challenge - they have a strict limit on the amount of words available to speak each day. How many do they need at work and how many can they use at a party? How many are they left with to communicate with each other? What happens when one of them has more words left than the other and what happens when they run out completely? While they use made-up abbreviations and morse code to navigate the literal challenge, what does not having enough...

<strong>Welcome Home – Soho Theatre</strong>

30Jan

By Riana HowarthNo Comments

London

Welcome Home – Soho Theatre

Willy Hudson takes us on an adventure into a lurid, phantasmagoria of his past. It begins with Willy returning to his parents’ house after a messy breakup, which ignites memories of the past as he inadvertently seeks closure. The older Willy decides to avenge himself and portrays himself as the villain, fighting the good. With clever Doctor Who crossovers, comparing monsters to certain daunting figures in his life, Hudson’s personal story feels epic. Hudson is an engaging storyteller with sass and warm expressiveness, keeping the narrative buoyant throughout with direction from Zach James. His descriptive, visual script evokes nostalgia, and the conversations are naturalistic with comedic undertones as Willy re-enacts them. The back and forth time jumping was in keeping with the Doctor...

<strong>Closure – HOME Manchester</strong>

30Jan

By Mark DavorenNo Comments

North West

Closure – HOME Manchester

Alex (Conor Burns) and Laura (Nina Holland-Smith) arrive at a dinner party hosted by Laura’s friend Mia (Faye Draper) where they soon discover that all is not as it seems, in fact they may not even leave alive… Written by Draper and directed by Maz Hedgehog, Closure takes black comedy into its darkest corner as it unravels women’s rights, wrongs, and feminine rage. Understandably there is a trigger warning as the piece contains scenes of violence and drowning, strong language, and distressing themes including reference to rape and sexual assault. First and foremost, this is a play dealing with subjects that are far too often glossed over or avoided so I wholeheartedly welcome it for that alone. It does however need longer than the scheduled hour because the set-up was somewhat hurri...

<strong>Ellen Kent’s La Boheme – Opera House, Manchester</strong>

28Jan

By Paul WilcoxNo Comments

North West

Ellen Kent’s La Boheme – Opera House, Manchester

Producer Ellen Kent has created a niche in the theatrical world over the last three decades, importing the best of traditional ballet and opera from Eastern Europe to be staged here in the UK. Given the ongoing war in Ukraine and subsequent political upheaval, it is a testament to her tenacity that she has managed to bring 'The Ukrainian Opera & Ballet Theatre' from war torn Kyiv, on a Spring tour to the UK, beginning at Manchester's Opera House. The small company of approximately a dozen, supplemented by local young artists and supported by a full orchestra, will be showcasing classic works by Puccini and Verdi over the next four months; Madama Butterfly, Aida and La Boheme. Ah, 'La Boheme'! At this point I have to confess my history with Puccini's impossibly romantic story of doo...

<strong>Sound of the Underground – Royal Court</strong>

27Jan

By SJ RobertsNo Comments

London

Sound of the Underground – Royal Court

‘Sound of the Underground’ by Travis Alabanza [BURGERZ, Before I Step Outside [You Love Me] and co-created by Debbie Hannan [Constellations, The Panopticon] is an angry, ambivalent, and vibrant call to arms in a crisis of money, dignity, culture and community. This brilliant two act evening of radical art, comprised of some of the brightest stars in the current grass roots drag scene, presents us with these problems and the/a solution- radical art and the rejection of commodification. After a review style introduction to the show (heavily featuring the excellently crass Midgitte Bardot), we are presented with a one scene play. Informed by the traditional theatre setting and location (the salubrious Sloane Square) the curtain rises to a modern kitchen box set. The play begins: beige,...

<strong>The Strange Case of Dr Jekyll and Mr Hyde – Jack Studio Theatre</strong>

27Jan

By Paul AckroydNo Comments

London

The Strange Case of Dr Jekyll and Mr Hyde – Jack Studio Theatre

The Strange Case of Dr Jekyll and Mr Hyde written by Robert Louis Stevenson in 1886 will be familiar to many. However, in order to avoid impairing the pleasure of those who do not know the story I will be circumspect in this review about the plot. This one-man stage adaptation has been written and performed by Mark Stratford. It closely follows the plot and characterisation in Stevenson's original. The play starts with the investigating officer Inspector Newcomen explaining to the audience of background to the case and introducing the testimony of Gabriel Utterson, the lawyer and friend of Dr Henry Jekyll. Concerned by the strange behaviour and disappearance of his friend plus a strange will left in his keep, Utterson starts to investigate and soon comes across the st...