Thursday, December 18

North West

Flashdance the Musical – The Forum Theatre
North West

Flashdance the Musical – The Forum Theatre

This production of Flashdance the musical is directed and choreographed by Hannah Thomas of NK Theatre Arts and a wonderful job she has done of it too, ably assisted by Jade Wilbraham. The show is set in Pittsburgh, Pennsylvania in the USA and is based on a book by Tom Hedley and Robert Cary, music by Robbie Roth and lyrics by Roth and Cary. It has a distinctive 80’s feel about it and includes a number of well-known songs including “Maniac”, “Gloria” and “What a feeling”. it tells the story of young Alex, whose job is a welder by day and 'flash-dancer' by night, and her dreams of becoming a member of a dance academy and fulfilling her ambition to become a professional dancer. It was good to see many familiar faces in the cast members who took to the stage doing improvised dancing be...
Cruel Intentions: The 90s Musical – Palace Theatre
North West

Cruel Intentions: The 90s Musical – Palace Theatre

Having not seen the source material for this production - the 1999 hit teen film Cruel Intentions - I had limited understanding of what was in store for me with the theatrical production of Cruel Intentions: The 90s Musical. The stage adaptation had been met with a lukewarm critical response since its debut in 2015, and understandably so. It’s clear to see what the intention of this production was, but the execution left a lot to be desired. Let’s start with the storyline: the story follows vindictive stepsiblings Kathryn and Sebastian, who have somewhat of a Freudian infatuation with each other. This dangerous duo makes a cruel pact that Sebastian must seduce fellow classmate - the virginal Annette - which triggers a series of dark and dangerous events that foreshadows the rest of the ...
Evita – Stockport Plaza
North West

Evita – Stockport Plaza

Following on from last year’s excellent production of Priscilla comes Romiley Operatic Societies presentation of the popular and multi award winning Lloyd-Webber classic, Evita!  This society perform here each year and completely utilises this beautiful, Art Deco theatre with its huge, and I mean huge, proscenium and luxurious auditorium with fabulous sight lines and acoustics. And did they use it well? Oh yes and some. I counted 50 performers on stage in some of the numbers which takes some enormous artistic direction and choreography and logistics to make that work but boy they did and with aplomb. I counted a mind blowing 64 cast members in the programme and that in itself is a remarkable cast size for any production. Evita tells the meteoric rise to fame and popularity as t...
Buckled – 53two
North West

Buckled – 53two

It’s Wine O’Clock somewhere. Hic-Hic-Hooray. Eat, sleep, Gin, repeat. How many of us can honestly say we haven’t reached the end of a working week and our mind has turned to relaxing with friends or family and a few drinks via an alcohol-themed pun or two. But where is the line when enjoying a bevy becomes a serious problem? Helen Jeffery’s slick and thought provoking one-act play, Buckled, which she also directs, gives us a glimpse in the consequences of out-of-control drinking. A simple set of a table and two chairs is thoughtfully used and, through a mix of mono- and dialogues and ensemble speeches, delivered by three excellent actors, and a cleverly curated Britpop soundtrack, we have the opportunity to consider our own relationship with the ‘demon drink’ (and possibly feel s...
Brennan Reece: Me Me Me – Royal Exchange
North West

Brennan Reece: Me Me Me – Royal Exchange

Playing to a sold out , home crowd of family , friends and fans of this extremely popular, highly likeable and extremely watchable home grown Manc comedian on a Friday night at the beautiful Royal Exchange was Brennan Reece. What a brilliant venue and I was interested how he’d play to the audience in the round but he absolutely revelled  in it and worked every curve as he assessed his audience and fed off their laughter. With three supporting acts to open and warm up the crowd was the ‘ intense eyed ‘ Larry Dean whose manic expressions, quick patter and physical comedy, Norman Wisdomesque face pulling  and self analysis of his Autism making him conclude that all his previous relationships were gas lighters had me howling. Next, was Tito Giacotto, an ex-professional Sicilia...
Erocia – Royal Liverpool Philharmonic
North West

Erocia – Royal Liverpool Philharmonic

‘Dazzling’ was the first word that came to mind as Veronika Eberle played Beethoven’s violin concerto with the RLPO last night, but others, such as ‘breathtaking’ and extraordinary’ were not far behind. Despite an initially poor reception at its premiere in 1806, Beethoven’s concerto has since been acknowledged as one of the greatest pieces for the instrument. The orchestra, under Hindoyan’s direction, from the delicacy of the first five beats of the timpani to the final dramatic conclusion moved seamlessly from the tension of the rising scales to filigree lightness in the quieter sections, highlighting the relationship between orchestra and soloist. Eberle more than does justice to the music’s melodic lyricism with a tone that is both pure and warm and a virtuosity that, while demonstrati...
Murder, She Didn’t Write – Floral Pavilion
North West

Murder, She Didn’t Write – Floral Pavilion

We embark on this evening with a little bit of a mystery of our own: do we have press tickets? Fortunately, we did, although not a press night. But no programme so that’s where I could slip up, getting the characters’ names wrong; just have to colour them in. For that matter, when is a review not a review? When a play is not a play. As this hilarious show is based on improvisation, it’ll be totally different every time, so we’ll just try and give you a taste of it. And for it. But while we’re nitpicking, the staging is rather odd; it may be intended to be versatile, a setting for no matter what venue, because that is chosen at random by the audience, along with various props (and choosing a card to pinpoint victim and villain), but it resembles an unsuccessful antique emporium, or a...
Raven – Liverpool Playhouse Studio
North West

Raven – Liverpool Playhouse Studio

The raven is often associated with loss and ill-omen and there’s plenty of that in Abigail McKenzie’s debut play as, inspired by her own lived experiences with addiction, homelessness, children’s services, and domestic abuse, the piece delves into themes of addiction, isolation, and the far-reaching consequences on maternal relationships. Staged on a raised platform with the audience on three sides, Raven presents the challenges of a mother, Elis (McKenzie), trying to reconnect with her young daughter who has been taken into care, with an unravelling back story hinting as to how she has got to this position. The play touches upon a range of sensitive and challenging issues, which most audience members will not have direct experience of, so as an adject, I must note that I have worked...
Pig Heart Boy – Liverpool Playhouse
North West

Pig Heart Boy – Liverpool Playhouse

Better to have a pig heart that works, that a human one that doesn’t, right? Pig Heart Boy, based on the popular 1997 novel by Malorie Blackman of the same name and has been adapted for the stage by Winsome Pinnock. It is true to the book and has even been endorsed by Blackman herself. It tells the story of Cameron, a 13-year old boy who has had heart problems since he was ill as a child. Everyone treats him as though he’s a China cup, fragile and to be handled with care. When his father contacts Professor Bryce, things start to look up, after a failed attempt at a heart transplant. Or does it? Bryce has been working on a way to get pig hearts transplanted into humans, to help save more people. The story ends up in the media and what follows is how a young boys life changes – for the be...
The Moth – Shakespeare North Playhouse
North West

The Moth – Shakespeare North Playhouse

Paul Herzberg’s two hander is a nuanced take on familial responsibility, the ethics of searching for forgiveness, and history’s grip on our adult lives. Using the studio at Shakespeare North to its full potential, The Moth directly confronts its audience with these thought-provoking themes. The stage was preset with tall posters and a flat screen TV that introduced one character’s ‘Confesisonal’, implying a public forum and foregrounding the character study that was to come. The action weaved between John Josana’s talk on racism, his international childhood and his experiences meeting Marius (a South African ex-solider) on a train and later elsewhere. In detailing John’s experiences, the play introduced some vivid imagery and an interesting historical backdrop, supported by monochro...