REVIEWS Archives - Page 127 of 565

The Merchant of Venice 1936 – Leeds Playhouse

21Feb

By Paul ClarkeNo Comments

Yorkshire & Humber

The Merchant of Venice 1936 – Leeds Playhouse

There’s always a feeling of trepidation when creatives shift The Bard’s words into a more contemporary setting, but this production of an always controversial play completely resonates with the troubled times we live in This adaptation by former Eastender Tracy-Ann Oberman and director Brigid Larmour is set in 1936 around the Battle of Cable Street in London’s East End as working class Jews and their allies stood together to kick Oswald Mosley’s British Union of Fascists off their streets. Here the characters are on both sides of this bitter political battle. Sound familiar? Oberman is the first female Shylock becoming an East End money lender living off Cable Street who strikes a deal with Fascist noble Antonio, which has disastrous consequences for the single mum. This is a l...

21Feb

By Jackie FoottitNo Comments

Yorkshire & Humber

Romeo & Juliet – Hull New Theatre

What word describes a ballet that is more than just the choreography? “Drambalet” is the perfect description of the production I enjoyed on Thursday night, when the Varna International Ballet and Orchestra company brought its production of Romeo & Juliet to Hull. This most famous of William Shakespeare’s stories was brought to life by a musical score composed by Sergei Prokofiev, in 1935, who, according to historic reports, endeavoured to model his work on the idea of a drambalet - “a ballet rooted in dramatic storytelling”. And it’s to his rousing music, played live by an amazing orchestra, conducted by Peter Tuleshkov, that the most talented performers danced and acted out the tale of the star-crossed lovers. Set in Renaissance Verona, Italy, the huge backdrop throughout, mo...

20Feb

By Olivia CoxNo Comments

London

Richard II – Bridge Theatre

London’s theatreland has welcomed its fair share of buzzy Shakespeare productions as of late, and now the Bridge Theatre has gotten in on the action with a production of Richard II starring Jonathan Bailey, whose rising stardom shot into the stratosphere after his leading role as Fiyero in the Wicked movie last year. But this is no stunt casting; with an Olivier award and two WhatsOnStage nominations in his back pocket, Bailey’s theatrical prowess is well renowned by this point, and it certainly never falters in Nicholas Hytner’s new production of the Shakespearean historical tragedy. Hytner’s production brings the action into a loosely modern context, but it doesn’t quite go down the Jamie Lloyd-ification route of black athleisure and barren sets. Instead, here we see traditiona...

20Feb

By Paul AckroydNo Comments

London

Gang Bang – Seven Dials Playhouse

This comedy written by Hughie Shepherd-Cross is based on the premise that in 1945 when Sicilians were pouring onto boats to America, one minor Mafia member by the name of Don Lambrini accidentally boarded an all-inclusive Thomas Cook cruise to England, landing in Blackpool. There he set up a derivative version of a Mafia gang, attempting to control such activities as ice cream selling, donkey riding and lemonade. This improbable scenario sets up the opportunity for a wacky, fast paced performance with lots of gags about the North of England. The three actors dressed initially as classic movie style gangsters played a range of parts with farcical names such as Fray Bentos, Al Dente and Jim Reaper. They changed costumes quickly as required. There was no scenery and the only furniture ...

20Feb

By Roger JacobsNo Comments

Scotland

Kjetil Mulelid Trio – Traverse Bar

Returning from a trip to Oslo a few years back someone excitedly described Norway as ‘the new Scotland’; oil, fish, love of conversation fuelled, dare one admit, by a glass or two. Music was in there too and in 2025, let’s, specifically, add Jazz, though with a distinct folk/cultural bent. Just as Fergus McCreadie spirits one to the glens and lochs, this trio quickly has us gliding through the cool, clear air of the fjords. Jazz as a genre easily attracts derision from those unwilling to devote the required attention or application. There are ready-made phrases and cliches coined by a certain (brilliant!) sketch show a few moons ago but tonight’s performance, despite running things close, stayed just the right side of these. Improvisational it was, at points difficult to discern who was le...

Chitty Chitty Bang Bang – Sheffield Lyceum

20Feb

By Tracey BellNo Comments

Yorkshire & Humber

Chitty Chitty Bang Bang – Sheffield Lyceum

High Flying Fantasy with scrumptious special effects. With Music and Lyrics by Richard M. Sherman and Robert B. Sherman the well-known 1968 children’s musical fantasy film Chitty Chitty Bang Bang in its stage adaptation by Jeremy Sams soars into the Sheffield Lyceum. With the original book written by the Bond/007 creator Ian Fleming and direction by Thom Southerland, choreography by Karen Bruce and Morgan Large as Set and Costume Designer this production as all the elements to fly high… literally!! The eight piece orchestra sound ‘toot sweet’ under the baton of MD Jessica Viner filling the auditorium with the familiar and much loved tunes right from the opening Entr’Acte. The Story - Inventor Caractacus Potts transforms an old race car into a magical flying vehicle that transports hi...

20Feb

By Grace AnnabelNo Comments

North West

The Parent Agency – Storyhouse

This evening, I had the immense privilege of watching the world premiere of ‘The Parent Agency’. A BRAND-NEW musical at The Storyhouse based on the best-selling book by David Baddiel with music by Dan-Gillespie Sells and direction by Tim Jackson. The hilariously entertaining production follows the story of eleven-year-old Barry Bennett who dreams of having “better parents”, those who give him everything he has ever wanted! Barry’s wishes come true, and he is transported to the United Kid-dom, where he is taken to the Parent Agency to find the mum and dad of his wildest dreams - however he quickly finds out that all of this is easier said than done and we follow his trials and tribulations along the way. The set and staging by Jon Bausor was spectacular, yet minimalistic in certain as...

20Feb

By Philip EdwardsNo Comments

North West

Beautiful Thing – Harpers Theatre Cafe

It is hard to believe that Jonathan Harvey’s play is 30 years old. Despite the progress made in some areas of LGBTQ life, there are many elements that are just as difficult and for that reason, if nothing else Beautiful Thing is still worth performing in 2025. A company like The Drama Department is to be applauded for staging a piece of theatre that is both heart breaking and humorous, often at the same time. To achieve both of those elements is a bit of a juggling act, and one that was sometimes missed in Michael McCaw’s production. When some of the humour comes from an angry situation, as it does in this play, it needs balance in pitch and tone to bring the elements through and here there was a bit too much shouting to convey anger, and that masked the humour within. A bit of quiet...

20Feb

By Zak RosenNo Comments

London

Riders to the Sea – artsdepot

Often, stories centred within specific contexts can resonate far beyond the reaches of the narrative – this is what we mean when we say that a piece of art may be universal. In the same way, forms or structures of performance, while quite alien to how we conduct ourselves in daily life, can still speak to, and deeply move, us. Opera is one such form, and Riders To The Sea, here reimagined and expanded by OperaUpClose and performed at artsDepot, is one such story. The production, directed by Flora McIntosh, features two parts: the first, a new prologue (“The Last Bit of the Moon”), composed by Michael Betteridge, and the second, the 1937 original Riders to the Sea written by Ralph Vaughn Williams with new chamber orchestration, also by Betteridge. Part one offers a window into the grief ...

20Feb

By Anne PritchardNo Comments

North West

Rave On – Floral Pavilion

Rave On is a musical show which loosely relates the history of Rock ‘n Roll during the 1950’s and 1960’s. It’s popularity relies heavily on nostalgia of the songs featured and the audience aged mainly 60+ with a few exceptions attending, reflected this. The performers in the six piece band are talented musicians and singers, lead vocalist Olliver Seymour Marsh and female soloist Victoria Bass taking the lead on vocals throughout. Seymour Marsh’s looks and gyrating hips, aka Elvis, Billy Fury etc., lend themselves to the 1950’s genre whilst Bass pulls off the looks and vibrant traits of the 50’s and 60’s iconic style with her costumes and effervescence. The opening number, Eddie Cochran’s ‘C’mon Everybody’ set the mood for the evening with Seymour March on vocals and three gu...