Friday, January 10

REVIEWS

Kindliness – Barons Court Theatre
London

Kindliness – Barons Court Theatre

Set in mythical country torn apart by war, Kindliness tells the story of a man (Malcolm) who must choose between his family and the young immigrant (Mimmi) with whom he is having an affair. Writer and producer Daniel Chaves, who also plays Malcolm, has crafted a script which attempts to tackle themes of xenophobia, racism, and tribalism. As such, Kindliness is a direct response to the many atrocities and conflicts ongoing around the world. The premise is certainly promising and, combined with Jenny Eastop’s dynamic direction, Kindliness had the ingredients to be a poignant, timely production. Indeed, when the show is firing on all cylinders, such as whenever Malcolm’s wife, Amara, delivers casual and cutting xenophobic comments, it is raw, haunting and depressingly real. Sadly, howe...
Hairspray – Hull New Theatre
Yorkshire & Humber

Hairspray – Hull New Theatre

Hull New Theatre was packed to the rafters on Monday evening, in anticipation of watching Hairspray - “the hilarious, joyous and most inspiring musical of all” according to the press release. Did it live up that that description? You bet. I loved every madcap minute. It’s 1962 America - Baltimore to be exact - and teen schoolgirl Tracy Turnblad (Katie Brace) is desperate to appear on her favourite TV programme, The Corny Collins Show. Corny (Joseph Bristow), invites teens to show off their dancing skills, but racial segregation is prevalent in America at that time, so all of the dancers are “white”, with a “negro” night being held every so often. Corny’s show is sponsored by a hairspray company, and Tracy’s ears prick up when she hears of a competition for a Miss Teenage Hairsp...
A Vicar of Dibley Christmas – Altrincham Garrick Playhouse
North West

A Vicar of Dibley Christmas – Altrincham Garrick Playhouse

Bringing the much-loved Vicar of Dibley to life on stage is no small task. The iconic characters, rapid scene changes, and the demands of adapting a TV script for live theatre present significant challenges, yet the Altrincham Garrick Playhouse production rises admirably to the occasion. Director Pete Brassington acknowledges the complexity of staging this comedy, particularly the numerous costume changes needed to depict the passage of time. You can't talk about the Vicar of Dibley without mentioning the leading lady, and in this case, it was Meg Brassington stepping into the role of Geraldine Granger, made famous by the iconic Dawn French. Her sardonic tone and impeccable comic timing, accentuated by “pauses” and subtle expressions, anchor the production with authenticity and humour. ...
Opera North: The Magic Flute – Lowry
North West

Opera North: The Magic Flute – Lowry

Opera North’s English Version of Mozart’s two-act opera hints at the fantasy but lacks the magic necessary for the classic fairy tale rescue of a princess by a handsome prince. Tamino (Egor Zhuravskii), a young prince, is being pursued by a terrible dragon and in his attempt to escape he passes out and is unknowingly saved by three mysterious Ladies (Charlie Drummond; Katie Sharpe; Hazel Croft). As they depart to alert the Queen of the Night (Naomi Quant) to his presence, Tamino regains consciousness only to meet another strange figure, that of Papageno (Emyr Wyn Jones), the bird catcher, who also works for the Queen, and deceitfully claims to have defeated the monster. He is punished when the three Ladies return by having his tongue sealed with a magic spell. Tamino is presented with a...
The Brenda Line – Traverse Theatre
Scotland

The Brenda Line – Traverse Theatre

Inspired by the lesser-known history of the Samaritans in the 1970s and ’80s, The Brenda Line is about Karen (Charlotte Grayson) and Anne (Fiona Bruce), a new-start and an old-hand during their first Samaritans nightshift together. Both are there to answer the phone and help callers (voiced here by Colin McCrodie, Eden Barrie, and Ali Watt), with Karen also hoping to get inspiration for a book out of them. However, reality and experience don't always live up with ideals, not least of which through the existence of the Brenda Line, the Samaritans philanthropic sex-line. Grayson and Bruce effectively anchor the show through their performances, with Bruce in particular conveying well the earthy weariness of reality against Grayson's two-dimensional idealism and imagination. Harry Mould...
In the Shadow of Her Majesty – Brockley Jack Studio Theatre
London

In the Shadow of Her Majesty – Brockley Jack Studio Theatre

In a cramped but comfortable North London council flat four female members of a family are preparing for Christmas. It is December 2020, when social interaction is still impacted by the effect of Covid. Within sight of the house are the overbearing walls of Pentonville prison, where the man of the house is incarcerated. The long-suffering and alcoholic mother Doreen (Alice Selwyn) and her three daughters form a fractious family unit, obsessed by football and EastEnders. The youngest daughter Jorja (Ella Harding) waits impatiently and in some distress for a long-awaited phone call on the landline from her father from inside the prison, while receiving mysterious messages on her own phone. The play, written by Lois Tallulah who also starred as oldest daughter Riley, was billed as "a t...
An American in Paris – Royal Liverpool Philharmonic
North West

An American in Paris – Royal Liverpool Philharmonic

Danny Elfman, best known for his scores to a wide range of films and, perhaps most recognizable of all, the theme tune to The Simpsons, has long been an admirer of Scottish virtuous percussionist Colin Currie, whom Steve Riech has described as ‘one of the greatest musicians in the world today’. This evening’s performance of the Percussion Concerto underlined why he is so deserving of such accolades. Percussionists are the goalkeepers of the orchestra world with many minutes of intense concentration while waiting to make an essential contribution to the overall performance. Here, however, the percussion section takes centre stage, with Currie playing an incredible range of instruments, ably supported by the Philharmonic’s percussionists. The cinematic quality of Elfman’s compositions was re...
The Scouse Red Riding Hood – Liverpool’s Royal Court
North West

The Scouse Red Riding Hood – Liverpool’s Royal Court

The Scouse Red Riding Hood, written by Kevin Fearon and directed by Mark Chatterton, with musical direction from Howard Gray, the creative team that engineered successful previous Royal Court Christmas shows, such as The Scouse Cinderella, The Scouse Snow White and The Scouse Jack & The Beanstalk is the theatre’s re-telling of children’s fairy tale, Little Red Riding Hood with a twist. This adult panto contains an abundance of Liverpool-style innuendo and near-the-knuckle jokes plus a lot of swearing, so not suitable for youngsters.  The storyline is funnily sharp-witted and works perfectly providing laughs galore including lots of home-grown Liverpool colloquialisms, Red-versus-Blue footie jokes and the cast naming local Merseyside landmarks. It’s difficult to provide too many...
Club Life – Omnibus Theatre
London

Club Life – Omnibus Theatre

Fred Deakin’s ‘Club Life’ is more than a show, it’s an intimate love letter to the transformative magic of club culture. Part autobiography, part highly immersive, participatory theatre, and part living history, this production takes audiences on an exhilarating journey through Deakin’s personal and professional evolution, from awkward teenage house party DJ to the mastermind behind some of Edinburgh’s most iconic and infamous club nights. Set against the vibrant backdrops of 1980s and 1990s Edinburgh nightlife, ‘Club Life’ combines heartfelt storytelling with a celebration of the communal power of dance. As narrator, Deakin recounts his early forays into DJing, describing how playing music at parties gave him a sense of belonging. From there, the narrative crescendos into his universit...
Opera North: Ruddigore – Lowry
North West

Opera North: Ruddigore – Lowry

Jo Davies’ 2010 production of Gilbert and Sullivan’s fast-paced comic opera is dusted down for a well-deserved airing by Revival Director James Hurley, with the action reset in the 1920’s and the era of silent movies proving the perfect setting for moustachioed villains and cloak-swirling, whilst not missing out on some updated lines to have a dig at prime ministers old and new: now, whose name might rhyme with lettuce… Rose Maybud (Amy Freston) is an innocent village girl who lives her life by a book of etiquette which only serves to hinder any burgeoning relationship with tongue-tied suitor Robin Oakapple (Dominic Sedgwick), much to the disappointment of the village’s professional bridesmaids (Chorus of Opera North led by Gillene Butterfield). Robin ropes in his foster brother,...