REVIEWS Archives - Page 142 of 545

28Sep

By Alice RoseNo Comments

London

Giant – Royal Court

In 1983, weeks before Roald Dahl’s new book ‘The Witches’ is to be released, a fury is coming back round to question and confront Dahl’s recent book review in which he comments on Tony Clifton’s ‘God Cried’ picture book. This review sparked a huge amount of controversy and corrupted Dahl’s sweet and humorous image. In this imagined piece, Mark Rosenblatt creates a fictitious afternoon in which Dahl’s publicists are pushing for an apology for his review. John Lithgow as a superbly complex Dahl is adamant on standing by his beliefs no matter the consequences to who might cull his books from the shelves. Rosenblatt comments that this piece although fictitious, has intertwined verbatim comments made from Dahl on this matter. As our current day viewers are now confronted with the long hi...

28Sep

By Stephanie WiswallNo Comments

North West

Wonder Boy – Liverpool Playhouse

Wonder Boy is a beautifully written piece of theatre which gives the audience a real insight into the struggles of living with a stammer. Following the character of Sonny and following his journey from frustration to freedom. Written by Ross Willis and directed by Sally Cookson with thought, precision and an excellent and imaginative portrayal of the frustration and expression of speaking with a stammer. A beautifully put together play which captivates you from the beginning, you are immediately drawn and sympathetic to the main character of Sonny, who was performed by Hilson Agbangbe who produced a strong and diverse performance and helped you to warm easily to the character and depicted Sonny's difficulties within the real world. Sonny's character cannot be mentioned without the excel...

28Sep

By Adam WilliamsNo Comments

North West

Two of Us – HOME Mcr

It seems somehow apposite that this play about the last meeting of Paul McCartney and John Lennon should be staged just as a certain well-known group from Manchester is about to reunite. Not just because of the massive debt that Oasis owed the Beatles but because Lennon and McCartney were in some ways like a pair of warring brothers only with more wit and talent. Throughout the seventies, until John Lennon was murdered, they would both be constantly asked if The Beatles were going to reunite. There is a story that even after Lennon’s death the remaining three were offered a fortune to get back together but they all turned it down as they said without John it wouldn’t be The Beatles. On an April night in 1976, Paul makes a surprise visit to John’s apartment in New York. Lenn...

28Sep

By Dave SmithNo Comments

London

Never Let Me Go – Rose Theatre

Nobel laureate Kazuo Ishiguro’s Never Let Me Go has been adapted for the stage by Suzanne Heathcote. The story follows a group of clones raised at Hailsham, a boarding school where they learn about their purpose, born and bred to donate from their bodies. Here they make art, and they learn about their bodies and how to keep them healthy so that they can donate to the unknown people they are bred to serve. Although the specifics of the donation process remain shrouded in mystery, it’s clear that they are not expected to survive beyond their fourth donation. In the meantime, they take on roles as carers for those clones who have already started the donation journey. At the centre of this story are Kathy, Ruth, and Tommy. Kathy harbours feelings for Tommy, but Ruth, despite knowing this, e...

28Sep

By Anna Ní DhúillNo Comments

North West

Bowie Experience – Floral Pavilion

With a thirty-song, two-and-a-half hour set with a tight band and charismatic performers, Bowie Experience is a real triumph. The tone is set immediately, as the Bowie impersonator asserts that we, the audience, can take photos, sing along, even get up and dance. This breaking of regular expectations works excellently to get the audience even more excited for what’s to come. While it takes us the first half to get confident enough to rise to our feet, by the second half most of the audience are on their feet and swaying along in pure nostalgic glee. The show opens with Space Oddity, and while you can tell lead singer Oliver Slee is a natural Bowie, it takes him a minute to really ease into that Bowie-charisma. The negative space onstage ate him up a bit for the first few tunes, u...

27Sep

By Stephanie WiswallNo Comments

North West

Jarman – Shakespeare North Playhouse

Jarman is the retelling of the extraordinary life of Derek Jarman, an artist, film maker, activist, painter and so much more demonstrating his want for freedom and expression on the world until his unfortunate death due to AIDS in 1994. As you can tell from the synopsis to put on someone's complete life story, especially one so complex with such highs and lows is no easy feat. Mark Farrelly who not only wrote but also performed this solo performance, portrayed this strong character extremely well. His performance was thought provoking, defiant, strong and powerful as he navigated through the different chapters of Jarman's life. With a very minimal staging and his only props being a torch, roll of paper, chair and a sheet. He imaginatively brought the character and scenes to life ...

27Sep

By David S ClarkeNo Comments

North West

Bad Girls the Musical – Romiley Forum

This musical is based on the television series of the same name and tells the story of a dozen or so inmates of Larkhall Prison who are incarcerated for various misdemeanours ranging from shoplifting through drug dealing and prostitution to murder. The characters are introduced individually at the start of the show, which was a nice touch by director Lucy Worthington in her directorial debut (and a marvellous job she did of it too; I have seen shows where she has acted as assistant director, but this is her first time in charge in her own right.) The plot as it is revolves around the relationships between the female prisoners and their mainly male warders, who are split between those wanting to take advantage of the girls and those who wish a better life for them. As the play progresses...

A Chorus Line – Festival Theatre, Edinburgh

26Sep

By Greg HolsteadNo Comments

Scotland

A Chorus Line – Festival Theatre, Edinburgh

A Chorus Line, originally performed in 1975, is one of the most successful musicals on all time. However, it’s reputation for highly technical choreography and of requiring a large cast of superb dancers, with equally big voices, make it one of those shows which the amateur companies tend to give an almighty body swerve, which actually makes it quite a rare beast. This fabulous touring production is a must see for all serious musos, in fact with only four Edinburgh performances it is very much a case of catch it while you can. This classic Broadway hit follows harsh Director Zach (Adam Cooper) as he puts 17 hopefuls through their paces and baring their souls in the hope of being one of the chosen 8 for the chorus of a new musical. Highlighting the brutal reality of what it takes to get ...

26Sep

By Olivia CoxNo Comments

London

The Real Ones – Bush Theatre

Romantic love is a road well travelled by storytellers, but what about its platonic counterpart? Olivier Award-winning playwright Waleed Akhtar seeks to shine a light on the similarly turbulent and complex dynamics within friendship in his new play The Real Ones, currently playing at Bush Theatre until 26th October. Set across a period of almost two decades, we encounter British-Pakistani best friends Zaid (Nathaniel Curtis) and Neelam (Mariam Haque) at various critical moments in their lives — and in their friendship — as they deal with growing up, family tensions, relationships, and identity. Closeted Zaid has his heart fervently set on becoming a playwright, and he’s also navigating his place in the world as a gay Pakistaniakistani man. Having developed a complex relationship with...

26Sep

By H.S. BakerNo Comments

Scotland

Blood Brothers – Edinburgh Playhouse

Blood Brothers is an emotional morality tale which is all about the narrative, less about the music. Poor and fecund Mrs Johnstone discovers she is expecting twins shortly after starting work as a cleaner for rich infertile Mrs Lyons. With her husband having done a bunk and too many mouths to feed already, Mrs Johnstone agrees to let Mrs Lyons have one of her twins. Conveniently Mr Lyons is away on business for nine months, so Mrs Lyons is able to create the pretence of pregnancy, fooling everybody including her husband, into believing the baby is hers. The show’s narrator constantly warns of the consequences of their actions and is the voice of impending doom throughout. Written by Willy Russell, directed by Bob Tomson and Bill Kenwright (resident director...