Monday, January 12

North West

13 Going on 30 The Musical – Opera House
North West

13 Going on 30 The Musical – Opera House

Once more Manchester’s Opera House hosted another World Premiere last night in the latest show where Manchester gets it first! 13 Going on 30 is adapted from the 2004 romantic comedy about Jenna Rink, a 13-year-old girl who wishes to skip her awkward teenage years and be “thirty, flirty, and thriving.” After making her wish, she wakes up as her 30-year-old self, a successful magazine editor. At first thrilled, Jenna soon realizes adult life isn’t as perfect as she imagined—especially when she’s drifted from her childhood best friend, Matt. From the first beat of music until the last, the energy on stage was infectious with the younger part of the company shining bright, and by tonight’s showing confirming the future of musical theatre performers is in the safest of hands. Amelia M...
2:22 A Ghost Story – Regent Theatre
North West

2:22 A Ghost Story – Regent Theatre

Danny Robins’ 2:22 A Ghost Story is a contemporary stage thriller built around one simple question: do ghosts exist? The story follows Jenny (Stacey Dooley), a new mother who becomes convinced that something unsettling happens in her home at exactly 2:22am. Her husband Sam (Kevin Clifton) is an outspoken sceptic, quick to dismiss her fears as irrational. Determined to prove her point, Jenny insists they stay awake with friends Lauren (Shvorne Marks) and Ben (Grant Kilburn) to see what occurs when the clock strikes. The staging sets the tone well: a stylish yet slightly oppressive kitchen-living area in a renovated London house, with French windows opening onto a garden glimpsed only when a motion-activated light clicks on. A digital clock is constantly visible, counting down the minu...
Bleak Expectations – Altrincham Garrick Playhouse  
North West

Bleak Expectations – Altrincham Garrick Playhouse  

My son, Sam, and I were thrilled to have been invited to the Altrincham Garrick Playhouse to spend an evening watching this hugely entertaining and funny play. Full disclosure, I was a big fan of the original Radio 4 series that inspired this stage adaptation, so my hopes were set high. There is something quintessentially British about the combination of the surrealist, gag-filled scripts from writer Mark Evans and their gentle parodying of all things Victorian that just invokes a knitted tea cosy and a plate of hot, buttered crumpets. How to describe the plot of Bleak Expectations? Basically, take every Dickensian Sunday night telly adaptation you’ve ever seen, pop them all in a blender, add a liberal splash of absolute nonsense and, hey presto! Roughly speaking the story follows the h...
Silent Approach – New Adelphi Theatre
North West

Silent Approach – New Adelphi Theatre

Silent Approach is a sobering play depicting a timeline of emotional battles, with mental health, guilt and feelings of overwhelming shame to a place of “triumphant recovery”.  Marcella Hazell is Rebecca House, a Lancashire serving policewoman who tells her story through an unfiltered lens. A raw hard-hitting portrayal of life as a respected functioning police officer protecting the public to a time in slow motion when she couldn’t even protect herself from her dark thoughts and suicidal ideations. The scenes are a hybrid between video footage to on stage performance which is becoming popular in small stage productions and is highly effective. At times it felt a little uncoordinated as the scene changes came quickly but this didn’t distract too much from the essence of the meani...
JB Shorts 27 – 53two
North West

JB Shorts 27 – 53two

Although the first JB Shorts was produced in March 2009 as a one off ‘festival’ of short plays it has grown each year and is now a much anticipated bi annual event presenting 6 short plays over one evening and last night presented its 27th iteration of the format. Track and Field by Sarah Macdonald Hughes    Directed by Martin Gibbons When two women meet at a local athletics club attended by their children, a friendship develops between them as their cheer on their offspring from the sidelines. Performed beautifully by Sarah Macdonald Hughes and Rosina Carbone this hilarious observation of friendship between women was an excellent opener to the evening’s entertainment. Its darkly comic content performed with great rapport between the two actors observed the mundanity o...
Syncopated – Liverpool Playhouse
North West

Syncopated – Liverpool Playhouse

The meaning of syncopated is explained at the end, tho perhaps more sensible if used to introduce the play, the simplest definition being ‘a variety of rhythms’. There is also a question of balance: between a present day brief encounter and the story of the Southern Syncopated Orchestra, who brought jazz from America to the UK back in 1919. And it is a fascinating story; they enjoyed remarkable success, playing all over the country, including Buckingham Palace. But… Boy meets girl, boy annoys the hell out of girl (he’s a Londoner apart from anything else… boy asks for her help to compose a musical. Unfortunately, rather a contrived framing, not helped by being delivered in epistolatory style: after Frank from the Orchestra meets Liver Bird Penny, he sends her letters describing events - bu...
Little Shop of Horrors – The Forum Theatre
North West

Little Shop of Horrors – The Forum Theatre

Adapted from the B-movie classic from over 50 years ago, this production has been brought to the stage by an extremely talent cast led by director and producer Gareth Cole, a long time NK stalwart who is undertaking his first full length theatre show, ably assisted by musical director Scott Mitchell, who also lead the excellent live band, and Jenny Arundale as choreographer. The back stage people contributed well to the overall production and their input should not be underestimated. Again another superb programme (presumably by Dominic Stannage again) with brilliant photographs by Kyle Hassall. The show is set in Mr Mushnik’s flower shop on Skid Row and explores the relationship between the staff of shy Seymour and quiet assuming Audrey. The fortunes of the shop take off when Seymour d...
Stayin’ Alive – Liverpool’s Royal Court
North West

Stayin’ Alive – Liverpool’s Royal Court

Haha, haha… welcome to a funny peculiar comedy, and it needs to be full of laughs as Maggie’ tragic tale unfolds. What does she have to live for after all? About a year since her beloved Nan died, she has no friends, her sister is a bitch - her mother an even bigger one. She ricochets between clearing out the house where her grandmother brought her up, karaoke evening at the Blue Anchor and a therapist with problems of his own. Clearly written from experience, I was astonished to find that writer Victoria Oxley was taking the lead role. But wouldn’t be at all astonished to find that co-performer Emma Bispham is her BFF, such is the chemistry between them. And co-performer doesn’t start to cover the latter’s range: mother, sister, therapist, plus memorable tribute acts, by no means in a ...
The Last Laugh – Liverpool Playhouse
North West

The Last Laugh – Liverpool Playhouse

Paul Hendy’s The Last Laugh arrives at the Liverpool Playhouse as both tribute and portrait of three of Britain’s most iconic comedians – Tommy Cooper (Damian Williams), Eric Morecambe (Bob Golding) and Bob Monkhouse (Simon Cartwright) with an imagined meeting of the three in a slightly dilapidated dressing room of an unknown theatre.   It’s a warm-hearted evening and our trio of actors are clearly accomplished mimics. However, with a sense that the show is a bit of an excuse to show off these talents, the show occasionally struggles as it slips uneasily between original theatre, greatest-hits homage and meandering biographical lecture. Each actor has an expert ear for the vocal cadence and physical timing of our comedians, honed through their own solo tribute shows, making the imper...
Fiddler on the Roof – Liverpool Empire
North West

Fiddler on the Roof – Liverpool Empire

Fiddler on the Roofis a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein and is based on the story of Tevye a poor dairy man in imperial Russia around 1905. Entering the packed Empire theatre, the stage was set in a dark haze with the orchestra pit set at the back of the stage – it looked intriguing and inviting. As a lover of this wonderful story of a man’s fight for tradition in a Jew-hating world, the set was very fitting. I saw this play on stage many years ago when the lead was played by Topol who also played the lead in the film – it was great then and I was hoping that this would compete. The opening scene of the iconic fiddler sat precariously on a roof playing the melodic tune sets the scene wonderfully and below the straw roof canopy, th...