North West Archives - Page 7 of 174

17Oct

By Scot CunninghamNo Comments

North West

Young Frankenstein – Hope Mill Theatre

Mel Brooks’ musical adaptation of the 1974 black and white horror comedy Young Frankenstein made its UK debut in Newcastle back in 2017, before taking the West End by storm. Now, in celebration of Hope Mill’s 10th anniversary, this spine-tingling spoof has been reanimated for the spooky season. When esteemed neurosurgeon Dr Frederick Frankenstein learns that he has inherited his infamous grandfather’s estate, a trip to Transylvania soon entices him into revisiting Victor’s outrageous experiments. Slick direction from Nick Winston ensures an excellent blend of sci-fi and silliness transfers from screen to stage; from flouting horror film tropes to dancing with double meanings, one scene effortlessly flows into the next as Dr Frederick and co descend into chaos. This remains both a sat...

16Oct

By Dan GrimesNo Comments

North West

1984 – Harlequin Theatre, Northwich

I have never visited the Harlequin Theatre in Northwich before and, my goodness, what a little gem it is! Unprepossessing from the outside, this 96-seater black box theatre is tucked away amidst cul-de-sacs and industrial units on the outskirts of Northwich town centre. It’s an intimate venue, which the Harlequin Players are clearly very adept at using to its full potential (it has been their home for forty-one years now). It proved to be the perfect space for their latest production, an in-house adaptation of George Orwell’s seminal dystopian novel, 1984. The narrative of the play centres on Winston Smith, an Ingsoc Party worker in the Ministry of Truth, and his conflict, both internal and external, with the regime, of which he is part. Set in a horrific near-future where totalitar...

16Oct

By Mark DavorenNo Comments

North West

The Maids – Unity Theatre

Inspired by the late Graeme Phillips, finessed by director Elinor Randle, and produced by Peter Ward, That Theatre Group CIC’s production of Jean Genet’s The Maids, translated by David Rudkin, is a masterly tour de force and a fitting tribute to a man who did so much for theatre in Liverpool. With their mistress (Jane Hogarth) away, two male maids, Solange (Samuel Perez Duran) and Claire (Cameron McKendrick) plunge into their darkest fantasies, in a twisted game, simmering with sexual tension, unravelling questions of modern slavery, gender identity, and power. The result is an absurd world where boundaries between reality and performance dissolve. Genet’s play was written in 1946 and, drawing upon a real-life murder case, critiqued the social and sexual hierarchies of the time t...

Dancing at Lughnasa – Royal Exchange Theatre

16Oct

By Paul WilcoxNo Comments

North West

Dancing at Lughnasa – Royal Exchange Theatre

Writer Brian Friel is universally regarded as one of the leading figures in English language drama, a reputation which seems to grow with every passing year since he died in 2015. The style of his work, examining the transitional culture and politics in Irish society in the 20th Century, has drawn serious comparisons with Miller, Williams and especially Anton Chekhov. This Autumn, in a continuation of their recent return to form, the Royal Exchange has teamed up with The Crucible Theatre in Sheffield to produce a spellbinding production of ‘Dancing at Lughnasa’, Friel’s exploration of his memories of growing up in rural 1930s Ireland. The comparisons of Friel with Chekhov are a serious one; both writers work is set in communities on the cusp of radical change from rural to industrial ec...

Marina Abramović: Balkan Erotic Epic – Aviva Studios

15Oct

By Mark DavorenNo Comments

North West

Marina Abramović: Balkan Erotic Epic – Aviva Studios

Artist and director Marina Abramović presents her most ambitious work yet with this stunning four-hour immersive experience that draws upon her Slavic roots and culture to explore the eroticism, spirituality and traditions of her homeland. A brass band leads us up into the hall where we witness a funeral lament for Josip Broz Tito, former Communist leader of Yugoslavia, before a further twelve visceral scenes are revealed around us, with audiences free to choose their own path. Photo: Marco Anell Magic Potions questions what is myth and what is history whilst Fucking the Ground/Fertility Rites and Scaring the Gods to Stop the Rain both explore ancient ritual performances designed to pre-empt crop failure. Ancestor’s Dance presents a typical winter scene where performers in trad...

Sibelius Symphony No. 5 – Royal Liverpool Philharmonic

13Oct

By Johanna RobertsNo Comments

North West

Sibelius Symphony No. 5 – Royal Liverpool Philharmonic

This evening’s concert at the Philharmonic, with the orchestra ably led by conductor Geoffrey Paterson, was a clear demonstration of the importance of and the Philharmonic’s commitment to offering new or lesser-known pieces alongside those more familiar to or popular with audiences. The performance opened with a short piece –Boccherino’s Ritirata notturna de Madrid, composed in 1780 to evoke the sounds of the band passing as the City Watch retired from the streets. Nearly two centuries later, Luciano Berios superimposed Boccherino’s different arrangements of his original piece to create a new work that retains the essential elements of Boccherino’s music but with a modern twist. The audience heard the sound develop from the quiet roll of the drum with the gradual introduction of the dif...

13Oct

By Brian MaddenNo Comments

North West

Snake in the Grass – Octagon Theatre

Would Snake in the Grass go with a bump, a bang, or a flop? Definitely not the latter. The Octagon Theatre Bolton’s gripping production of Alan Ayckbourn’s darkly comic thriller delivers a night of theatre that is equal parts chilling, suspenseful, and wickedly funny. Performed in the Octagon’s intimate space, the audience is drawn straight into the heart of a decaying family garden where secrets fester and ghosts real or imagined seem to lurk in every shadow. The story centres on Annabel Chester (Sue Cleaver), who returns home after her abusive father’s death. She’s physically and emotionally fragile, her father’s cruelty still haunting her. But her uneasy homecoming takes a sinister turn when her father’s former nurse, Alice (Lisa Zahra), arrives with a blackmail scheme, claiming ...

10Oct

By Katie LeicesterNo Comments

North West

Finding Nemo Jr – Z-Arts

It’s time for the Apprentices to shine! Manchester Musical Youth’s (MMY) latest production, Finding Nemo Jr, swam onto the Z-arts stage this week and what a splash it made. With a 34-strong cast of young performers, this vibrant musical adaptation of Disney and Pixar’s beloved underwater adventure truly showcased the depth of talent within MMY’s apprentices. Directed by Shannon Holland with Sarah Barron as Assistant Director and produced by the ever-fabulous Kimberly and Dave Holden, the production captured the heart and humour of the original film while allowing every performer to sparkle. Finding Nemo Jr features music and lyrics by Kristen Anderson-Lopez and Robert Lopez, and a book adapted by Lindsay Anderson. The story follows Marlin, an anxious clownfish father who embarks ...

10Oct

By Paul WilcoxNo Comments

North West

Orphans – King’s Arms Theatre

Over the last few years, Lisa and Colin Connor have quietly built something special in the small pub theatre above the King’s Arms on Bloom Street. As the area rapidly succumbs to gentrification all around it, this beacon of Salfordian working-class culture continues to produce exciting and interesting work, giving voice and opportunity for local creative stage talent to shine. This superb run of form continues with a blistering new production of ‘Orphans’, the 2009 piece by Dennis Kelly exploring urban violence and the moral quandaries that family obligations place us under. Helen (Hollie-Jay Bowes) and Danny (Ryan Clayton) have managed to unload their five-year-old son Shane onto Danny’s mum for the evening and are relaxing into a well-deserved date night together, Helen has discovere...

10Oct

By Paul ClarkeNo Comments

North West

Black Sabbath The Ballet – The Lowry

When you think about a rock band to soundtrack a ballet it's probable rock gods Black Sabbath wouldn’t be the first name that comes to mind. But when Birmingham Royal Ballet’s Director Carlos Acosta was looking for inspiration to commission locally based work, he was drawn to the doomy riffs created by four working class lads from the Black Country who basically invented Heavy Metal as a genre. Acsota clearly felt their huge riffs not only captured the long gone industrial might of Brum, where Sabbath members spent their teens, but also offered the dancers a broad palate to work with. Backed by the Birmingham Sinfonia this three-act show tries to encapsulate the band’s tempestuous five decade long career, and is a million miles away from the lighter music ballets are often performed ...