REVIEWS Archives - Page 127 of 549

Dick Whittington and His Cat – Hackney Empire

7Dec

By Alan Stuart MalinNo Comments

London

Dick Whittington and His Cat – Hackney Empire

Hackney Empire’s 25th pantomime, ‘Dick Whittington and His Cat’, directed by and starring Clive Rowe, promised festive cheer and nostalgic charm. However, despite flashes of brilliance, this production falls short of being the “must-see” panto in London this year. The script, penned by Will Brenton, lacked substance, relying heavily on recycled gags and predictable puns. The pacing was uneven, with a bloated first act dragging on before a slightly more engaging second act. Even the customary audience participation felt half-hearted, a surprising miss for a genre known for its infectious energy and considering Hackney Empire’s successful track record for pantomimes! Photo: Mark Senior Performances were a mixed bag. Kandaka Moore, as Dick Whittington, showcased a stunning vocal rang...

7Dec

By Alice RoseNo Comments

London

Hansel and Gretel – Shakespeare’s Globe

A new version of the classic tale ‘Hansel and Gretel’ directed by Nick Bagnall takes us through a journey of abandonment, survival by all means and some slightly odd creatures luring the kids astray along the way. Ned Costello as Hansel has a fiery spirit who uses his intelligence and determination to keep the pair hopeful. Yasemin Özdemir as Gretel is just as powerful in spirit and never shy to show how angry she may feel, staying smiling all through the hardships of finding their way back home. Supported by an incredible cast, narrator Jenni Maitland is cheerful and engaging keeping everyone on their toes for what could possibly happen next. Photo: Ellie Kurttz As to where it goes, it is slightly confusing on what message we can take from this new adaptation by Simon Armitage. A...

7Dec

By Klervi GavetNo Comments

London

Bette and Joan – Park Theatre

Bette and Joan is a lively exploration of the rivalry between two Hollywood legends, Bette Davis and Joan Crawford, set against the backdrop of the making of What Ever Happened to Baby Jane?. Directed by Sue Jenkins, this production offers a humorous and sharp dissection of their frenemy dynamic, blending biting wit with illuminating glimpses into their shared struggles. Photo: Simon Annand The play thrives on the fiery chemistry between the leads - "two queen bees in one hive” battling for the same crown. Neil Gordon’s masterful set design, paired with gorgeous costumes, features opposing dressing rooms without actual mirrors. The actresses’ reflections are thus projected onto one another, cleverly underscoring how deeply intertwined their lives are. The initial exchange of barbs an...

7Dec

By Olivia CoxNo Comments

London

Bill – Omnibus Theatre

In the age of disinformation, Red Fox Theatre has put together a musical comedy to tell the story of the man who started it all: Milton William ‘Bill’ Cooper. I must admit, I wasn’t actually familiar with Cooper myself before watching Bill, so I was looking forward to learning something new — and about such an incredibly timely subject. Bill isn’t a straightforward autobiographical show. Describing themselves as practitioners of ‘Chaos Theatre’, Red Fox Theatre bring us a suitably bonkers retelling of one of America’s most notorious conspiracy theorists. There’s music, puppetry, physical comedy, parodies and more — it’s a ‘kitchen sink’ style approach to storytelling that I am pretty much always a fan of. Sometimes the chaos can make it tricky to follow the thread of the stor...

6Dec

By Nazaret RaneaNo Comments

Scotland

Swamplesque – Assembly Rooms

The Assembly Rooms on December 5th hosted the return of Swamplesque, a show so gloriously unhinged that it had already obliterated box office records at this year’s Edinburgh Fringe. If you think you’ve seen it all, imagine Shrek in nipple tassels and Donkey gyrating in velour, and then realise: you’ve barely scratched the surface. This ogre-themed burlesque and drag parody manages to toe the line between absurd brilliance and complete insanity. The show dives headfirst into the swamp of pop culture references, pulling out everything from Shrek is Love, Shrek is Life (a segment that will haunt me until I die) to a roller-skating Magic Mirror doing cartwheels to Man in the Mirror. Every number was laced with just enough chaos to keep the audience howling with laughter—or stunned into...

6Dec

By Zain RussellNo Comments

London

Homo Alone – The Other Palace

Homo Alone is an uproariously entertaining musical parody of the beloved Christmas classic Home Alone, but with a twist that injects fresh humour, unexpected plot turns, and a ton of campy fun. From its inventive storyline to its clever performances, the show breathes new life into the familiar tale of Kevin McCallister—a young boy who is accidentally left behind when his family goes on a holiday trip to Paris. While staying true to the core premise of Home Alone, Homo Alone spices things up with a series of delightful additions and twists. The show not only follows Kevin’s mischievous antics but also enriches the narrative with cheeky references to iconic pop culture moments. From nods to The Wizard of Oz and Wicked to Celine Dion tributes, the humour is fresh, sharp, and bursting ...

The Devil Wears Prada – Dominion Theatre

6Dec

By Olivia CoxNo Comments

London

The Devil Wears Prada – Dominion Theatre

Gird your loins and dust off your chicest cerulean garb: The Devil Wears Prada has strutted its way onto the West End. The 2006 comedy-drama movie retains a legion of fans nearly twenty years on, with a sequel reportedly on the horizon. This leaves the musical — with a book by Kate Wetherhead, lyrics by Shaina Taub & Mark Sonnenblick, and music by Elton John — with big stilettos to fill. Its first iteration in Chicago back in 2022 received middling reviews, which begs the question: has its London premiere had enough of a glow up to earn a place amongst the theatre A-list? If you’ve seen the movie, I don’t need to summarise the plot — little has changed. If you haven’t seen the movie (in which case, fix that immediately), here’s the gist. In the bustling metropolis of New York we ...

The Rocky Horror Show – Liverpool Playhouse

6Dec

By Jenn McKeanNo Comments

North West

The Rocky Horror Show – Liverpool Playhouse

The Cult classic is back in Liverpool this Christmas! Having previously filled the Liverpool Empire on multiple occasions, it was strange to head into a smaller venue to see this production. However, it made the evening and the atmosphere a lot more intimate and not as many people joined in with the shout-outs, but they could mostly still be heard around the theatre. The Rocky Horror Show, which was later turned into a film (The Rocky Horror Picture Show) tells the story of a young couple – Brad and Janet, who’s car breaks down on their way home from a friends’ wedding, shortly after getting engaged themselves. Helped sometimes by the audience, Brad remembers that they passed a castle a couple of miles down the road and head off towards it, as a storm starts. From there the night takes ...

5Dec

By Kira DanielsNo Comments

London

A Trojan Woman – Kings Head Theatre

Sara Farrington’s A Trojan Woman simplifies and condenses Euripides’ The Trojan Women into a one woman hour long epic. With domestically inspired costumes and props reminiscent of a STOMP special, solo performer Drita Kabashi bends and billows her way through the performance of a panoply of (bicycle) helmeted soldiers, uncrowned queens, and childless mothers “in the chaos of modern warfare”. The lack of specificity in the setting and the generic dressing of the set unfortunately undercut the tragedy of the story being told under the shadow of horrific and unique atrocities very much at the forefront of viewers’ engagement with any war focused media today. Meghan Finn’s direction makes good use of the theatrical space but frequent transitions between broad comedy, reflective dance...

Stranger Than the Moon – Coronet Theatre

5Dec

By Klervi GavetNo Comments

London

Stranger Than the Moon – Coronet Theatre

The Coronet Theatre’s Stranger Than the Moon offers a poetic and contemplative exploration of Bertolt Brecht’s restless mind, one of the giants of 20th-century theatre. Directed by Oliver Reese, the production dives headfirst into the fractured psyche of the German soul—seduced by its own intellectual sharpness yet shattered by the horrors and absurdities of the human race. The show opens with the haunting refrain, “I live in dark times,” establishing a tone of existential unease. From there, it weaves a musical tapestry of Brecht’s own poems, songs, biographical notes, and video, exploring themes of absurdity and survival. This reflective approach, while intellectually engaging, sometimes falters, leaning into cerebral abstraction at the expense of theatrical dynamism. Brecht’s cha...