REVIEWS Archives - Page 10 of 548

16Nov

By Dylan MooneyNo Comments

Scotland

Òran – Traverse Theatre

From the fantastic minds of Wonder Fools comes Òran, a contemporary retelling of the famous greek myth of Orpheus. Fresh from its 2024 Edinburgh Fringe Festival run, this piece, written by Owen Sutcliffe and directed by Jack Nurse, has embarked on a new tour. Òran (Robbie Gordon) has a difficult relationship with his parents, particularly heightened by the loss of his older brother. Alone, he strikes up a strong friendship with Liam. However, as two young boys living in the modern age of social media, this friendship soon goes awry as indecent images are shared by the young boys in an immature attempt at revenge. Like the Greek myth, Òran heads into the underworld to make amends with Liam, who serves as a Eurydice-esque character. Robbie Gordon performs the poetic, spoken word-in...

16Nov

By Ralph JeffreysNo Comments

London

L’Indiscipline – Theatro Technis

L’Indiscipline is a mad show full of creativity and promise and an exemplar of what fringe theatre is all about. The play focuses on the Salpetriere hospital and its celebrity doctor Jean-Martin Charcot. We begin in a lecture, ourselves as the audience, as Charcot and his assistant Gilles demonstrate their various patients, turning their mental disorders into a psuedo-scientific circus show. Their star patient however, a ‘hysteric’ called Louise Gliezes, has disappeared. Gradually, clues are fed to us that this disappearance might not be temporary: a blood stain, a stolen car, a missing gun. From here the control of the two doctors unravels as they try and work out what is going on, all while trying to control their patients and maintain a calm image for us, their lecture audience. A...

16Nov

By Gemma PrinceNo Comments

London

COVEN – Kiln Theatre

Inspired by England’s notorious witch trials of the 17th century, Rebecca Brewer’s Coven tells the story of Jenet Device in 1616 Pendle, Lancashire, who at nine years old accuses her family of witchcraft. Over two decades later, she finds herself imprisoned for the same crime amongst wrongfully accused women, forcing her to confront her painful past, her beliefs, as well as her identity. Directed by Miranda Cromwell, Coven could be likened to SIX and Sylvia in some ways, powerful women historically shunned by society, reclaiming their narratives and rewriting their stories in a deeply rooted patriarchal world. Jasmine Swan’s set is dark and intimidating, grey stone covers the stage with formidable jail bars centre stage, a constant reminder that these condemned women are trapped, whi...

15Nov

By Zain RussellNo Comments

London

After Sunday – Bush Theatre

After Sunday is an intimate and thought-provoking production set within a secure hospital where the characters join a Caribbean cooking group. Through this unique setting, the play allows us to explore how individuals cope with the emotional and psychological challenges of being in such an environment, especially when their stay has no defined end. The production sensitively portrays the complex emotions of those trying to find meaning and comfort through cooking, an activity that not only passes the time but also becomes a form of therapy. It’s a way to manage trauma, foster control, and help both patients and therapists connect in a more relaxed, human way. The cast delivers exceptional performances throughout, but Corey Weekes as Ty truly stands out. His portrayal is powerful and ...

A Scouse Christmas Carol – Liverpool’s Royal Court

15Nov

By Anna SmithNo Comments

North West

A Scouse Christmas Carol – Liverpool’s Royal Court

A Scouse Christmas Carol – Liverpool’s Royal Court It may not be what Dickens had in mind when he wrote A Christmas Carol but A Scouse Christmas Carol directed by Mark Chatterton hits the mark providing laughter and mischief in the Royal Courts festive offering. Kevin Fearon has taken the traditional story by Charles Dickens shaken it up and given us a mix of ghosts, live music, humour and a murder mystery all delivered with heart, wit, warmth and festive fun. We laughed from the very first minute. Victorian London is brought to life with a beautiful cleverly designed set which makes full use of the revolving stage and the lighting sets the night time scenes. The live band are fantastic and a huge part of the show. Jacob Marley is dead but who has killed him? His widow, ...

14Nov

By Katie LeicesterNo Comments

North West

Miss Saigon – Palace Theatre

The 2025 tour of Miss Saigon has descended upon Manchester’s Palace Theatre, a moment I approached with a mixture of excitement and nerves. This musical is, without question, my unrivalled favourite of all time. Having seen it over 50 times, I know the script, staging, and emotional landscape inside out. So, would this new version soar like a phoenix… or fall short? Miss Saigon follows Kim, a young Vietnamese girl forced to work in a Saigon bar after losing her family. There she meets Chris, an American soldier, and over one night their lives become bound by a powerful, unexpected love. When Saigon falls, Chris is airlifted out in the chaos, unaware that Kim has survived and is now raising their son, Tam. Determined to protect her child at any cost, Kim endures years of hardship while C...

14Nov

By David S ClarkeNo Comments

North West

The Graduate – The Forum Theatre

I’m pleased to see Richard Parker getting another opportunity to direct a production at the Forum Theatre, Romiley, having made his directorial debut with NK earlier this year with what was probably my favourite show that I have seen this year, namely “Teechers” by John Godber. It was always going to be a difficult task to bring to the stage an adaptation of such an iconic and well known film with amazing stars (Dustin Hoffman, Anne Bancroft and Katherine Ross) but I must say that the director and cast have done a great job with the interpretation of the characters. The Graduate premiered on stage in London 25 years ago and is the story of young Benjamin Braddock and his seduction by the infamous Mrs Robinson and his falling in love with her daughter Elaine, which leads to all sorts of ...

14Nov

By Mark DavorenNo Comments

North West

La Bohème – The Lowry

Phyllida Lord’s classic production, designed by Anthony Ward, is one of the longest running at Opera North having been in their repertoire since 1993. James Hurley’s current revival is big on the comedy but sadly fails to hit the high notes that this staple of the operatic calendar deserves. With the action transposed to late 1950’s Paris, we meet four struggling bohemians living in a garret: a poet, Rodolfo (Anthony Ciaramitaro); a painter, Marcello (Yurly Yurchuk); a philosopher, Colline (Han Kim); and a musician, Schaunard (Seán Boylan), who arrives having had some good fortune and they agree to celebrate by dining at Café Momus. They are interrupted by their landlord, Benoît (Jeremy Peaker), but cleverly trick him into revealing he has been playing around which allows them to throw ...

Voices of Manchester – The Studio, Altrincham Garrick Playhouse

14Nov

By Paul WilcoxNo Comments

North West

Voices of Manchester – The Studio, Altrincham Garrick Playhouse

Thankfully avoiding the stereotype of the modern Mancunian, with their bucket hat, Adidas tracksuit and simian stroll, writer Duncan Battman has succeeded in producing a new piece of writing that celebrates the values of Manchester without ever resorting to cliché, displaying its innate humanity through six stories of the people who have made their lives here. Rather than being presented with the rather austere format of six separate monologues, Writer/Director Battman chooses to fragment and overlap the stories onstage, the first three being set on a tram heading into the city centre with the trio after the interval moving the action into a city centre pub. So, boarding at Altrincham Interchange heading into ‘town’ are Jennifer (Louise Kershaw), Duncan (John Jones) and Lillian (Victori...

Limp Wrist and the Iron Fist – Brixton House Theatre

14Nov

By Zandra OdetundeNo Comments

London

Limp Wrist and the Iron Fist – Brixton House Theatre

Limp Wrist and the Iron Fist at Brixton House Theatre was nothing short of electric, a play that’s not just important but gloriously entertaining. It’s funny, heartwarming, and unflinchingly true to the lives it represents. Each character feels like a facet of what it might mean to be Black and queer today: tender, defiant, exhausted, and alive all at once. The performances are uniformly strong, but the standout is Omari, played with fierce vulnerability by Tyler Orphé-Baker. His intensity grounds the play, every glance, every silence, feels heavy with truth. There are moments that made me laugh out loud and others that seemed to have the whole room in tears. Yes, there are references to sexual assault and other sensitive topics, so go in knowing that, but they’re handled with honest...