REVIEWS Archives - Page 143 of 548

7Oct

By Paul AckroydNo Comments

London

Juno and the Paycock – Gielgud Theatre

Juno and the Paycock is widely regarded as Sean O'Caseys's theatrical masterpiece. Set during the Irish Civil War in 1922 the first act starts almost as a melodrama with " Captain" Jack Boyle( Mark Rylance) and his dissolute companion "Joxer" Daly (Paul Hilton) indulging in drunken excess and an attempting to avoid all forms of work while dodging the wrath of Juno Boyle (J.Smith-Cameron), the redoubtable female head of the household. The impoverished family’s fortunes seem to take a dramatic turn for the better when they are informed that Jack Boyle has received a large inheritance from a relative. As the second act opens, we see them in the same rundown dwelling, but now bedecked with new expensive furnishings and the family wearing new clothes for which they ha...

Les Contes d’Hoffmann – MET Opera Live in HD at Biografen Kino, Lund

6Oct

By Mark DavorenNo Comments

REVIEWS

Les Contes d’Hoffmann – MET Opera Live in HD at Biografen Kino, Lund

Offenbach’s Les Contes d’Hoffmann is the most enduring ‘serious’ opera from a composer better known for his operettas and Gina Lapinski’s 2016 revival of Bartlett Sher’s evocative Kafkaesque production provides the perfect vehicle in which Offenbach’s story – in turn witty, erotic, and macabre – and highly melodious music come together to form a deeply and satisfying whole. Set in the 19th C, the great storyteller Hoffmann (Benjamin Bernheim) is losing himself to drink. His rival in love, Councillor Lindorf (Christian Van Horn), claims that Hoffmann knows nothing of the heart, and so goads Hoffmann into telling the tales of his three great loves – each destroyed by a villain who bears an uncanny resemblance to Lindorf… First Hoffmann tells of his infatuation for the mechanical doll, ...

The Salon: The Sequel! – St Helens Theatre Royal

6Oct

By Anne PritchardNo Comments

North West

The Salon: The Sequel! – St Helens Theatre Royal

This adult comedy show, written by Drew Quayle, follows the antics and everyday life of salon manager, Carol, played by radio and stage star Leanne Campbell. It’s predecessor show, The Salon originally played at St Helens Theatre Royal in 2009, playing again in 2011 and 2017, before transferring to Liverpool’s Epstein Theatre in 2018. This stand-alone sequel has been updated to reflect current local Liverpool culture and is awash with Scouse over-the-top caricatures and Scouse humour which had the hyped-up audience showing their appreciation with boisterous whoops and piercing squeals of laughter amid noisy excitement. Carol (Leanne Campbell) is orchestrator of the story, managing the salon staff and trying to keep her family life in control. Her staff of two, be...

5Oct

By Peter KinnockNo Comments

West Midlands

Wonderboy – Wolverhampton Grand

With the astoundingly talented and acclaimed Sally Cookson at the helm and a script by Ross Willis, Wonderboy exploded out of the Bristol Old Vic back in 2022 and recently embarked on a national tour already nabbing the Writer’s Guild Award for Best Play 2023. It’s a hotly anticipated ticket with a huge reputation behind it. But many shows with a tidal wave of hype rarely live up to the noise - will this one? Captain Chatter is the comic book superhero who helps our own hero, reclusive Sonny, with his self-conscious stammer which constrains him from making small talk, sharing thoughts and ideas and most of all speaking to an audience. And then he finds himself cast in the school production of Hamlet! 90 minutes whizzes by and for all those minutes the teenage audience (the demographi...

Girls Don’t Play Guitars – Liverpool’s Royal Court

5Oct

By Hannah EsnoufNo Comments

North West

Girls Don’t Play Guitars – Liverpool’s Royal Court

Reading the 2019 reviews of this show it was natural that I took my seat at its revival with high expectations. The story is undoubtably inspiring and it feels right at home in this theatre, however, as a stage show this lacked depth for me. With an 80:20 ratio of music to dialogue, albeit good music, it was difficult to feel much emotional pull towards these characters. As characters themselves, I imagine it was difficult to ascertain much difference between them for the actors as their personalities were as similar as their costumes in most parts of the script, noticeably different only by which love interest they had. Nothing can be said of the talent of the cast though. Their skills as musicians were undeniably central to the success of this show’s success; I just wish they were ...

5Oct

By Eleanor HallNo Comments

North West

The Lodger – Unity Theatre

From the creator of ADHD: The Musical comes a semi-hallucinogenic exploration of belonging. After an unsettling welcome paired with deadpan humour, the nameless lodger takes the dust sheets from the objects strewn around the stage and orchestrates the story. I was lost for the few minutes during the lodger’s own initial perspective, but the story soon developed into a compelling journey through place and possession. Dora Colquhoun plays 5 characters and gifts each one their own physicality. Most impressive was her representation of the unspeaking female deer, which was an impressive feat of physical storytelling. Furthermore, the play-world that is conveyed through The Lodger is theatrically inventive and unique. Through the recurring props and reappearing characters - all fighting to s...

5Oct

By Sadie PearsonNo Comments

London

One of the Boys – Playground Theatre

One of the Boys leads it’s audience through an Indusry-esque exploration of the corporate ‘boys club’ and the women it leaves behind, but with too little nuance or introspection to make for a truly engaging watch. The play, written by Tim Edge and directed by Lydia McKinley, was a feat of endurance for its cast. Giving 85 minutes of action with no interval, all four of the cast should be praised for the great amount of work they put in to bringing this performance to life. Energy never dropped and the quality of performance was, for the most part, high. Playing the cold-career-woman turned heart-of-gold lead Eve, Miriam Grace Edwards was a stand-out within the production, bringing nuance and sensitivity to a character which could have easily been reduced to stereotype. Edwards played...

5Oct

By Khushboo ShahNo Comments

London

The Gentlemen’s Club – Soho Theatre

If you want to experience drag cabaret Bollywood style woven into a well-crafted narrative about freedom, community and possibility, The Gentlemen’s Club is the place to be! Co-presented by the National Centre of Performing Arts and Soho Theatre, London’s finest cabaret-meets-theatre venue, The Gentlemen’s Club is not only Patchwork Ensemble’s debut in the UK but also India’s first Drag King show. The Gentlemen’s Club opens with a nostalgic act by Rocky aka Shamsher (Puja Sarup) playing a tribute to the legendary Shammi Kapoor and the golden era of Hindi cinema- performed to absolute perfection. As a senior among an ensemble of drag artists (Sheena Khalid, Ratnabali Bhattacharjee, Srishti Dixit and Amey Mehta) performing at the club, Rocky is both warmly welcoming and a lightly pat...

5Oct

By Zandra OdetundeNo Comments

London

Run, Rebel – Theatre Peckham

Run, Rebel is a heart-thumping tale, a visceral plunge into the complex reality of being a second-generation immigrant in the UK. It is a story that resonates with an audience familiar with the delicate balance between two worlds, especially those who have felt the penetrating gaze of watchful aunties, clutching their Lidl bags with an unspoken authority, ready to report where you've been and who you’re with. Something all too familiar. The star of the show, Jessica Kaur, who played Amber, delivered a commanding performance that truly set her apart. She infused her lines with a palpable energy, an emotional depth that made her a powerful presence on stage. She was a star, a brilliant axis around which the entire story spun. The story itself was laced with heart and grit. It spoke...

3Oct

By Greg HolsteadNo Comments

Scotland

Love The Sinner – The Studio, Edinburgh

Approaching the end of a one month tour of Scotland’s finest smaller theatres, this gem of the spoken word is certainly getting to the well-polished stage. Expertly, co-produced with Vanishing Point, writer and performer Imogen Stirling simply oozes confidence and assuredness as she births every beautifully crafted line. The shame is that they whizz by at such a rate they barely have time to flower into fully formed life. Like snow on the river, white for a moment, then gone forever. Through a series of flawed characters, representing the seven deadly sins, Stirling’s prose expertly coaxes and cajoles us through the drowned streets of the river city. It has rained for days. Our unlikely hero is Sloth, who reluctantly rises from her quilted fort of bedroom stagnation only when it gets to...