Thursday, December 18

North West

Don’t Call Us We’ll Call You – Unity Theatre
North West

Don’t Call Us We’ll Call You – Unity Theatre

RAWD began over a decade ago as a disability drama group, meeting weekly in a church hall. Since then, it has grown into an arts organisation with a mission to tackle inequality and celebrate disabled creativity. Previous projects include Boards Are Boring, which challenged governance structures; Creative Wellness, exploring inclusive wellbeing; and their ongoing Facilitator Training Programme, which empowers the next generation of practitioners. Don’t Call Us, We’ll Call You is part of a broad programme of creative offerings for Disability Pride Month, as RAWD celebrates the next step in their journey - their official launch as a charity. It’s a timely reminder of the company’s commitment to making space for disabled voices: on stage, in leadership, and beyond. RAWD have partnered w...
Checkout – St John’s United Reformed Church Hall
North West

Checkout – St John’s United Reformed Church Hall

Soup Productions presented ‘Checkout’ staged in St John’s United Reformed Church Hall, Warrington. Set in the bustling aisles of the fictional discount store Super Save, ‘Checkout’ written by the fabulous Mike Pirks and Sam Duxbury is a warm-hearted yet emotionally resonant play skilfully blending comedy with timely social commentary. Featuring initially a core trio of supermarket workers navigating daily life, difficult customers, however, this production delivers more than just laughs. The story centres on three colleagues: Tracy (Karen Hewitt) with leadership, calming qualities and compassion, Marlena (Lisa Rhodes) a brilliant boisterous bold sharp witted flirtatious singleton and Molly (Louise Wright) in a touching, vulnerable but hilarious performance. The chemistry is palpable ...
Phil Green: A Broken Man’s Guide to Fixing Others – Seven Oaks Pub
North West

Phil Green: A Broken Man’s Guide to Fixing Others – Seven Oaks Pub

At one stage in A Broken Man’s Guide to Fixing Others, Phil Green acknowledges that he could spend an hour talking about the shocking rates of male suicide. However, he tells his Greater Manchester Fringe audience he has had another, tonally different, idea on how to fill the show. The good news: it is a great idea. Complete with a genuinely funny PowerPoint-style presentation, Green outlines his plan on how to save middle-aged men from themselves. It is something he has experience of. Partly because of his own breakdown (although he is fine now by the way - totally fine, actually) and partly because he’s had to help a few of his mates who’ve ended up in need themselves. There’s a really endearing opening section about luring these troubled men away from danger with trails of ...
Let The People Sing! Les Misérables – Liverpool Empire
North West

Let The People Sing! Les Misérables – Liverpool Empire

In 2025, Les Misérables, the world-famous Cameron Mackintosh musical based on Victor Hugo’s novel, celebrates its 40th anniversary. To mark this Ruby Anniversary, eleven amateur theatre groups across the UK were invited to stage their own productions, bringing the musical to life in their local communities. This is the first time in four decades that Les Misérables has been licensed for production by amateur theatre groups in the UK, and what a wonderful job they did for this project at the Liverpool Empire Theatre. Alongside Liverpool Empire Creative Learning, BOST Musicals, Romily Operatic Society and Tip Top Productions put on a truly professional performance at the Empire Theatre. It was better than some of the touring theatre shows I’ve seen, and the talent on display would not ...
One Hundred Percent – The King’s Arms, Salford
North West

One Hundred Percent – The King’s Arms, Salford

In a claustrophobic apartment, an actor confronts the examiner who once gave him a perfect score in an acting exam. On the wall, the certificate which validates his perfect score is proudly framed and the actor, who believed he was destined for greatness, faces the consequences of his misplaced hope and the harsh truth of what it is to build a career in his chosen profession. Now I have to disclose that for 20 plus years I worked as an examiner for both GCSE Drama and A Level Theatre Studies and the premise of this darkly comedic piece of theatre directly addresses something that I had never thought about before but have significant experience of. What is the impact of a perfect score on the recipient? In this case, the actor has believed that he has a profound talent and as such has pu...
A Single Man – Aviva Studios
North West

A Single Man – Aviva Studios

Christopher Isherwood’s 1964 study of grief, A Single Man, is a recognition of the complexities of our inner thoughts at a time of crisis. When fashion designer Tom Ford adapted the book for his 2009 movie of the same name, he chose to round off some of lead character George’s rougher edges.  Ford also concluded the story more decisively. In this contemporary ballet, Jonathan Watkins appears to have returned to the original source material, in terms of George's complicated nature.  Watkins has, however, been both more definitive and more hopeful about George's future. With mixed results. A Single Man is at times heartbreakingly emotional and tearjerkingly beautiful. But it is also, on occasion, slightly impenetrable. That being said, this Factory International a...
A Play About a Dragon – Thingwall Community Hall
North West

A Play About a Dragon – Thingwall Community Hall

A brilliantly directed (Paul Arends) comedy caper of family fun set in the middle ages, a band of outlandish and peculiar players, down on their luck and needing a break, happen upon a seemingly remarkable opportunity from the dithery and doddery Lord Mollymop (Zoran Blackie) and his overly controlling Queen Lady Dottie (Samra Uddin), to perform for one King Stanley (Carl Latham). How could they resist!  Off the group set on their treacherous journey only to discover all is not what it seems... Their journey is coloured with a variety of characters they acquire on the way, whilst also in search of a replacement for their obnoxiously dramatic Lady Gwen (Chrysanthi Fergani). They meet the trickster Meg (Meredith Clayton) who isn't what she seems. The enigmatic and bold Bud (Da...
The Death of Dr. Black – The Fitzgerald, Manchester
North West

The Death of Dr. Black – The Fitzgerald, Manchester

For how long have we been fascinated by magic and murder mysteries? In a way, what’s more extraordinary is not the exact length of time, but the continued ability for creatives to refresh and reinvent both. Take The Death of Dr. Black. This isn’t necessarily breaking new ground in murder mysteries. There’s candlesticks and ropes, there’s a study. It feels familiar. The magic, too, is relatively recognisable. Some prediction, some mentalism, one assumes a smattering of sleight of hand. And yet, Andrew Stannard’s one-man immersive theatre show still feels fresh. It is also smart, fun, lovingly put together and really enjoyable. Dr. Black is dead. That much is obvious before the audience arrives. What’s soon clear, also, is that everyone in attendance is under suspicion. De...
The Croft – Liverpool Playhouse
North West

The Croft – Liverpool Playhouse

Returning to the stage for a second life after its original run, under the direction of Philip Franks, was curtailed due to the pandemic, revival director Alastair Whatley successfully oversees changes to the original cast and script in this intriguing and intelligent piece of theatre from writer Ali Milles based on a true story. Beginning in the present day, Laura (Gracie Follows) has brought her lover, Suzanne (Caroline Harker), to the Highlands to stay in her parents’ holiday home, a former crofter’s cottage, primarily to focus on their burgeoning relationship, but where the challenges of its remoteness and isolation from the modern world play on Suzanne’s need to stay in touch with an ex-husband and two teenage children, and the nature of their relationship provides much consternati...
One Man Poe – Shakespeare North Playhouse
North West

One Man Poe – Shakespeare North Playhouse

Described as a 'marathon of the macabre' by director and performer Stephen Smith, this performance of some of Edgar Allan Poe's most renowned stories is captivating from start to finish. Although, I was only fortunate enough to see the abridged version of the show featuring two of the four main stories, I would relish to see the remaining stories and urge people to take a dive into the grisly, dark world of One Man Poe. How one man can thoroughly engage an audience so that you are able to hear a pin drop is a great achievement and Smith should be so incredibly proud. The portrayal and delivery of the lines was done with such passion, clarity and perfection, that the audience felt every lurid and desperate emotion within each story. The minimalist set and the fantastic use of the prop...