Friday, December 19

REVIEWS

1984 – Hackney Town Hall
London

1984 – Hackney Town Hall

George Orwell’s 1984 comes alive in this site-specific theatre production under the solid eye of Irish director, Jack Reardon. This immersive experience skilfully blends audience participation with the confined setting of Hackney Town Hall’s council chamber and atrium to underscore the novel’s themes of oppression and loss of individuality. The adaptation adeptly condenses the first half of Orwell’s novel, focusing on world-building and intrigue through an induction led by high-ranking Party officer O’Brien (Dominic Carter). A Big Brother rally, complete with patriotic singing, anti-sex league flyering, and party agents probing, welcomes the audience into the dystopian world where every word and movement are monitored under the ever-present eye of Big Brother. The initial slow burn a...
When We Are Married – Rainhill Village Hall
North West

When We Are Married – Rainhill Village Hall

Director Rosetta Parker’s superb revival of JB Priestley’s hilarious 1938 play takes full advantage of the wealth of talent Rainhill Garrick Society has to offer and even with a cast of fourteen, there was still plenty of talent remaining both back and front of house to deliver this thoroughly enjoyable evening. Set entirely in the sitting room of Mr and Mrs Helliman (Rick Young; Tracey Duffy), it is 1920 and they are entertaining two other couples – Mr and Mrs Soppitt (David Parker; Lynn Aconley) and Mr and Mrs Parker (George Lowe; Alison Mawdsley) - as they celebrate the silver anniversary of their triple wedding. They have got it in for Gerald Forbes (Tom Nevitt), the church organist, who has been seen out with a girl at night, something very shocking for that day and age. What they ...
Am I Irish Yet? – Unity Theatre
North West

Am I Irish Yet? – Unity Theatre

Kate Kerrigan’s autobiographical one-woman show at Unity in Liverpool has the audience rapt as she shares anecdotes about her life in the media, working at a hair salon in London, and her deep connection to her Irish roots. Playing as part of the Liverpool Irish Festival, Am I Irish Yet? kicked off ten days of celebration as the city hosts theatre, commemorations, and talks celebrating Irish heritage. Photo: Alison Loredo My first takeaway of Am I Irish Yet? is that Kate Kerrigan is an amazing woman. Born in London in the sixties, to Irish parents from Ballina, Co. Mayo, Kate is an exceptional role model for any woman who might have been told they aren’t qualified enough. Over the course of ninety minutes, we get snippets of Kate’s life and the important characters that shaped her, a...
Pali and Jay’s Ultimate Asian Wedding DJ Roadshow – Octagon Theatre
North West

Pali and Jay’s Ultimate Asian Wedding DJ Roadshow – Octagon Theatre

The wedding caterers may not have turned up, but Bhangra beats, Snapchat and sabotage are still on the menu of tonight’s performance. The show’s storyline is a simplistic one – DJ Pali (Jas Binag) is keen to permanently recruit his young assistant Jay (Viraj Juneja, who also wrote the show) to his Asian wedding DJ business, improve their Google rankings, and complete his LED-tile dance floor, goals that Jay seems a little reluctant to commit to. The show is described as am immersive experience, as various threats to Pali’s ambitions present themselves over the course of 75 minutes. Pali and Jay are certainly a likeable pair and the bursts of music certainly get the toes tapping but the rest is less convincing. For an energetic wedding party, it’s a slow burner that seems to only find...
Come Alive! – Empress Museum, Earl’s Court
London

Come Alive! – Empress Museum, Earl’s Court

As a fan of ‘The Greatest Showman’ I was excited to see ‘Come Alive!’ Simon Hammerstein’s new creation to the world: circus meets musical theatre. ‘Come Alive!’ literally explodes in a blaze of riotous colour, big vocals and circus acts from the opening beat. It is a gorgeous assault to the senses and not one for those looking for a quiet night out. The acts in the 700-seater Big Top are daring and jaw dropping. With everything from acrobatic performers defying logic with their stunts in the sky, to chewing gum torso bodies twisting and tumbling across the stage to fire eating, tight-rope walking and so much more. This is a celebration of fun and madness. From the outset, the hit songs (‘This Is Me’, ‘Rewrite the Stars’, ‘A Million Dreams’) are in abundance and the soundtrack carr...
The Book of Mormon – Edinburgh Playhouse
Scotland

The Book of Mormon – Edinburgh Playhouse

It should be immediately noted that The Book of Mormon Musical is not a factual retelling of the original Mormon text, nor is it created to pay homage to the religion itself, in fact one could argue it does exactly the opposite. Brought to you by the creators of South Park, The Book of Mormon is a comedy musical designed to poke fun and indulge one’s dark humour needs. We follow the mission taken by two Mormon’s from the Latter-Day Saints Church who have embarked on their quest to convert the world into the all American religion that is Mormonism. Elder Price believes he is set to do great things, to change the world and to go to Orlando…..? His main issue now is that he’s been coupled up a pathological liar who hasn’t even read the book and instead of Orlando they are going to Uganda, ...
Toto Kerblammo! – Unicorn Theatre
London

Toto Kerblammo! – Unicorn Theatre

Isolation in community, courage in adversity, the bravery it takes to feel – to love. Toto Kerblammo! is a tale from a furry friend which is deeply, tenderly human. Effy, played by Peyvand Sadeghian, is struck with tragedy. Sent to live with her aunt and uncle as her mother recovers from a nervous breakdown, in a flat block which doesn’t allow dogs. Little do her aunt and uncle know, however, that the ‘no-pets-allowed’ rules haven’t been followed. Using 3D binaural audio technology, the audience wear headphones to experience Effy’s world. Felipe Pacheco as Effy’s beloved dog Toto not only takes the stage but narrates Effy’s story through the headset directly into your ears, ASMR-like at times, demanding that to appreciate it all you must “really listen”. Audio performances from Ma...
Play On! – Liverpool Playhouse
North West

Play On! – Liverpool Playhouse

This musical show transfers Shakespeare’s Twelfth Night to the 1940’s New York jazz scene and is set in the infamous Cotton Club in 1940’s Harlem. Conceived by Sheldon Epps from a book by Cheryl L. West, the production started out on Broadway where it received three Tony nominations; it has been brought to the UK by the Talawa Theatre Company. Talawa is UK’s Black theatre company, promoting Black Joy 2024, a season of theatre and workshops celebrating Black stories and artists. Directed by Talawa’s Artistic Director, Michael Buffong, the show incorporates music by legendary jazz singer, Duke Ellington and showcases classic and contemporary choreography from Kenrick H2O Sandy. It is an all-singing, all-dancing production with a five-piece live band, comprising musicians, Shane Fo...
Hairspray – Sheffield Lyceum
Yorkshire & Humber

Hairspray – Sheffield Lyceum

It’s Welcome to the 60’s as Hairspray sprays the Sheffield Lyceum this week and You Can’t stop the Beat with this high energy, high octave musical. With the original screenplay by John Waters and the Musical Productions book by Mark O’Donnell and Thomas Meehan, the composer and co-lyricist Marc Shaiman and lyricist Scott Wittman collectively created a modern day classic - with all the ingredients to give Hairspray the longevity and wide spread appeal is deserves. Under the direction of Paul Kerryson and Brenda Edwards with top notch choreography by Drew Mconie this current UK tour easily equals, and I think surpassed its predecessor. With minimum set (Takis) and lavish caricatured costume the vast stage of the Lyceum is filled with an incredible cast which has a heart as big as its storyli...
Land of the Free – Southwark Playhouse, Borough
London

Land of the Free – Southwark Playhouse, Borough

That Abraham Lincoln was assassinated while attending a theatrical performance is fairly common knowledge. Much less is generally known about his assassin: John Wilkes Booth. Booth's life is the subject of Simple8's production at the Southwark Playhouse. Booth came from a theatrical family and was himself an actor. It was his familiarity at the Ford theatre in Washington which gave him easy access to the President's private box on the fateful night of April 15 1865.  His motivation was unclear, but probably arose from anger at the defeat of the Confederacy during the Civil War, and Lincoln's subsequent decision on the abolition of slavery. These provide the background to the play. The play is highly theatrical. This is appropriate given Booth's theatrical background ...