Saturday, March 21

North West

A Vicar of Dibley Christmas – Altrincham Garrick Playhouse
North West

A Vicar of Dibley Christmas – Altrincham Garrick Playhouse

Bringing the much-loved Vicar of Dibley to life on stage is no small task. The iconic characters, rapid scene changes, and the demands of adapting a TV script for live theatre present significant challenges, yet the Altrincham Garrick Playhouse production rises admirably to the occasion. Director Pete Brassington acknowledges the complexity of staging this comedy, particularly the numerous costume changes needed to depict the passage of time. You can't talk about the Vicar of Dibley without mentioning the leading lady, and in this case, it was Meg Brassington stepping into the role of Geraldine Granger, made famous by the iconic Dawn French. Her sardonic tone and impeccable comic timing, accentuated by “pauses” and subtle expressions, anchor the production with authenticity and humour. ...
Opera North: The Magic Flute – Lowry
North West

Opera North: The Magic Flute – Lowry

Opera North’s English Version of Mozart’s two-act opera hints at the fantasy but lacks the magic necessary for the classic fairy tale rescue of a princess by a handsome prince. Tamino (Egor Zhuravskii), a young prince, is being pursued by a terrible dragon and in his attempt to escape he passes out and is unknowingly saved by three mysterious Ladies (Charlie Drummond; Katie Sharpe; Hazel Croft). As they depart to alert the Queen of the Night (Naomi Quant) to his presence, Tamino regains consciousness only to meet another strange figure, that of Papageno (Emyr Wyn Jones), the bird catcher, who also works for the Queen, and deceitfully claims to have defeated the monster. He is punished when the three Ladies return by having his tongue sealed with a magic spell. Tamino is presented with a...
An American in Paris – Royal Liverpool Philharmonic
North West

An American in Paris – Royal Liverpool Philharmonic

Danny Elfman, best known for his scores to a wide range of films and, perhaps most recognizable of all, the theme tune to The Simpsons, has long been an admirer of Scottish virtuous percussionist Colin Currie, whom Steve Riech has described as ‘one of the greatest musicians in the world today’. This evening’s performance of the Percussion Concerto underlined why he is so deserving of such accolades. Percussionists are the goalkeepers of the orchestra world with many minutes of intense concentration while waiting to make an essential contribution to the overall performance. Here, however, the percussion section takes centre stage, with Currie playing an incredible range of instruments, ably supported by the Philharmonic’s percussionists. The cinematic quality of Elfman’s compositions was re...
The Scouse Red Riding Hood – Liverpool’s Royal Court
North West

The Scouse Red Riding Hood – Liverpool’s Royal Court

The Scouse Red Riding Hood, written by Kevin Fearon and directed by Mark Chatterton, with musical direction from Howard Gray, the creative team that engineered successful previous Royal Court Christmas shows, such as The Scouse Cinderella, The Scouse Snow White and The Scouse Jack & The Beanstalk is the theatre’s re-telling of children’s fairy tale, Little Red Riding Hood with a twist. This adult panto contains an abundance of Liverpool-style innuendo and near-the-knuckle jokes plus a lot of swearing, so not suitable for youngsters.  The storyline is funnily sharp-witted and works perfectly providing laughs galore including lots of home-grown Liverpool colloquialisms, Red-versus-Blue footie jokes and the cast naming local Merseyside landmarks. It’s difficult to provide too many...
Opera North: Ruddigore – Lowry
North West

Opera North: Ruddigore – Lowry

Jo Davies’ 2010 production of Gilbert and Sullivan’s fast-paced comic opera is dusted down for a well-deserved airing by Revival Director James Hurley, with the action reset in the 1920’s and the era of silent movies proving the perfect setting for moustachioed villains and cloak-swirling, whilst not missing out on some updated lines to have a dig at prime ministers old and new: now, whose name might rhyme with lettuce… Rose Maybud (Amy Freston) is an innocent village girl who lives her life by a book of etiquette which only serves to hinder any burgeoning relationship with tongue-tied suitor Robin Oakapple (Dominic Sedgwick), much to the disappointment of the village’s professional bridesmaids (Chorus of Opera North led by Gillene Butterfield). Robin ropes in his foster brother,...
Opera North: A Midsummer Night’s Dream – Lowry
North West

Opera North: A Midsummer Night’s Dream – Lowry

There’s nothing tragic about the mirth and magic of Opera North’s wonderful production, a second revival of their 2008 production of Britten’s opera, whose libretto – with the exception of one line introduced in response to the many cuts from the original – is taken directly from Shakespeare’s most popular comedy. The mischievous Puck (Daniel Abelson) accompanies us throughout and in the forest his master is Oberon (James Laing), King of the Fairies, whose Queen, Tytania (Daisy Brown) is served by fairies Peasblossom (Kitty Moore), Moth (Dougie Sadgrove), Mustardseed (Lucy Eatock), and Cobweb (Jessie Thomas). A little domestic disagreement has ensued which is about to spill over into the paths of lovers – Hermia (Siân Griffiths) who with her love Lysander (Peter Kirk) is fleeing her fat...
After the Act – HOME Mcr
North West

After the Act – HOME Mcr

A new musical inspired by the nationwide societal impacts of Section 28, After the Act continues its winter tour with a penultimate stop in Manchester- long a welcoming city boasting one of the country’s largest LGBTQ+ populations. Ellice Stevens, Nkara Stephenson, Ericka Posadas and Zachary Willis deliver monologues from those who experienced the oppressive, anti-gay culture of the late 1980s as an ensemble, with Frew providing live music. The Conservative government’s law prevented schools and councils from “promoting” homosexuality. While the source material is discernibly moving, its delivery is drawn out by being overly verbatim: every single “um”, “er” and false start is unnecessary. Where this doesn’t result in anecdotes losing their focus, activity from the non-speaking cast ...
Dear Evan Hansen – Liverpool Empire
North West

Dear Evan Hansen – Liverpool Empire

The classic saying always favours the book over the film of story but when a book comes off the back of a musical, then that musical has got to be next level. Dear Evan Hansen therefore comes with a calibre. The show is the blueprint that went to Broadway before Hollywood film sets and so future renditions can sometimes be overshot with assumed greatness. Instantly this performance was not that. What I noticed first was that the story was the main character rather than the individual performers which so often occurs during ‘big’ shows. I say it every time I go to the Empire, but that theatre is a big space that demands a strong stage presence. This cast were instantly electric, purposeful and slick that captured me and the packed seats three tiers high. Ryan Kopel’s Evan wa...
Cluedo 2 – Floral Pavilion
North West

Cluedo 2 – Floral Pavilion

A staple in many a games cupboard, Cluedo is the ultimate in murder mystery fun – bringing it to life on stage means you’ve got a lot to live up to. As the audience took their seats on a cold Tuesday night in New Brighton, it was anyone's guess as to where the story would end up… Brilliantly laid out with the classic Cluedo board as a constant backdrop, the cast were introduced one by one as the scene was set: an old manor house, newly purchased by failing rock star Rick Black. With his wife, father/manager, right hand man, cook, a recently hired interior designer and ex bandmate making up the rest of the ‘colour’ characters, the tale began to unfold. The story, of course, follows a murder that takes place at the manor – cut off by a storm and not wanting to involve the police for ce...
The Little Mermaid – The Brindley
North West

The Little Mermaid – The Brindley

Having seen the amazing Centenary Theatre Group deliver a spectacular Phantom of the Opera, I was intrigued and yes - very excited - to see how they would deliver a performance from a 1989 animated Disney film – The Little Mermaid. Diverse, brave and unpredictable – this theatre group were never afraid of risks or challenges – so I knew they would ‘smash it’ and ‘smash it’ – they did! From entering the theatre, a unique backdrop of surging bubbles and waves welcomed us , a spectacular and ‘gob-smacking’ digital backdrop that would mesmerise us all  throughout the show – I am not sure how the Director Dan Grimes and the Digital Designer Simon Matthews did this, but it was a stroke of genius and consumed us all in a word of magic and wonder throughout.   The story- origi...