Monday, March 9

REVIEWS

Ordinary Madness – Riverside Studios
London

Ordinary Madness – Riverside Studios

“There’s a bluebird in my heart that wants to get out, but I pour whiskey on him and inhale cigarette smoke.” Bukowski’s famous poem opens Ordinary Madness, the latest literature-based production from international ensemble company Art Theatre London. Cleverly staged into a series of sleek vignettes, the production attempts to stitch together Bukowski’s short stories and poems, but something crucial fails to connect. Bukowski’s world is dirty, grim, and visceral — his words make you taste the cigarette smoke, smell the sweat, and inhale the sensual perversion of our human condition. Here, under Anya Viller’s direction, the show too often feels like a sleek Drama Center showcase of its best and brightest: too safe, too clean, too polished. The young, dynamic cast struggles to capture ...
Escaped Alone & What If If Only – Royal Exchange
North West

Escaped Alone & What If If Only – Royal Exchange

Caryl Churchill has been feted amongst the theatrical fraternity for over half a century. Through her associations with The Royal Court and Joint Stock companies and their exploration of feminist themes and sexual identity, she was in the vanguard of gender politics, her style of writing and staging drawing comparisons with Samuel Beckett and Harold Pinter. My exposure to her work has been limited to a production of ‘The Skriker’ at this theatre for the Manchester International Festival a decade ago, so I was keen to delve deeper into her worldview with this presentation of two of her later works as a double bill. Photo: Johan Persson Helmed by Sarah Frankcom, who, as the acclaimed former Artistic Director of this theatre, knows the opportunities and pitfalls of directing in this uni...
Boys From The Blackstuff – Richmond Theatre
London

Boys From The Blackstuff – Richmond Theatre

James Graham is one of the most celebrated playwrights working in the UK today, and Boys From The Blackstuff is one of the newest jewels in his crown. Starting off at Liverpool’s Royal Court in 2023 before transferring to the National Theatre and the Garrick Theatre last year, Boys From The Blackstuff is now embarking on a UK tour to treat more audiences across the country to its masterful blend of brilliant writing, heartbreaking characters, and deeply evocative depiction of 1980’s Liverpool. Based on Alan Bleasdale’s era-defining BBC drama of the same name, Boys From The Blackstuff weaves together the stories of five men: Dixie (Mark Womack), Chrissie (George Caple), Loggo (Jurell Carter), Yosser (Jay Johnson), and George (Ged Mckenna). As we watch them navigate life in a city plunged...
Hold On To Your Butts – The Lowry
North West

Hold On To Your Butts – The Lowry

Some theatre shows can be appreciated by being described. Others, on the other hand, just need to be experienced. Hold On To Your Butts is a prime example of the latter. On paper, a screen to stage adaptation of the dinosaur classic Jurassic Park shouldn’t work. Not without a big animatronics budget, the latest in visual effects and a host of instruments to recreate that iconic John Williams score. As the name suggests, the Recent Cutbacks ensemble have none of that. However, this is a joyous, silly and, surprisingly, accurate retelling of Spielberg’s masterpiece. The trio of performers on stage rely on physical theatre, the bare minimum of creatively used props and sound effects. They create magic. Anyone with an aversion to lo-fi storytelling might well be concerned to take t...
Mary and the Hyenas – Hull Truck Theatre
Yorkshire & Humber

Mary and the Hyenas – Hull Truck Theatre

Wednesday evening saw me heading to the theatre for the second time in a week, to review the life story of a woman who, to my great shame, I had never heard of before. Mary Wollstonecraft is her name, and six super talented performers brought her story to life at the Hull Truck Theatre, when it hosted Mary and the Hyenas. The crowds flocked in for this world premiere, written by Hull playwright Maureen Lennon with original music by singer-songwriter Billy Nomates. Born in London, in 1759, Mary’s childhood was spent in the market town of Beverley, a short distance from Hull, in East Yorkshire, after her family moved there in 1768. The show starts at the end of her life, in 1797, as she is giving birth to her second daughter, Mary (who went on to find fame writing Frankenstein). ...
Queen Extravaganza – Edinburgh Playhouse
Scotland

Queen Extravaganza – Edinburgh Playhouse

If you love Queen… scratch that, if you like Queen just a bit… don’t miss this. A sell-out crowd was clearly up for it but the first ‘act’ began with a peculiar, muddy version of ‘We Will Rock You’, the band in dull, pub-band regulation black and as the following two tracks travelled past the chief positive was that the sound clicked sharply into place. Though hang on, that vocal pirouette Gareth Taylor dropped at the end of ‘Somebody To Love’ was a bit special, wasn’t it? Then came ‘Under Pressure’, a lump in the throat reflecting that this was written before mental health was a thing; we all had stuff going on, it just wasn’t ok to talk about it. Except that David, Freddie and the band did, producing an epic four-minute pop song that resonates more heavily every single year si...
The Screen Test – Seven Dials Playhouse
London

The Screen Test – Seven Dials Playhouse

Bebe Cave’s one-woman show The Screen Test is a bonkers, non-stop romp offering a vivid glimpse into the tragicomedic life of fictional Betsy Bittersly—a neurotic, self-absorbed actress struggling to make her mark in 1930s-40s Hollywood. In a desperate bid for stardom, Betsy bends over backwards to meet every soul-crushing demand of a man-dominated, consumer-obsessed industry, even rebranding herself (from Betsy Bittersly to the cocktail-sounding Betsy Bitters) in an effort to be instantly palatable. Writer and performer Bebe Cave takes us on a wild ride from her very first screen test to her final one. Over the course of an hour, the ever-delusional Betsy encounters — and entertains, with a big, unflinching smile — every variety of perv and power player the industry has to offer. H...
Ghost Stories – Sheffield Lyceum
Yorkshire & Humber

Ghost Stories – Sheffield Lyceum

Psychological Horror with a twist! Tension… Suspense…Atmosphere… Imagination… Unsettling to say the least! Ghost Stories the theatrical experience has recently been made into a film but still remains something unique in its ‘here and now’ form on the stage. This One Act production was written 15 years ago by Jeremy Dyson (Co-writer of the much acclaimed League of Gentlemen) and Award winning Actor/Director Andy Nyman and has played in eight different far flung countries and now Ghost Stories is once again currently touring the UK. Reviewers of Ghost Stories are asked not to divulge the plot or secrets of the show, and I will certainly adhere to that. Thus, Ghost Stories remains a rare thing; in a world of information technology; a modern experience you have to see ‘spoiler free’. ...
The Girl on the Train – The Lowry
North West

The Girl on the Train – The Lowry

Bringing a psychological thriller to the stage should create an atmosphere of tension and intrigue, but The Girl on the Train struggles to maintain the suspense that made the novel so compelling. While the adaptation is faithful to the source material and the performances are solid, the production lacks the gripping intensity needed to keep audiences engaged. The script efficiently condenses the book’s plot, ensuring that key events unfold at a steady pace. However, the rapid transitions between scenes leave little room for suspense to build. The mystery remains intact, but it feels more like a retelling of events rather than a story unravelling in real time. Moments that should feel tense or shocking often pass without much weight, making it difficult to feel fully invested in the twis...
An Inspector Calls – Hull New Theatre
Yorkshire & Humber

An Inspector Calls – Hull New Theatre

As curtain raisers go, there can’t be many more dramatic than that which I witnessed on Tuesday evening, when a National Theatre production of JB Priestley’s classic thriller, An Inspector Calls, exploded on to the stage. Hull New Theatre seemed to be packed to the gills, especially after the arrival of hordes of school leavers and their teachers. All soon settled and then the fun began a few minutes after 7.30pm. The explosive start of a very stormy night, with real water falling as rain that little street urchins splashed in, took part outside the impressive home of the wealthy Birling family. This stage setting - a telephone box, street lamp, a distant urban backdrop and the house - changed very little throughout. But when it did, my goodness it was ear splitting. All the ac...