Monday, October 7

North West

Bluebeard – HOME, Manchester
North West

Bluebeard – HOME, Manchester

Lighter nights and the promise of Spring is in the air as I sit in Tony Wilson Place outside HOME, Manchester’s gorgeous arts venue, which is finally delivering on its promise of new and interesting devised work as well as the best in challenging theatre from the UK and beyond. ‘Bluebeard’, the new offering from Wise Children, the company formed by Emma Rice in 2018, certainly falls into the latter category and offers an evening of music, magic and bizarre humour with a hard-hitting message wrapped in sumptuous theatrical style. We are led into this world by Mother Superior (Katy Owen), resplendent in the eponymous beard of the title, relating the cautionary tale of Treasure (Patrycja Kujawska) and her two daughters Trouble (Stephanie Hockley) and Lucky (Robyn Sinclair) as they become i...
Drop the Dead Donkey: The Reawakening – The Lowry
North West

Drop the Dead Donkey: The Reawakening – The Lowry

The 90s were famous for a lot of things such as Britpop, Cool Brittania and the Teletubbies and casting an acerbic eye on the news at that time was an award-winning sitcom ready to take a satirical swipe at the great and the good of the day. Recorded close to transmission the gags were bang up to date and like Spitting Image and Have I Got News For You, it was must see TV for satire junkies. Aside from its topicality the show had a great bunch of misfit characters who were, like in any great sitcom, trapped together, in this case in a news station. It had a bumbling editor, George (Jeff Rawle), a womanising gambling addict, Dave (Neil Pearson), the attention seeking Damien (Stephen Tompkinson), perfectionist Helen (Ingrid Lacey) and the sociopathic Joy (Susannah Doyle). It was a workpla...
The Tiger Who Came to Tea – Liverpool Playhouse
North West

The Tiger Who Came to Tea – Liverpool Playhouse

The Tiger Who Came to Tea, Judith Kerr’s classic tale of, well, a tiger who came tea, has been a bedtime classic for over 50 years. It was adapted by David Wood into a stage show, which is celebrating 12 years and several Olivier Award nominations. That said, (and I might be in the minority here), I just didn’t gel with this performance. I took my two sons, 5 and 2, to see this show, and I think we were a real spectrum of reviews between us. At one end, my 2-year-old, who joined in with such enthusiasm I’m tempted to ask for a cut of the profit. Although he seemed to enjoy the show, I have seen him more rapt in other shows (including Kerr’s Mog, the Forgetful Cat just last year) so it certainly wasn’t his favourite. My eldest son sat in the middle of the road. Very much a “meh” revie...
Shrek The Musical – Liverpool Empire
North West

Shrek The Musical – Liverpool Empire

Once upon a time, in a land far far away... or just down the M62 in Liverpool depending on your postcode. Shrek The Musical landed in The Empire Theatre just in time for half term. Boasting a cast of International and West end stars, Shrek is certainly not one to miss out on this week. Opening with strong choreography and vocals from the ensemble in “Story of My Life” this was certainly a settle into your seat's moment as you begin to see the story unfold. Shrek, who is played by Anthony Lawrence has a big job on his hands which is to confront Farquaad (played by James Gillan) and reclaim his swamp, unbeknownst to him that he is on a far bigger path of defeating a dragon and claiming the princess from her tower. Light work? Or so he thought before he met his noble stead... A personal...
Madagascar The Musical – Opera House, Manchester
North West

Madagascar The Musical – Opera House, Manchester

‘Madagascar the Musical’, an all-singing-and-dancing adaptation of the hit 2005 film, is currently making its way around the UK & Ireland to the delight of children everywhere. 20 years after its release, it’s fantastic to see that this film is still being enjoyed by today’s generation enough that the draw of Madagascar can fill the Manchester Opera House. This is a colourful, high-energy and fast-paced production that doesn’t pause to catch breath. It was clear to me that the children in the audience were thoroughly enjoying the ride, and were engaged from start to finish, singing along and giggling as they did. Impressive set pieces by Tom Rogers were plentiful and rolled out often - I was impressed by how high budget and slick everything felt. I have to say, I didn’t care for ...
Pride and Prejudice – Shakespeare North Playhouse
North West

Pride and Prejudice – Shakespeare North Playhouse

After their greatly received production of ‘Strange Tale’ at the same venue last year, Imaginarium Theatre’s latest performance was hotly anticipated. Though some may stray from this type of re-telling when they are unfamiliar with the original tale, Imaginarium, I’m pleased to write, has achieved a very good balance in terms of audience accessibility as it centres on the essence of the 19th century classic whilst incorporating many relatable quirks. The Bennet family are loud, colourful and a smack in the face for ridding any pre-meditations of Georgian England. Lily Kelly’s Elizabeth was the most grounded performance and countered humorously by Kim Bennett’s bouncy namesake Mrs Bennett. Fully of energy and verve, these Bennett’s were exactly what is to be expected of Imaginarium: a go...
Noises Off – Storyhouse Chester
North West

Noises Off – Storyhouse Chester

A packed Storyhouse laughed out loud at a comedy that still manages to deliver. It’s over 40 years since Michael Frayn wrote Noises Off, which has been described as ‘the funniest farce’ and is probably the inspiration for the ‘Goes Wrong’ series that is now popular.  Bedroom Farce was a type of theatre in the ‘60s and ‘70s, but then fell out of popularity when public sensibilities saw them as sexist and rather degrading. Noises Off is a play within a play about the farcical antics of a theatre company trying to present ‘Nothing On’ - an actual farce. Frayn shows that what goes on backstage is often funnier than what happens on stage but when it all gets mixed up, it’s hilarious. There have been many plays since that revisit this subject: David Tristam’s Little Grimley Series might ...
Blood Brothers – Floral Pavilion
North West

Blood Brothers – Floral Pavilion

Floral Pavilion, New Brighton welcomes Willy Russell’s Blood Brothers back for the start of its 2024 UK tour and tonight’s full house audience were lucky enough to be there to witness it. This venue is the nearest venue to the story’s origins of Liverpool on this tour and the audiences are fully behind this show with an almost sold-out week, give or take a few single seats throughout before the show has even opened. Directed by Bob Tomson and the late Bill Kenwright, this classic musical has been entertaining the masses for over 40 years and is a favourite that has audience members returning time and time again. The joy with this show is not just the story, but the music, the heart and the cast who return over and over to the point they become part of the family. Returning to the ...
Funny Money – Daneside Theatre
North West

Funny Money – Daneside Theatre

The Congleton Players' production of Funny Money by Ray Cooney, under the direction of David McCaddon and Wendy McKie, was an absolute delight from start to finish. Staged in the Daneside Theatre in Congleton, the production has a fantastic cast led by Angela McIntyre-Harrison as Jean Perkins and William Vickers as Henry Perkins, every moment was filled with laughter and charm. Jake McCaddon's portrayal of Bill brought a refreshing energy to the stage, while Andrew Salmon's Davenport added a touch of intrigue to the storyline. Claire Morris as Slater, Crystal Holford as Betty Johnson, Chris Brady as Vic Johnson, and Paul Berridge as the passerby rounded out the ensemble with precision and comedic timing. Photo: Judie Tingle Photography The quality of the production was evident in ...
Let The Right One In – Altrincham Garrick Playhouse
North West

Let The Right One In – Altrincham Garrick Playhouse

Let The Right One In is an adaptation of a book by Swedish writer John Ajvide Lindqvist of the same title.  It has also been adapted twice into film, one in the Swedish Language and one American produced.  It has also been adapted for the stage twice, once in Swedish and then English.  This is the Jack Thorne English adaptation rather than a translation of the Swedish version.  Unfortunately, the fact it is an adaptation of a complex storyline is all obvious within the first five minutes. The show suffers badly from far too many micro scenes.  In a two-hour play there are probably less than ten scenes that even make it to five minutes long, many are sub one minute.  Between each scene the stage has to go dark allowing for props to be brought on and off the ...